Maureen Daly Goggin is Associate Chair in the Department of English at Arizona State University, USA. Beth Fowkes Tobin is Professor of English and Women's Studies at the University of Georgia, USA.

• Contents: Introduction: threading women, Maureen Daly Goggin; Identity, Embroidery, and Sewing: The needle as the pen: intentionality, needlework, and the production of alternate discourses of power, Heather Pristash, Inez Schaechterle and Sue Carter Wood; Stitching a life in 'pen of steele and silken inke': Elizabeth Parker's circa 1830 sampler, Maureen Daly Goggin; 'Tattered to pieces': Amy Fiske's sampler and the changing roles of women in antebellum New England, Aimee E. Newell; 'I dearly loved that machine': women and the objects of home sewing in the 1940s, Marcia McLean. Cultural Identity, Piecing, Quilting, and Lace Making: Turn-of-the-century quilts: embodied objects in a web of relationships, Beverly Gordon and Laurel Horton; Crazy quilts and controlled lives: consumer culture and the meaning of women's domestic work in the American Far West, Cynthia Culver Prescott; Native quilting: history, traditions, and studies, Marsha MacDowell; Mundillo and identity: the revival and transformation of handmade lace in Puerto Rico, Ellen Fernandez-Sacco; Invisible seamstresses: needlework in Venetian convents from the 15th to the 18th century, Isabella Campagnol. Politics and Design in Yarn and Thread: Textile mills and the political economy of domestic womanhood in Elizabeth Stuart Phelps's The Silent Partner, Laura A. Smith; Recovering American women industrial designers: Florence Cory as a 19th-century case study, Sarah Johnson; Hooking magic: transforming women's handicraft into Art, Cynthia Fowler; American women and wartime hand knitting, 1750-1950, Susan M. Strawn; Bibliography; Index.

Maureen Daly Goggin is Associate Chair in the Department of English at Arizona State University, USA. Beth Fowkes Tobin is Professor of English and Women's Studies at the University of Georgia, USA.

• Contents: Introduction: threading women, Maureen Daly Goggin; Identity, Embroidery, and Sewing: The needle as the pen: intentionality, needlework, and the production of alternate discourses of power, Heather Pristash, Inez Schaechterle and Sue Carter Wood; Stitching a life in 'pen of steele and silken inke': Elizabeth Parker's circa 1830 sampler, Maureen Daly Goggin; 'Tattered to pieces': Amy Fiske's sampler and the changing roles of women in antebellum New England, Aimee E. Newell; 'I dearly loved that machine': women and the objects of home sewing in the 1940s, Marcia McLean. Cultural Identity, Piecing, Quilting, and Lace Making: Turn-of-the-century quilts: embodied objects in a web of relationships, Beverly Gordon and Laurel Horton; Crazy quilts and controlled lives: consumer culture and the meaning of women's domestic work in the American Far West, Cynthia Culver Prescott; Native quilting: history, traditions, and studies, Marsha MacDowell; Mundillo and identity: the revival and transformation of handmade lace in Puerto Rico, Ellen Fernandez-Sacco; Invisible seamstresses: needlework in Venetian convents from the 15th to the 18th century, Isabella Campagnol. Politics and Design in Yarn and Thread: Textile mills and the political economy of domestic womanhood in Elizabeth Stuart Phelps's The Silent Partner, Laura A. Smith; Recovering American women industrial designers: Florence Cory as a 19th-century case study, Sarah Johnson; Hooking magic: transforming women's handicraft into Art, Cynthia Fowler; American women and wartime hand knitting, 1750-1950, Susan M. Strawn; Bibliography; Index.

Maureen Daly Goggin is Associate Chair in the Department of English at Arizona State University, USA. Beth Fowkes Tobin is Professor of English and Women's Studies at the University of Georgia, USA.

• Contents: Introduction: threading women, Maureen Daly Goggin; Identity, Embroidery, and Sewing: The needle as the pen: intentionality, needlework, and the production of alternate discourses of power, Heather Pristash, Inez Schaechterle and Sue Carter Wood; Stitching a life in 'pen of steele and silken inke': Elizabeth Parker's circa 1830 sampler, Maureen Daly Goggin; 'Tattered to pieces': Amy Fiske's sampler and the changing roles of women in antebellum New England, Aimee E. Newell; 'I dearly loved that machine': women and the objects of home sewing in the 1940s, Marcia McLean. Cultural Identity, Piecing, Quilting, and Lace Making: Turn-of-the-century quilts: embodied objects in a web of relationships, Beverly Gordon and Laurel Horton; Crazy quilts and controlled lives: consumer culture and the meaning of women's domestic work in the American Far West, Cynthia Culver Prescott; Native quilting: history, traditions, and studies, Marsha MacDowell; Mundillo and identity: the revival and transformation of handmade lace in Puerto Rico, Ellen Fernandez-Sacco; Invisible seamstresses: needlework in Venetian convents from the 15th to the 18th century, Isabella Campagnol. Politics and Design in Yarn and Thread: Textile mills and the political economy of domestic womanhood in Elizabeth Stuart Phelps's The Silent Partner, Laura A. Smith; Recovering American women industrial designers: Florence Cory as a 19th-century case study, Sarah Johnson; Hooking magic: transforming women's handicraft into Art, Cynthia Fowler; American women and wartime hand knitting, 1750-1950, Susan M. Strawn; Bibliography; Index.