Michael Martone – författare

In the mythical town of Winesburg, Indiana, there lives a cleaning lady who can conjure up the ghost of Billy Sunday, a lascivious holy man with an unusual fetish and a burgeoning flock, a park custodian who collects the scat left by aliens, and a night janitor learning to live with life's mysteries, including the zombies in the cafeteria. Winesburg, Indiana, is a town full of stories of plans made and destroyed, of births and unexpected deaths, of remembered pasts and unexplored presents told to the reader by as interesting a cast of characters as one is likely to find in small town America. Brought to life by a lively group of Indiana writers, Winesburg, Indiana, is a place to discover something of what it means to be alive in our hyperactive century from stories that are deeply human, sometimes melancholy, and often damned funny.

"Michael Martone writes with deep affection for the ordinary. In his hands, the quotidian dreams of the American heartland are transformed . . . " —Louise Erdrich"This is a marvelous book. . . . What a gift!" —Richard Rhodes

Do Midwesterners have a peculiar way of looking at the world? Is there something not quite right about the way they see things? For such a normal place, the heartland has produced some writers who take a most individual approach to storytelling. And the result—to the delight of readers everywhere—has been stories that reveal the mystery, joy, and enchantment in the most ordinary and incidental moments of life. These 33 exceptional tales showcase the peculiarly wonderful vision of some of the region's best-known or soon-to-be-celebrated writers. Each invites its readers to see the world through different eyes and see it anew.

In this one volume, readers have access to the two decades of Hoosier mythology created by Michael Martone, one of Indiana's most recognized voices. This book collects work from Martone's first five books: Alive and Dead in Indiana, Safety Patrol, Fort Wayne Is Seventh on Hitler's List (IUP, 1990, 1992), Pensées: The Thoughts of Dan Quayle, and Seeing Eye. Virtually all of the stories in this "double-wide" collection speak to the Hoosier experience and imagination. Places like Martone's hometown of Fort Wayne, as well as Peru, Elkhart, and Indianapolis, and narrators such as Colonel Sanders, Alfred Kinsey, and James Dean's high school English teacher all come to life with the author's trademark blend of irreverent humor and incisive reality.

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

From memoir to journalism, personal essays to cultural criticism, this indispensable anthology brings together works from all genres of creative nonfiction, with pieces by fifty contemporary writers including Cheryl Strayed, David Sedaris, Barbara Kingsolver, and more.Selected by five hundred writers, English professors, and creative writing teachers from across the country, this collection includes only the most highly regarded nonfiction work published since 1970. Contributers include: Jo Ann Beard, Wendell Berry, Eula Biss, Mary Clearman Blew, Charles Bowden, Janet Burroway, Kelly Grey Carlisle, Anne Carson, Bernard Cooper, Michael W. Cox, Annie Dillard, Mark Doty, Brian Doyle, Tony Earley, Anthony Farrington, Harrison Candelaria Fletcher, Diane Glancy, Lucy Grealy, William Harrison, Robin Hemley, Adam Hochschild, Jamaica Kincaid, Barbara Kingsolver , Ted Kooser, Sara Levine, E.J. Levy, Phillip Lopate, Barry Lopez, Thomas Lynch, Lee Martin, Rebecca McCLanahan, Erin McGraw, John McPhee, Brenda Miller, Dinty W. Moore, Kathleen Norris, Naomi Shihab Nye, Lia Purpura, Richard Rhodes, Bill Roorbach, David Sedaris, Richard Selzer, Sue William Silverman, Floyd Skloot, Lauren Slater, Cheryl Strayed, Amy Tan, Ryan Van Meter, David Foster Wallace, and Joy Williams.

Lyric fictions by a master fabulist of America's Midwest.The Moon over Wapakoneta is vintage Michael Martone, the visionary oracle of the American Midwest with the gift for discovering the marvelous in the mundane. In these stories Martone shows us how traveling across time zones from Ohio to Indiana is a form of time travel; how a beer bottle can serve as a kind of telescope, how Amish might power their spaceships with windmills as they travel through space and time. These stories capture the paradox of feeling that one is in the heart of the country while at the same time in the middle of nowhere, of natives who find themselves strangers in their once familiar, but now strange, lands.On display is a love of obsolete technologies, small-town whimsy, home movies of proms and birthday parties, steam engines and baseball games. If Italo Calvino lived in Indiana rather than Italy, these are the fictions he might have made.

