Michael Dobson – författare

Aquatic systems exhibit incredible diversity - from mountain streams to deep oceans, from lakes and ponds to the estuaries that link river and sea. Despite their distinct characters, however, these systems share common properties and, at the level of ecology, are not all that different after all. But how can this be?Ecology of Aquatic Systems brings together coverage of freshwater and marine systems to illustrate the principles and properties that unify aquatic systems. Using examples drawn from a wide geographical range, the book presents a broad survey of the field that acts as the ideal foundation for further study.Opening with a review of the different types of aquatic system and their interconnected nature, and the diversity of life within aquatic systems, the book goes on to explore the key types of aquatic habitat, emphasising the ecological themes that pervade each system.Written with students in the centre of the frame, Ecology of Aquatic Systems retains the succinct, lucid style for which the first edition was praised, and includes cross-references throughout, a substantial glossary, and extensive index, to help readers engage with, and fully understand, the material presented.With the global importance of aquatic systems becoming more apparent - and the need for effective management of these systems becoming increasingly clear - there has never been a more important time for students to fully grasp the fundamentals of aquatic systems. Ecology of Aquatic Systems is the ideal course companion to achieve this goal.Online Resources:For registered adopters of the text:- Figures from the book in electronic format, ready to download;- A testbank of multiple-choice questions, for use in formative or summative assessmentFor students:- Hyperlinks to literature articles cited in the text

The seven essential tools for keeping projects on time and under budget

You're executing risk management, leadership, and planning--all hallmarks of outstanding project management. And yet you're still having trouble keeping your projects on schedule.

Creative Project Management adds two new elements to the mix: creativity and innovation.

Internationally renowned project management consultants Michael Dobson and Ted Leemann combine traditional project management skills, such as risk evaluation, decision-making, and human dynamics, with outside-the-box thinking and business creativity. They provide seven new tools and approaches you can apply to any project.

The methods discussed inside Creative Project Management show you how to:

Realistically imagine the outcome of your decisions Work with--and around--the realities and constraints that affect your decisions Read and predict trends Manage the long- and short-term ramifications of your decisions Evaluate the impact of present and future technologies on your decisions Imagine new choices you didn't think you had

Creative Project Management provides an invaluable new set of tools for any project management professional tasked with making difficult decisions in these uncertain times.

The century between the Restoration and David Garrick's Stratford Jubilee saw Shakespeare's promotion from the status of archaic, rustic playwright to that of England's timless Bard, and with it the complete transformation of the ways in which his plays were staged, published, and read. But why Shakespeare? And what different interests did this process serve?The Making of the National Poet is the first full-length study since the 1920s of the Restoration and eighteenth century's revisions and revaluations, and the first to consider the period's much reviled stage adaptations in the context of the profound cultural changes in which they participate. Drawing on a wide range of evidence - including engravings, prompt-books, diaries, statuary, and previously unpublished poems (among them traces of the hitherto mysterious Shakespeare Ladies' Club), it examines how and why Shakespeare was retrospectively claimed as both a respectable Enlightenment atuhor and a crucial and contested symbol of British national identity. It shows in particular how the deification of Shakespeare co-existed with and even demanded the drastic and sometimes bizarre rewriting of his plays for which the period is notorious.The book provides, through engaging and informative analysis, the definitive account of the theatre's role in establishing Shakespeare as Britain's National Poet.From reviews of the hardback:'Dobson . . . is one of the band of recent critics who have viewed the history of Shakespeare's reputation as a political matter. He proves himself to be certainly the wittiest and possibly the most learned and judicious of these critics. He has a marvellous way of unearthing some forgotten adaptation . . . he has a strong grasp of the intricacies of eighteenth-century politics.' Times Literary Supplement'distinguished book' Shakespeare Survey'rich in insight' London Review of Books

