Michael Sorkin – författare

The terrorist attacks of September 11 have created an unprecedented public discussion about the uses and meanings of the central area of lower Manhattan that was once the World Trade Center. While the city sifts through the debris, contrary forces shaping its future are at work. Developers jockey to control the right to rebuild "ground zero." Financial firms line up for sweetheart deals while proposals for memorials are gaining in appeal. In After the World Trade Center, eminent social critics Sharon Zukin and Michael Sorkin call on New York's most acclaimed urbanists to consider the impact of the terrorist attack on the World Trade Center and what it bodes for the future of New York. Contributors take a close look at the reaction to the attack from a variety of New York communities and discuss possible effects on public life in the city.

Showing how the upswell of paranoia and growing demand for security in the post-9/11 world has paradoxically created widespread insecurity, these varied essays examine how this anxiety-laden mindset erodes spaces both architectural and personal, encroaching on all aspects of everyday life. Starting from the most literal level—barricades and barriers in front of buildings, beefed up border patrols, gated communities, "safe rooms,"—to more abstract levels—enhanced surveillance at public spaces such as airports, increasing worries about contagion, the psychological predilection for fortified space—the contributors cover the full gamut of securitized public life that is defining the zeitgeist of twenty-first century America

Showing how the upswell of paranoia and growing demand for security in the post-9/11 world has paradoxically created widespread insecurity, these varied essays examine how this anxiety-laden mindset erodes spaces both architectural and personal, encroaching on all aspects of everyday life. Starting from the most literal level—barricades and barriers in front of buildings, beefed up border patrols, gated communities, "safe rooms,"—to more abstract levels—enhanced surveillance at public spaces such as airports, increasing worries about contagion, the psychological predilection for fortified space—the contributors cover the full gamut of securitized public life that is defining the zeitgeist of twenty-first century America

'Exquisite Corpse' was a game played by the surrealists in which someone drew on a piece of paper, folded it and passed it to the next person to draw on until, finally, the sheet was opened to reveal a calculated yet random composition. In this entertaining and provocative book, Michael Sorkin suggests that cities are similarly assembled by many players acting with varying autonomy in a complicit framework. As unfolding terrain of invention, the city is also a means of accommodating disparity, of contextualizing sometimes startling juxtapositions.Sorkin's aim is to widen the debate about the creation of buildings beyond the immediate issues of technology and design. He discusses the politics and culture of architecture with daring, often devastating, observations about the institutions and personalities who have dominated the profession over the past decade. Their preoccupation with the empty style of 'beach houses and Disneyland' has consistently trivialized the full constructive scope of contemporary architecture's possibilities.Sorkin's intervetions range from the development scandals of New York where 'skyscrapers stand at the intersection between grid and greed', through the deconstructivist architectural culture of Los Angeles, to the work and ideas of architects, developers and critics such as Alvar Aalto, Norman Foster, Paul Goldberger, Michael Graves, Coop Himmelblau, Philip Johnson, Leon Krier, Frank Llyod Wright, Richard Rogers, Carlo Scarpa, James Stirling, Donald Trump, Tom Wolfe and Lebbeus Woods. Throughout Sorkin combines stinging polemic with a powerful call for a rebirth of architecture that is visionary and experimental-a recuperated 'dreamy science'.

Michael Sorkin's iconic list is now in a handsome printed package, a perfect gift for any architect, student of architecture, or design-savvy urbanist.By turns poetic and humorous, practical and wise, this book is a joyful celebration of the craft of architecture. A posthumous book by critic, architect, urban theorist, and educator, Michael Sorkin (1948-2020), 250 Things An Architect Should Know is filled with details that architects love to obsess over, from the expected (golden ratio and the seismic code) to the unexpected (the heights of folly and the prismatic charms of Greek islands.)

