Mekonnen Tesfahuney – författare

This book explores the tourism place design trialectic. It shows how destinations are assembled and gain meaning via social, material and ecological processes.

Drawing on human geography, tourism and media studies, the book combines theoretical perspectives such as the second gaze, participatory design, more-than-human design and digital mediation, with empirical case studies ranging from rural landscapes to culinary tourism, overtourism and VR environments and AI-driven tourism experience design. In sum, this anthology offers analytical tools and novel theoretical frameworks that throw light on the contested material and digital terrain of tourism place design.

The book is intended for students, researchers, planners, designers and professionals working with tourism development, place-making and destination planning.

This book explores the tourism place design trialectic. It shows how destinations are assembled and gain meaning via social, material and ecological processes.

Drawing on human geography, tourism and media studies, the book combines theoretical perspectives such as the second gaze, participatory design, more-than-human design and digital mediation, with empirical case studies ranging from rural landscapes to culinary tourism, overtourism and VR environments and AI-driven tourism experience design. In sum, this anthology offers analytical tools and novel theoretical frameworks that throw light on the contested material and digital terrain of tourism place design.

The book is intended for students, researchers, planners, designers and professionals working with tourism development, place-making and destination planning.

This book introduces and develops the concept of geomedia studies as the name of a particular subfield of communication geography. Despite the accelerating societal relevance of ‘geomedia’ technologies for the production of various spaces, mobilities, and power-relations, and the unquestionable emergence of a vibrant research field that deals with questions pertaining to such topics, the term geomedia studies remains surprisingly unestablished. By addressing imperative questions about the implications of geomedia technologies for organizations, social groups and individuals (e.g. businesses profiting from geo-surveillance, refugees or migrants moving across national borders, or artists claiming their rights to public space) the book also aims to contribute to ongoing academic and societal debates in our increasingly mediatized world.

This book introduces and develops the concept of geomedia studies as the name of a particular subfield of communication geography. Despite the accelerating societal relevance of ‘geomedia’ technologies for the production of various spaces, mobilities, and power-relations, and the unquestionable emergence of a vibrant research field that deals with questions pertaining to such topics, the term geomedia studies remains surprisingly unestablished. By addressing imperative questions about the implications of geomedia technologies for organizations, social groups and individuals (e.g. businesses profiting from geo-surveillance, refugees or migrants moving across national borders, or artists claiming their rights to public space) the book also aims to contribute to ongoing academic and societal debates in our increasingly mediatized world.