The Oxford Companion to Shakespeare is the most comprehensive reference work available on Shakespeare's life, times, works, and his 400-year global legacy. In addition to the authoritative A-Z entries, it includes nearly 100 illustrations, a chronology, a guide to further reading, a thematic contents list, and special feature entries on each of Shakespeare's works. Tying in with the 400th anniversary of Shakespeare's death, this much-loved Companion has been revised and updated, reflecting developments and discoveries made in recent years and to cover the performance, interpretation, and the influence of Shakespeare's works up to the present day. First published in 2001, the online edition was revised in 2011, with updates to over 200 entries plus 16 new entries. These online updates appear in print for the first time in this second edition, along with a further 35,000 new and revised words. These include more than 80 new entries, ranging from important performers, directors, and scholars (such as Lucy Bailey, Samuel West, and Alfredo Michel Modenessi), to topics as diverse as Shakespeare in the digital age and the ubiquity of plants in Shakespeare's works, to the interpretation of Shakespeare globally, from Finland to Iraq. To make information on Shakespeare's major works easier to find, the feature entries have been grouped and placed in a centre section (fully cross-referenced from the A-Z). The thematic listing of entries - described in the press as 'an invaluable panorama of the contents' - has been updated to include all of the new entries. This edition contains a preface written by much-lauded Shakespearian actor Simon Russell Beale.Full of both entertaining trivia and scholarly detail, this authoritative Companion will delight the browser and reward students, academics, as well as anyone wanting to know more about Shakespeare.

Shakespeare: A Playgoer's & Reader's Guide is your essential companion to all Shakespeare's extant works (as well as those known to be lost). Two of our most eminent Shakespeare scholars guide us through his sonnets, his poems, and his plays, providing the reader with detailed scene-by-scene plot synopses, cast lists, notes on the texts and sources, discussions of artistic features, and accounts of significant productions on stage and screen.Derived from the acclaimed Oxford Companion to Shakespeare, and fully updated to reflect the latest scholarship and most recent notable productions, it is the ideal compact guide for students and theatre-goers needing a helpful plot summary, or readers wishing to browse on fascinating background information.

No monarch is more glamorous or more controversial than Elizabeth I. The stories by which successive generations have sought to extol, explain, or excoriate Elizabeth supply a rich index to the cultural history of English nationalism - whether they represent her as Anne Boleyn's suffering orphan or as the implacable nemesis of Mary, Queen of Scots, as learned stateswoman or as frustrated lover, persecuted princess or triumphant warrior queen. This book examines the many afterlives the Virgin Queen has lived in drama, poetry, fiction, painting, propaganda, and the cinema over the four centuries since her death, from the aspiringly epic to the frankly kitsch. Exploring the Elizabeths of Shakespeare and Spenser, of Sophia Lee and Sir Walter Scott, of Bette Davis and of Glenda Jackson, of Shakespeare in Love and Blackadder II, this is a lively, lavishly-illustrated investigation of England's perennial fascination with a queen who is still engaged in a posthumous progress through the collective pysche of her country.

How can I teach more interactively? What is the best way to use visual aids? Why should I vary my teaching method? How should I prepare for a lecture? When should I use a simulator? Good teaching skills are essential for passing on knowledge so that it will be retained and practised for a lifetime. Thus being able to teach well is vital to patient care. This book is written for the busy clinician to help improve their teaching and pass their skills and learning on to others in the most effective way. The text covers every aspect of teaching, from lesson planning and how to use resources, to evaluating teaching and dealing with difficult situations. A combination of practical advice, step-by-step instructions and sample lesson plans will help and inspire the reader to become the best teacher possible.The text is also written for those who teach others to teach; for those running a course for their department, or running official teacher training courses. The Notes for Trainers section within each chapter gives specific guidance, helpful tips and sample lesson plans to help you run a new course. The authors share their extensive range of clinical and teaching experience in this highly readable book.