Michael Martone, whose trademark is the blurring of the lines between fact and fiction, has created an Indiana that almost is, a landscape marked by Lover's Lane-franchises and pharmaceutical drug theme parks. Passages from this book have been published in Indiana newspapers as feature articles on what to do this weekend or as suggestions for family vacations. Tourists have been directed to visit the Trans-Indiana Mayonnaise Pipeline and the Field of Lightbulbs. They have been told about Our Lady of the Big Hair and Feet and taught the history of the License Plate Insurrection of 1979. The book opens with a letter from the Lieutenant Governor of Indiana, inviting visitors to sample ""refreshing paw paw canapes and free glasses of buttermilk cider drawn from our state's native bison herds"" at state rest areas, and to considering working toward a Ph.D. within the state's picturesque borders. The book closes with a chilling Author's Note that epitomizes Martone's work: It is untrue but nearly believable; and it renders the mundane horrific and the tragic hilarious. The Blue Guide to Indiana is an extension of Martone's previous work, in which he often composed fake essays in the voices of real celebrities. Like Jorge Luis Borges and Flann O'Brien, Martone uses parody to reveal the deeper truths about our culture.

Normal0falsefalsefalseMicrosoftInternetExplorer4 Four is the magic number in Michael Martone’s Four for a Quarter.  In subject—four fifth Beatles, four tie knots, four retellings of the first Xerox, even the sex lives of the Fantastic Four—and in structure—the book is separated into four sections, with each section further divided into four chapterettes—Four for a Quarter returns again and again to its originating number, making chaos comprehensible and mystery out of the most ordinary.    Normal0falsefalsefalseMicrosoftInternetExplorer4                

A new story collection focused on the Heartland from Michael Martone, one of America's most prolific and important contemporary authors.In Plain Air: Sketches from Winesburg, Indiana, Michael Martone places steady fingers on the arrhythmic pulse of the Flyover as he conjures Winesburg, Indiana, a fictional town and all of its inhabitants’ lyric philosophies, tales of the mundane, and the sensation of being “lost” in the heart of the heart of the country. But here, in over one-hundred and thirty short fictions, even as there is much sadness, the citizens continue to tinker and create, marvel and wonder in the midst of ruin and rust. These stories may capture lives of quiet desperation, but in so doing, they create a kind of hobbled poetry in the spontaneous sketches of the ordinary made extraordinary, the regular irregularities, the familiar knocked off-balance with a glancing blow. From the overly overworked City Manager, to Margaret Wigg’s obsessively collected collection of library stamps, to Blanche’s air-filled aluminum ice cube tray, the town is a community of everyday odd-balls rife with isolation and idiosyncrasy. They are people trying to get by; that question loss as well as passion, devotedness, childhood wonder, and kinship in their observations and daily routines. With undeniable humor, intelligent quirk, and earnest longing for a pastoral passing into the annals of deep Midwestern time, Michael Martone crafts an unforgettable panoply of characters whose perspectives invite us to alternatively interpret our own commonplaces.

Winner of the BOA Short Fiction PrizeFinalist for the the Big Other Award for FictionThe Complete Writings of Art Smith, the Bird Boy of Fort Wayne, Edited by Michael Martone is a Midwestern mythology that celebrates facts, fiction, and the impermanence of art. Inspired by the real-life pioneer of early aviation who invented the art of skywriting, the brief stories in this collection by “editor” Michael Martone follow the adventures of Art Smith and his authorship in the sky. In the spirit of Kurt Vonnegut and Hayao Miyazaki, The Complete Writings of Art Smith, the Bird Boy of Fort Wayne, Edited by Michael Martone recreates the wonder of the early flying machines as it reimagines the unwritten stories we tell about the daredevils who flew them.