Nik Cohn – författare

Acclaimed music writer Nik Cohn’s love of hip-hop goes back to its beginnings, and his love of New Orleans even further, to when he passed through the Big Easy on tour with The Who and discovered a place with a magic that never failed to seize him. On the surface he’s the least likely candidate for a rap impresario. But with his signature charm and passion, he plunges headfirst into the wards, clubs, and projects of New Orleans, opening up a world closed to most outsiders: a journey into the heart of the hip-hop dream, and into larger question of racial identity in America. Written before Hurricane Katrina struck (and published here with an afterword that chronicles how Katrina altered the lives of those he met) Triksta now stands as an elegy to a city, its music, and its people.From the Trade Paperback edition.

New York City is in the grip of a bad-moon heat wave, with the street-corner preachers running amok. Into the fray, four damaged lives come together at a pet store on the Upper West Side, each one consumed by a private hunger and driven toward an inevitable fate. 304 pp. 15,000 print.From the Hardcover edition.

What lunacy would cause a 55-year-old white male to embroil himself in the world of New Orleans rap - as ideas man, talent-spotter, lyricist, and would-be producer? Nik Cohn has loved (and hated) hip-hop since its birth and loved (and hated) New Orleans for even longer - an addiction he's never wanted to kick. But nothing prepared him for the experience of being pitched, more or less by accident, into the role of Triksta, rap impresario. A white alien in a black world, with no funding or qualifications, and not a clue what he was doing, he had to rethink himself from scratch. Surrounded by a cast that included such names as Choppa and Soulja Slim, Big Ramp and Lil T, Bass Heavy, Fifth Ward Weebie, and Shorty Brown Hustle, he entered a world of tiny backstreet studios, broken-down slums and gun turfs.Triksta is the story of a three-year odyssey to the heart of rap, and New Orleans, and self-knowledge.

Nik Cohn began to write this book in the late 1960s with a simple purpose: to catch the feel, the pulse of Rock. Nobody had written a serious book on the subject before, and there were no reference books or research to refer to. The result is an unruly, thrilling and definitive history of an era, from Bill Haley to Jimi Hendrix, full of guts, flash, energy and speed. In vividly describing the music and cutting through the hype, Nik Cohn engendered and perfected a new form: rock criticism.

Nik Cohn had planned a trip around the world, but when a friend told him that Broadway is 'the world within itself', he started walking up the Great White Way, from Battery Park to Times Square. Escorted by a drum-playing Russian taxi driver, fuelled by duck soup and whiskey and sleeping in crackhouse hotels, Cohn encountered pickpockets, dancers, old magicians, disgraced politicians, epic storytellers, part-time messiahs, and an unforgettable transvestite called Lush Life. Hallucinogenic history, rogues' gallery, personal odyssey, this extraordinary saga is also an extended love letter to a dream of New York now lost.

There will always be an England, no doubt, but what sort of England will it be? Cohn takes a long wild ride through a country he calls the Republic - a nation within a nation, populated by the many millions who have either fallen out of the Britannic mainstream, or chosen to jump. He meets the rising stars of a new culture, and also the casualties. Their collected stories, both weird and wonderful, combine to form a tapestry quite unlike any notion of England that has ever existed before. It is a land made up, among others, of outlaws and insurgents, rampaging natives, second-generation immigrants, visionaries, born-agains, football fans, fetishists, New Age travellers, anarchists, DJs, street-fighters, graffiti artists, Rastas, Odinists, Elvis impersonators, fire-swallowers and even the Antichrist. Loud and angry, and charged with furious energy, their voices define a world cut loose from tradition and all certainty. Gone bananas, in fact. Nik Cohn's republic may not be the only England out there. But it's the most vivid.

Nik Cohn began to write this book in the late 1960s with a simple purpose: to catch the feel, the pulse of Rock. Nobody had written a serious book on the subject before, and there were no reference books or research to refer to. The result is an unruly, thrilling and definitive history of an era, from Bill Haley to Jimi Hendrix, full of guts, flash, energy and speed. In vividly describing the music and cutting through the hype, Nik Cohn engendered and perfected a new form: rock criticism.

Nik Cohn had planned a trip around the world, but when a friend told him that Broadway is 'the world within itself', he started walking up the Great White Way, from Battery Park to Times Square. Escorted by a drum-playing Russian taxi driver, fuelled by duck soup and whiskey and sleeping in crackhouse hotels, Cohn encountered pickpockets, dancers, old magicians, disgraced politicians, epic storytellers, part-time messiahs, and an unforgettable transvestite called Lush Life. Hallucinogenic history, rogues' gallery, personal odyssey, this extraordinary saga is also an extended love letter to a dream of New York now lost.

The book to read if you want to get some idea of the original primal energy of pop music.Nik Cohn: A Derry boy who became the omnipresent man in music's developing story from the 50s to the present; a self-styled rat, addicted to adventure, a rock legend, forever at the heart of the real action.This memoir provides a strong flavour of the person whose writing inspired Saturday Night Fever and several other pop-culture landmarks. Cohn leads us, in reverse order, through the decades of his musical life and times, meeting familiar heroes and rogues - let readers decide the categories to which Hendrix, Moon, Proby, Vicious et al belong.The Noise From The Streets is elegiac, charming and thoughtful - wallow in it.Nik Cohn recently headed Jarvis Cocker's top 10 music books in The Guardian (13 June 2014) for his title Awopbopaloobop Alopbamboom.'The original title for this book was 'Pop from the Beginning' and that pretty much sums it up. Nik Cohn was only just out of his teens when he wrote it and it's the book to read if you want to get some idea of the original primal energy of pop music. Loads of unfounded, biased assertions that almost always turn out to be right. He went on to provide the inspiration for Saturday Night Fever (Hurrah!) and Tommy (Boo!), but this is still his best book. Absolutely essential.'

I Am Still The Greatest Says Johnny Angelo - Despite persistent rumours of his death fifteen years ago, Johnny Angelo's legend continues. Johnny Angelo is a rock singer, and this is his story from the beginning. As a child he is a dreamer and a solitary, a thief, a killer of birds and cats. As a man he is a god to his fans, an emperor to his cronies, a hoodlum to his enemies. Girls lie at his feet. He becomes rich. He commits murder. At the end, police shoot him down in the street.In a cool and highly original style Nik Cohn has written a bizarre fable for our time, capturing its sickness and horror yet staying true to its grandeur and allure.King Death - Eddie is a strange man with an extraordinary talent that makes him the 'performer' he is. Eddie administers Death. His subjects, he explains, are not afraid, but are thrilled and transported. To Eddie, Death is completion, and he finds fulfilment, satisfaction, and pride in each job he carries out.When Seaton Carew, America's most successful TV entrepreneur, chances to witness Eddie in action, Eddie's career is altered. Overcoming many obstacles, he and Seaton literally ride to glory on the Deliverance Special, a train carrying King Death and his huge entourage all over America. But then a disturbing change comes over Eddie and threatens to topple him from his grisly throne...King Death is part nightmare, part modern fairytale and wholly original.