Marine and freshwater systems are being placed under pressure like never before. A bigger and more demanding human population has meant increased utilisation of aquatic systems and, as such, the need for sustainable solutions to allow the development and conservation of these systems has become an international priority. In order to understand the limits of exploitation, an understanding is needed of the ecological principles that constrain levels of productivity and the systems' responses to exploitation pressure.This timely book explores current exploitation practices, and the ecological basis and consequences of that exploitation. From a consideration of the ecological effects of the extraction of non-living resources, including energy and water itself, it progresses to the biology and ecology of aquatic organisms, and how these underpin the harvesting for aquatic resources. A discussion of the ecological consequences for the system of its use as a means of transport and as a repository for wastes follows, along with the increasing importance of aquatic systems for human recreational pursuits. Finally, effective management strategies for natural hazards, the provision of ecological goods and services, and restoration of aquatic systems are considered, as well as the importance of ecological science in exploitation management. The role of science in providing an understanding of the effects of human intervention in aquatic systems is emphasised throughout, along with a consideration of the role of ecology in the sustainable management of the consequences of human activity.Online Resource CentreThe Online Resource Centre to accompany Ecology of Aquatic Management features:For students:· Library of web links, giving students quick access to a range of additional resources· Topical updates - surveys of key developments in the fieldFor lecturers:· Figures

What does it mean to perform Shakespeare's Elizabethan and Jacobean tragedies in the modern theatre? This book brings together the reflections of a number of major classical actors on how these works can most powerfully be realized for today's audiences. Concentrating on the 'great' tragedies - Hamlet, Othello, Macbeth and King Lear - the actors offer unique insights into some of the most demanding and rewarding roles in world drama, by showing what it is like to play them on stage. Ten perceptive and articulate performers reflect on their experiences of ten major roles: the Ghost, Gertrude and Hamlet; Iago, Emilia and Othello; Lady Macbeth and Macbeth; Lear's Fool, and King Lear. Together, these essays provide a peculiarly intimate set of trade secrets about what techniques, ideas and memories actors may use when approaching tragic roles in Shakespeare's most challenging plays.

What does it mean to perform Shakespeare's Elizabethan and Jacobean tragedies in the modern theatre? This book brings together the reflections of a number of major classical actors on how these works can most powerfully be realized for today's audiences. Concentrating on the 'great' tragedies - Hamlet, Othello, Macbeth and King Lear - the actors offer unique insights into some of the most demanding and rewarding roles in world drama, by showing what it is like to play them on stage. Ten perceptive and articulate performers reflect on their experiences of ten major roles: the Ghost, Gertrude and Hamlet; Iago, Emilia and Othello; Lady Macbeth and Macbeth; Lear's Fool, and King Lear. Together, these essays provide a peculiarly intimate set of trade secrets about what techniques, ideas and memories actors may use when approaching tragic roles in Shakespeare's most challenging plays.

From the Hamlet acted on a galleon off Africa to the countless outdoor productions of A Midsummer Night's Dream that now defy each English summer, Shakespeare and Amateur Performance explores the unsung achievements of those outside the theatrical profession who have been determined to do Shakespeare themselves. Based on extensive research in previously unexplored archives, this generously illustrated and lively work of theatre history enriches our understanding of how and why Shakespeare's plays have mattered to generations of rude mechanicals and aristocratic dilettantes alike: from the days of the Theatres Royal to those of the Little Theatre Movement, from the pioneering Winter's Tale performed in eighteenth-century Salisbury to the Merchant of Venice performed by Allied prisoners for their Nazi captors, and from the how-to book which transforms Mercutio into Yankee Doodle to the Napoleonic counterspy who used Richard III as a tool of surveillance.

Why is it that some people consistently seem to get more done than others? The answer is that they know how to set specific, achievable goals for themselves...and then follow through on them.This revised and updated edition of Goal Setting features worksheets, quizzes, and other practical tools, giving you powerful techniques you can use to set a goal, make a plan, and acquire the resources and power necessary to achieve your objective.The book shows you how to:act upon their objectives in a precise, targeted wayrecognize obstacles and overcome thembecome more assertivechange counterproductive behaviorestablish prioritiesmake the most of their timeAchieving goals takes hard work and discipline. This expanded edition of Goal Setting gives you the tools and techniques to accomplish anything.

