Michael Heinrich – författare

For over a century, Karl Marx’s critique of capitalism has been a crucial resource for social movements. Now, recent economic crises have made it imperative for us to comprehend and actualize Marx’s ideas. But without a knowledge of Karl Marx’s life as he lived it, neither Marx nor his works can be fully understood. There are more than twenty-five comprehensive biographies of Marx, but none of them consider his life and work in equal, corresponding measure. This biography, planned for three volumes, aims to include what most biographies have reduced to mere background: the contemporary conflicts, struggles, and disputes that engaged Marx at the time of his writings, alongside his complex relationships with a varied assortment of friends and opponents. This first volume will deal extensively with Marx’s youth in Trier and his studies in Bonn and Berlin. It will also examine the function of poetry in his intellectual development and his first occupation with Hegelian philosophy and with the so-called “young Hegelians” in his 1841 Dissertation. Already during this period, there were crises as well as breaks in Marx’s intellectual development that prompted Marx to give up projects and re-conceptualize his critical enterprise. This volume is the beginning of an astoundingly dimensional look at Karl Marx – a study of a complex life and body of work through the neglected issues, events, and people that helped comprise both. It is destined to become a classic.

With the recent revival of Karl Marx's theory, a general interest in reading Capital has also increased. But Capital – Marx’s foundational nineteenth century work on political economy – is by no means considered an easily understood text. Central concepts such as abstract labor, the value form, or the fetishism of commodities, can seem opaque to us as first time readers, and the prospect of comprehending Marx’s thought can be truly daunting. Until, that is, we pick up Michael Heinrich’s How to Read Marx's Capital. Paragraph by paragraph, Heinrich provides extensive commentary and lucid explanations of questions and quandaries that arise when encountering Marx’s original text. Suddenly, such seemingly gnarly chapters as “The Labor Process and the Valorization Process” and “Money or the Circulation of Capital” become refreshingly clear, as Heinrich explains just what we need to keep in mind when reading such a complex text. Deploying multiple appendices referring to other pertinent writings by Marx, Heinrich reveals what is relevant about Capital, and why we need to engage with it today. How to Read Marx's Capital provides an illuminating and indispensable guide to sorting through cultural detritus of a world whose political and economic systems are simultaneously imploding and exploding.

Under 1970-talet fanns en levande svensk utgivning av böcker som anknöt till Karl Marx huvudverk »Kapitalet«. Ett kvartssekel senare ser situationen annorlunda ut, trots att nyläsningarna av Marx fått ett ordentligt uppsving internationellt. I Fronesis nr 28 riktas uppmärksamheten mot Marx ekonomikritik. Vi introducerar en spännande aktuell forskning i övertygelsen om att Marx ekonomikritik alltid kommer att vara aktuell i en diskussion om globalisering, klasspolarisering och kapitalismens exploatering. Innehåll i Fronesis nr 28 (195 sidor): Redaktionen: Läs Kapitalet igen - Karl Marx: Varans fetischkaraktär och dess hemlighet - Daniel Ankarloo: Ett kvartssekel utan Marx kritik av den politiska ekonomin - Andrew Kliman: Att återerövra Kapitalet - Alan Freeman: Jämviktsmarxismens psykopatologi - Anders Ramsay: Marx? Vilken Marx? - Michael Heinrich: Monetär värdeteori pengar och kris hos Marx - Sven-Eric Liedman: Engelsismen - Daniel Ankarloo: Tom form och total negativitet - Rolf Hecker: Enkel varuproduktion - Christopher J. Arthur: Värde, arbete och negativitet

Phytopharmacy: An Evidence-Based Guide to Herbal Medicinal ProductsHealthcare professionals, including doctors, pharmacists and nurses, are often confronted with patients who use over-the-counter (OTC) herbal medicinal products and food supplements. While taking responsibility for one's own health and treatment options is encouraged, many patients use these products based on limited (and sometimes inaccurate) information from non-scientific sources, such as the popular press and internet. There is a clear need to offer balanced, well-informed advice to patients, yet a number of studies have shown that, generally, conventionally trained health practitioners consider their knowledge about herbal medicinal products and supplements to be weak.Phytopharmacy fills this knowledge gap, and is intended for use by the busy pharmacist, nurse, or doctor, as well as the 'expert patient' and students of pharmacy and herbal medicine. It presents clear, practical and concise monographs on over a hundred popular herbal medicines and plant-based food supplements. Information provided in each monograph includes: IndicationsSummary and appraisal of clinical and pre-clinical evidencePotential interactionsContraindicationsPossible adverse effectsAn overview of the current regulatory framework is also outlined, notably the EU Traditional Herbal Medicinal Products Directive. This stipulates that only licensed products or registered traditional herbal medicinal products (THRs), which have assured quality and safety, can now legally be sold OTC. Monographs are included of most of the major herbal ingredients found in THRs, and also some plant-based food supplements, which while not strictly medicines, may also have the potential to exert a physiological effect.

