Noam Mizrahi – författare

The book of Jeremiah poses a challenge to biblical scholarship in terms of its literary composition and textual fluidity. This study offers an innovative approach to the problem by focusing on an instructive case study. Building on the critical recognition that the prophecy contained in Jer 10:1-16 is a composite text, this study systematically discusses the various literary strands discernible in the prophecy: satirical depictions of idolatry, an Aramaic citation, and hymnic passages. A chapter is devoted to each strand, revealing its compositional development—from the earliest recoverable stages down to its late reception. A range of pertinent evidence—culled from the literary, text-critical, and linguistic realms—is examined and sets within broader perspectives, with an eye open to cultural history and the development of theological outlook.The investigation of a particular text has important implications for the textual and compositional history of Jeremiah as a whole. Rather than settling for the common opinion that Jeremiah developed in two main stages, reflected in the MT and LXX respectively, a nuanced supplementary model is advocated, which better accords with the complexity of the available evidence.

The book of Jeremiah poses a challenge to biblical scholarship in terms of its literary composition and textual fluidity. This study offers an innovative approach to the problem by focusing on an instructive case study. Building on the critical recognition that the prophecy contained in Jer 10:1-16 is a composite text, this study systematically discusses the various literary strands discernible in the prophecy: satirical depictions of idolatry, an Aramaic citation, and hymnic passages. A chapter is devoted to each strand, revealing its compositional development—from the earliest recoverable stages down to its late reception. A range of pertinent evidence—culled from the literary, text-critical, and linguistic realms—is examined and sets within broader perspectives, with an eye open to cultural history and the development of theological outlook.The investigation of a particular text has important implications for the textual and compositional history of Jeremiah as a whole. Rather than settling for the common opinion that Jeremiah developed in two main stages, reflected in the MT and LXX respectively, a nuanced supplementary model is advocated, which better accords with the complexity of the available evidence.

The book of Jeremiah poses a challenge to biblical scholarship in terms of its literary composition and textual fluidity. This study offers an innovative approach to the problem by focusing on an instructive case study. Building on the critical recognition that the prophecy contained in Jer 10:1-16 is a composite text, this study systematically discusses the various literary strands discernible in the prophecy: satirical depictions of idolatry, an Aramaic citation, and hymnic passages. A chapter is devoted to each strand, revealing its compositional development—from the earliest recoverable stages down to its late reception. A range of pertinent evidence—culled from the literary, text-critical, and linguistic realms—is examined and sets within broader perspectives, with an eye open to cultural history and the development of theological outlook.The investigation of a particular text has important implications for the textual and compositional history of Jeremiah as a whole. Rather than settling for the common opinion that Jeremiah developed in two main stages, reflected in the MT and LXX respectively, a nuanced supplementary model is advocated, which better accords with the complexity of the available evidence.

The book of Jeremiah poses a challenge to biblical scholarship in terms of its literary composition and textual fluidity. This study offers an innovative approach to the problem by focusing on an instructive case study. Building on the critical recognition that the prophecy contained in Jer 10:1-16 is a composite text, this study systematically discusses the various literary strands discernible in the prophecy: satirical depictions of idolatry, an Aramaic citation, and hymnic passages. A chapter is devoted to each strand, revealing its compositional development—from the earliest recoverable stages down to its late reception. A range of pertinent evidence—culled from the literary, text-critical, and linguistic realms—is examined and sets within broader perspectives, with an eye open to cultural history and the development of theological outlook.The investigation of a particular text has important implications for the textual and compositional history of Jeremiah as a whole. Rather than settling for the common opinion that Jeremiah developed in two main stages, reflected in the MT and LXX respectively, a nuanced supplementary model is advocated, which better accords with the complexity of the available evidence.

Der Text Miqṣat Ma῾aśe Ha-Torah, Einiges von den Werken der Tora (4QMMT), ist eine der interessantesten Schriften unter den berühmten Texten vom Toten Meer, die um die Mitte des 20. Jahrhunderts in den Höhlen nahe der Siedlung Khirbet Qumran gefunden wurden und mittlerweile vollständig publiziert sind. Es handelt sich um ein Lehrschreiben in der Form eines Briefes, das von einem unbekannten Autor verfasst ist und sich an einen - im Singular und Plural angesprochenen - unbekannten Adressaten richtet. Das Lehrschreiben ist der älteste Zeuge aus vorchristlicher, hellenistischer Zeit für die explizite Auslegung des jüdischen Gesetzes, die sogenannte Halakha, wie sie in der späteren rabbinischen Überlieferung üblich geworden und breit bezeugt ist. Der vorliegende Band bietet nach einer Einführung in die Funde vom Toten Meer im Allgemeinen und den Text Miqṣat Ma῾aśe Ha-Torah im Speziellen eine Neuedition und Übersetzung sowie Beiträge ausgewiesener Spezialisten zu der handschriftlichen Überlieferung, der Sprache, den Inhalten sowie den literatur- und zeitgeschichtlichen Kontexten der Schrift.