In this instructive guide to time management, author Michael Dobson provides tips, techniques, and commonsense advice that will give anyone better agency over his or her time and significantly increase productivity. Real-World Time Management does this by offering readers valuable tips on how to: set priorities; stay on track; keep a closed-door policy; avoid interrupters; and reduce stress. You’ll also learn how to handle distractions, stop procrastinating, delegate tasks, deal with meetings, and manage time effectively while traveling.Most of us dream about having a few extra hours in our day for taking care of business, relaxing, or engaging in the activities we most enjoy. But how can we make the most of our time when it seems as though there aren’t enough hours in the day? Now newly updated, this enlightening and essential guide will help leaders and frontline employees alike wrangle and order their time--no matter how hectic their lives may seem.

From the Hamlet acted on a galleon off Africa to the countless outdoor productions of A Midsummer Night's Dream that now defy each English summer, Shakespeare and Amateur Performance explores the unsung achievements of those outside the theatrical profession who have been determined to do Shakespeare themselves. Based on extensive research in previously unexplored archives, this generously illustrated and lively work of theatre history enriches our understanding of how and why Shakespeare's plays have mattered to generations of rude mechanicals and aristocratic dilettantes alike: from the days of the Theatres Royal to those of the Little Theatre Movement, from the pioneering Winter's Tale performed in eighteenth-century Salisbury to the Merchant of Venice performed by Allied prisoners for their Nazi captors, and from the how-to book which transforms Mercutio into Yankee Doodle to the Napoleonic counterspy who used Richard III as a tool of surveillance.

Classical Rhetoric, the art of persuasion, formed the sum and substance of Shakespeare’s education and was the basis of his understanding of the power of language and how it worked to move, delight and teach. Rhetoric, which seeks to explain the way that language works to influence others, provides a powerful, transformative tool for approaching text in performance. This book helps you understand the key concepts of rhetoric. It gives clear explanations, stripped of jargon, and examples of rhetorical technique in the plays. It also provides engaging, practical exercises to unlock character and to identify themes in the plays through the lens of rhetoric. Academically rigorous, based on more than a decade of practical experience in the use of rhetoric in drama at the highest level, it is an ideal companion for anyone engaging with Shakespeare in performance.

Classical Rhetoric, the art of persuasion, formed the sum and substance of Shakespeare’s education and was the basis of his understanding of the power of language and how it worked to move, delight and teach. Rhetoric, which seeks to explain the way that language works to influence others, provides a powerful, transformative tool for approaching text in performance. This book helps you understand the key concepts of rhetoric. It gives clear explanations, stripped of jargon, and examples of rhetorical technique in the plays. It also provides engaging, practical exercises to unlock character and to identify themes in the plays through the lens of rhetoric. Academically rigorous, based on more than a decade of practical experience in the use of rhetoric in drama at the highest level, it is an ideal companion for anyone engaging with Shakespeare in performance.

This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner’s work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner’s techniques.Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner’s note to his actors that 'text is your greatest enemy’, Shakespeare and Meisner are often considered ‘strange bedfellows’. The rhetorical complexity of Shakespeare’s text can often be perceived as rules an actor must learn in order to perform Shakespeare ‘properly’. Meisner’s main rule is that 'you can’t say ouch until you’ve been pinched’: in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner’s tools of ‘acting is reacting’ to discover the infinite freedom within the apparent constraints of Shakespeare’s text.

This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner’s work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner’s techniques.Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner’s note to his actors that 'text is your greatest enemy’, Shakespeare and Meisner are often considered ‘strange bedfellows’. The rhetorical complexity of Shakespeare’s text can often be perceived as rules an actor must learn in order to perform Shakespeare ‘properly’. Meisner’s main rule is that 'you can’t say ouch until you’ve been pinched’: in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner’s tools of ‘acting is reacting’ to discover the infinite freedom within the apparent constraints of Shakespeare’s text.