Cutting-edge analysis on how to improve life inside the Gaza Strip through architecture and design, illustrated in full-colorThe Gaza Strip is one of the most beleaguered environments on earth. Crammed into a space of 139 square miles (360 square kilometers), 1.8 million people live under an Israeli siege, enforcing conditions that continue to plummet to ever more unimaginable depths of degradation and despair. Gaza, however, is more than an endless encyclopedia of depressing statistics. It is also a place of fortitude, resistance, and imagination; a context in which inhabitants go to remarkable lengths to create the ordinary conditions of the everyday and to reject their exceptional status. Inspired by Gaza’s inhabitants, this book builds on the positive capabilities of Gazans. It brings together environmentalists, planners, activists, and scholars from Palestine and Israel, the US, the UK, India, and elsewhere to create hopeful interventions that imagine a better place for Gazans and Palestinians. Open Gaza engages the Gaza Strip within and beyond the logics of siege and warfare, it considers how life can be improved inside the limitations imposed by the Israeli blockade, and outside the idiocy of violence and warfare.Contributors AffiliationsSalem Al Qudwa, Harvard Divinity School and Harvard Kennedy School, Cambridge, USAHadeel Assali, Columbia University, USATareq Baconi, International Crisis Group, Brussels, BelgiumTeddy Cruz, University of California-San Diego, USAFonna Forman, University of California-San Diego, USAM. Christine Boyer, Princeton University, Princeton, USAAlberto Foyo, architect, New York, USANasser Golzari , Westminster University, London, UKYara Sharif, Westminster University, London, UKDenise Hoffman Brandt, City College of New York, USARomi Khosla, architect, New Delhi, IndiaCraig Konyk, Kean University, Union, NJ, USARafi Segal, Massachusetts Institute of Technology, Boston, USA Chris Mackey, Payette Architects, Boston, USAVyjayanthi V. Rao, Terreform, New York, USASara Roy, Harvard University, Cambridge, USAMahdi Sabbagh, architect, New York, USAMeghan McAllister, architect, San Francisco Bay Area, USADeen Sharp, London School of Economics, UKMalkit Shoshan, Harvard University, Cambridge, USAPietro Stefanini, University of Edinburgh, ScotlandMichael Sorkin (1948–2020) , City University of New York, USAHelga Tawil-Souri, New York University, USAOmar Yousef, Al-Quds University, Jerusalem Fadi Shayya, The University of Manchester, UK

It is all worse than we think. It is even worse than Mike Davis, for whom “every day is judgment day” (The Nation), could have imagined. The contributions to this volume are explorations of what Davis—in typical wry fashion—once referred to as the field of “disaster studies.” Collectively, they show how our “disaster imaginary” has been rendered inadequate by the existing order’s ability to feed off and coopt our resistance to it.Contemporary mass protests are now subsumed as instances of an established, profitable politics of rage. Geopolitical conflict poses not as a threat to hegemonic power but rather serves the interests of a global market which capitalizes on lucrative, permanent war. Climate change itself, if it was ever thought to be a universalizing phenomenon, is now treated as an extensive market opportunity by global risk insurance conglomerates and predatory lenders who bet against any rescue of the planet.Such catastrophic developments resist the language we use to describe and deconstruct them. The contributions to this volume seek to reimagine our understanding of disaster, and, following the example of Davis himself, to refuse outdated models of political transcendence as vigorously as they reject narratives of resignation.

Michael Sorkin is one of the most forthright and engaging architectural writers in the world. In What Goes Up he charts the dehumanising regimes of mayors Bloomberg and De Blasio that created a city of glittering towers and increasing inequality. He looks at what has happened to Ground Zero, as a place of memory has been reconstructed by "staritects" and turned into malls. The city, he suggests, has to be reimagined from the street up on a human scale, to develop new ways to revitalise neighbourhoods.Alongside these essays on New York, Sorkin also brings his lifetime's experience as an architect to bear. He talks of the joy of observing a city in order to understand it. Why a young designer must learn to draw by hand rather than only use a computer. There are also personal encounters with some of the greatest names who have changed the city. Sorkin gets lost in Rio with Zaha Hadid and talks about the old Bronx with Marshall Berman.

All Over the Map is an urgent response to the radical changes in contemporary architecture and the built environment witnessed in the twenty-first century. Characteristically polemic, incisive and energetic, these essays explore pressing questions of architectural and urban design, and critical issues of public space and participation. From New York to New Orleans, the Amazon to Jerusalem, Sorkin brings a critical eye to bear on a sweeping range of subjects.Whether castigating the sorry performance of the architectural avant-garde, considering the nature of place in globalized culture, or providing mock instructions for entering a high-security environment, these writings make a powerful and provocative case for architecture and urban design to re-engage with the lives and societies from which they have become increasingly detached.

Architect and social critic Michael Sorkin develops his own vision of the future lower Manhattan through a series of chronologically organized essays illustrated with full-color images of his own plans. Mixing his inimitable brand of social criticism with more personal reflections, Starting From Zero offers a striving challenge to the Ground Zero redevelopment plan recently chosen by New York's establishment insiders.

Called a “security fence” by the Israeli government and the “apartheid wall” by Palestinians, the barrier currently under construction in the West Bank has been the subject of intense controversy since the first olive tree was uprooted in its path. In violation of a ruling by the International Court of Justice and a resolution by the United Nations General Assembly, the structure juts deep inside Palestinian territory, altering not only the geographical landscape, but the political one as well.This groundbreaking book includes a collection of outstanding original pieces, along with photographs and maps, that offer a frank critique of the wall from a range of perspectives—legal, historical, architectural, and philosophical. Renowned writer and architect Michael Sorkin has assembled commentary from various international experts, including both Israeli and Palestinian voices. Together they reinforce a view widely held around the world (though not by the government of the United States): Israel’s wall can act only as a barrier to future peace.Contributors include: Suad Amiry, Ariella Azoulay, Terry Boullata, Mike Davis, Sari Hanafi, Stephanie Koury, Dean MacCannell, Ruchama Marton, Adi Ophir, Rebecca Solnit, Anita Vitullo, and Eyal Weizmann.