Ethnopharmacology is one of the world’s fastest-growing scientific disciplines encompassing a diverse range of subjects. It links natural sciences research on medicinal, aromatic and toxic plants with socio-cultural studies and has often been associated with the development of new drugs. The Editors of Ethnopharmacology have assembled an international team of renowned contributors to provide a critical synthesis of the substantial body of new knowledge and evidence on the subject that has emerged over the past decade.Divided into three parts, the book begins with an overview of the subject including a brief history, ethnopharmacological methods, the role of intellectual property protection, key analytical approaches,  the role of ethnopharmacology in primary/secondary education and links to biodiversity and ecological research. Part two looks at ethnopharmacological contributions to modern therapeutics across a range of conditions including CNS disorders, cancer, bone and joint health and parasitic diseases. The final part is devoted to regional perspectives covering all continents, providing a state-of-the –art assessment of the status of ethnopharmacological research globally. A comprehensive, critical synthesis of the latest developments in ethnopharmacology.Includes a section devoted to ethnopharmacological contributions to modern therapeutics across a range of conditions.  Contributions are from leading international experts in the field. This timely book will prove invaluable for researchers and students across a range of subjects including ethnopharmacology, ethnobotany, medicinal plant research and natural products research.Ethnopharmacology- A Reader is part of the ULLA Series in Pharmaceutical Sciences www.ullapharmsci.org

With the recent revival of Karl Marx's theory, a general interest in reading Capital has also increased. But Capital – Marx’s foundational nineteenth century work on political economy – is by no means considered an easily understood text. Central concepts such as abstract labor, the value form, or the fetishism of commodities, can seem opaque to us as first time readers, and the prospect of comprehending Marx’s thought can be truly daunting. Until, that is, we pick up Michael Heinrich’s How to Read Marx's Capital. Paragraph by paragraph, Heinrich provides extensive commentary and lucid explanations of questions and quandaries that arise when encountering Marx’s original text. Suddenly, such seemingly gnarly chapters as “The Labor Process and the Valorization Process” and “Money or the Circulation of Capital” become refreshingly clear, as Heinrich explains just what we need to keep in mind when reading such a complex text. Deploying multiple appendices referring to other pertinent writings by Marx, Heinrich reveals what is relevant about Capital, and why we need to engage with it today. How to Read Marx's Capital provides an illuminating and indispensable guide to sorting through cultural detritus of a world whose political and economic systems are simultaneously imploding and exploding.

At the beginning of their studies students of architecture are confronted with a wealth of different ways in which to visually present their designs. Expressing ideas in the form of drawings and models is usually required in the early stages of studying: “learning by doing” is the only way for students to quickly develop a repertoire for their design work.However, there are important issues to consider between the phases of devising the spatial concept and recreating it in a two- or three-dimensional drawing or physical model: How to construct a perspective freehand drawing? What plan drawings are necessary to present my design? What scale should my model be and what materials should I use to construct it?Basics Architectural Presentation combines the highly successful single volumes Technical Drawing, Freehand Drawing, CAD, Modelbuilding (new edition) and Architectural Photography from the series BASICS in a new volume. Step-by-step, it conveys possible ways to present architectural projects throughout the various project phases. In an informative and practical approach, the publication discusses the basics of architectural representation from freehand drawing, which is especially important in the design phase, to the plan drawing, model, and architecture photography. The student architect learns the tools necessary for presenting his or her work, supported by many concrete examples and practical tips that are directly applicable.

Architectural photography is an important tool for studying built architecture and documenting students own projects.Basics Architectural Photography provides a practically based explanation of the key technical aspects of photography, image analysis and photo editing, and includes helpful tips on how to take and process photographs.Topics: Photographic concepts (focal length, image circle, angle of view, depth of focus, exposure time, contrast range, etc.) Equipment (camera, lens, tripod, light meter, etc.) Photographing architecture (perspectives, architectural models, etc.) Stylistic devices in architectural photography Exterior shots Interior shots Image editing, scanning, image correction

At the beginning of their studies students of architecture are confronted with a wealth of different ways in which to visually present their designs. Expressing ideas in the form of drawings and models is usually required in the early stages of studying: ”learning by doing“ is the only way for students to quickly develop a repertoire for their design work.However, there are important issues to consider between the phases of devising the spatial concept and recreating it in a two- or three-dimensional drawing or physical model: How to construct a perspective freehand drawing? What plan drawings are necessary to present my design? What scale should my model be and what materials should I use to construct it?Basics Architectural Presentation combines the highly successful single volumes Technical Drawing, CAD, Modelbuilding, and Architectural Photography from the series BASICS with a yet to be published volume entitled Freehand Drawing. Step-by-step, it conveys possible ways to present architectural projects throughout the various project phases. In an informative and practical approach, the publication discusses the basics of architectural representation from freehand drawing, which is especially important in the design phase, to the plan drawing, model, and architecture photography. The student architect learns the tools necessary for presenting his or her work, supported by many concrete examples and practical tips that are directly applicable.

In our era of rapid, breathless change, we need concepts of human education that promise sustainability, along with a corresponding architecture of learning. The pursuit of knowledge has always been regarded as a key to a better life – both individually and collectively – and the social value of learning is reflected most vividly in the environments where it takes place. What kind of architecture do we need for a holistic concept of education that anticipates future developments? And how can the built environment support the transformation of accumulated knowledge into lived experience and embodied wisdom? Answers to such questions have often found meaningful expression in the typology of the library – and continue to do so today. This book addresses vital questions of education, human epistemics, knowledge, and their architectural settings from diverse disciplinary perspectives.