Romeo and Juliet always use ‘thou’ to each other, but they are the only pair of lovers in Shakespeare to do this. Why? All the women in Richard III address Richard as ‘thou’, but no man ever does. Why? When characters address the dead, they use ‘thou’ – except for Hamlet, who addresses Yorick as ‘you’. Why? Shakespeare’s contemporaries would have known the answers to these questions because they understood what ‘thou’ signified, but modern actors and audiences are in the dark. Through performance-oriented analysis of extracts from the plays, this book explores the language of ‘trulls’ and termagants, true loves and unwelcome wooers, male impersonators, smothering mothers, warring spouses and fighting men, as well as investigating lèse-majesté, Freudian slips, crisis moments and rhetorical flourishes. Drawing on work with RSC actors, as well as the author’s experience of playing a range of Shakespearean roles, the book equips the reader with a new tool for tracking emotions, weighing power relations and appreciating dazzling complexity.

Romeo and Juliet always use ‘thou’ to each other, but they are the only pair of lovers in Shakespeare to do this. Why? All the women in Richard III address Richard as ‘thou’, but no man ever does. Why? When characters address the dead, they use ‘thou’ – except for Hamlet, who addresses Yorick as ‘you’. Why? Shakespeare’s contemporaries would have known the answers to these questions because they understood what ‘thou’ signified, but modern actors and audiences are in the dark. Through performance-oriented analysis of extracts from the plays, this book explores the language of ‘trulls’ and termagants, true loves and unwelcome wooers, male impersonators, smothering mothers, warring spouses and fighting men, as well as investigating lèse-majesté, Freudian slips, crisis moments and rhetorical flourishes. Drawing on work with RSC actors, as well as the author’s experience of playing a range of Shakespearean roles, the book equips the reader with a new tool for tracking emotions, weighing power relations and appreciating dazzling complexity.

This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Jacques Lecoq to the process of rehearsing or workshopping the Shakespeare text. Written by theatre practitioner Ed Woodall, who trained with Lecoq himself, and Shakespeare academic Abigail Rokison-Woodall, this guide begins with warm-ups and ensemble-building, and moves through explorations of the story, the world of the play, the text, character emotion, thought and physicality and staging. Lecoq’s method often relies on ‘play’, and play is often seen as trivial or inconsequential. This book argues that the more playful you are, the more playfully you investigate your speech or scene and the more physically motivated that playfulness is, the more vital and lifelike your acting of Shakespeare will be.

This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Jacques Lecoq to the process of rehearsing or workshopping the Shakespeare text. Written by theatre practitioner Ed Woodall, who trained with Lecoq himself, and Shakespeare academic Abigail Rokison-Woodall, this guide begins with warm-ups and ensemble-building, and moves through explorations of the story, the world of the play, the text, character emotion, thought and physicality and staging. Lecoq’s method often relies on ‘play’, and play is often seen as trivial or inconsequential. This book argues that the more playful you are, the more playfully you investigate your speech or scene and the more physically motivated that playfulness is, the more vital and lifelike your acting of Shakespeare will be.

This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Konstantin Stanislavsky to Shakespeare.Shakespeare and Stanislavsky provides a guide for actors, acting students, directors and teachers who want to apply the work of influential theatre practitioner, Stanislavsky, to the process of rehearsing and workshopping Shakespeare’s play texts. Acting tutor and director, Annie Tyson, makes applying Stanislavsky’s methods to Shakespeare simple and accessible. She rejects and dispels the myth held by some that Stanislavsky and Shakespeare are incompatible, showing instead how the Shakespearean text offers clues to specific acting choices that are intricately connected to action and character. Drawing on years of acting, directing and teaching experience at the Drama Centre London and RADA, Tyson’s guide is full of practical tips and humour. This guide also includes a series of interviews with actors and directors who explain their approach to applying Stanislavsky to Shakespeare.