Norman Etherington - Böcker

The explosive expansion of Christianity in Africa and Asia during the last two centuries constitutes one of the most remarkable cultural transformations in the history of mankind. Because it coincided with the spread of European economic and political hegemony, it tends to be taken for granted that Christian missions went hand in hand with Imperialism and colonial conquest. In this book historians survey the relationship between Christian missions and the British Empire from the seventeenth century to the 1960s and treat the subject thematically, rather than regionally or chronologically. Many of these themes are treated at length for the first time, relating the work of missions to language, medicine, anthropology, and decolonization. Other important chapters focus on the difficult relationship between missionaries and white settlers, women and mission, and the neglected role of the indigenous evangelists who did far more than European or North American missionaries to spread the Christian religion - belying the image of Christianity as the 'white man's religion'.

The explosive expansion of Christianity in Africa and Asia during the last two centuries constitutes one of the most remarkable cultural transformations in the history of mankind. Because it coincided with the spread of European economic and political hegemony, it tends to be taken for granted that Christian missions went hand in hand with imperialism and colonial conquest. In this book historians survey the relationship between Christian missions and the British Empire from the seventeenth century to the 1960s and treat the subject thematically, rather than regionally or chronologically. Many of these themes are treated at length for the first time, relating the work of missions to language, medicine, anthropology, and decolonization. Other important chapters focus on the difficult relationship between missionaries and white settlers, women and mission, and the neglected role of the indigenous evangelists who did far more than European or North American missionaries to spread the Christian religion - belying the image of Christianity as the 'white man's religion'.

When it appeared in 1887, H. Rider Haggard's She caused a sensation and became one of the best-selling novels of the nineteenth century. The idea of a powerful woman endowed with immortal beauty and penetrating intellect ruling a savage people among the ruins of a vanished civilization in the heart of Africa captivated Victorian readers. Freud recommended the book to his patients. Jung equated its imaginative power with Dante's Inferno and Wagner's Ring. Continuing to fascinate later twentieth-century readers, the book has never been out of print and has won new audiences through numerous film versions. This is the first annotated edition of She. Locating the novel within the context of late-Victorian fiction and British imperialism, Norman Etherington provides biographical information regarding Haggard and elucidates references in the text of this archaeological romance.

The mass migration of the Boer farmers from Cape Colony to escape British domination in 1835-36 - the Great Trek - has always been a potent icon of Africaaner nationalism and identity. For African nationalists, the Mfecane - the vast movement of the Black populations in the interior following the emergence of a new Zulu kingdom as a major military force in the early 19th century - offers an equally powerful symbol of the making of a nation. With their parallel visions of populations on the move to establish new states, these two stories became part of divided South Africa’s separate mythologies, treated as unconnected events taking place in separate universes. For the first time, in this groundbreaking book, accounts of both migrations are brought together and examined. In uniting these separate visions of African and Afrikaaner history, Norman Etherington provides a fascinating picture of a major turning point in South African history, and points the way for future work on the period.

The mass migration of the Boer farmers from Cape Colony to escape British domination in 1835-36 - the Great Trek - has always been a potent icon of Africaaner nationalism and identity. For African nationalists, the Mfecane - the vast movement of the Black populations in the interior following the emergence of a new Zulu kingdom as a major military force in the early 19th century - offers an equally powerful symbol of the making of a nation. With their parallel visions of populations on the move to establish new states, these two stories became part of divided South Africa’s separate mythologies, treated as unconnected events taking place in separate universes. For the first time, in this groundbreaking book, accounts of both migrations are brought together and examined. In uniting these separate visions of African and Afrikaaner history, Norman Etherington provides a fascinating picture of a major turning point in South African history, and points the way for future work on the period.

First published in 1984, this study examines closely the shifting attitudes towards, and theories concerning, imperialism, from the colonial wars of the late nineteenth century to America’s involvement in Vietnam. This lucid investigation encompasses the World Wars, the disintegration of the Colonies and the Cold War. It also gives fascinating insight into the theories of imperialism advocated by such diverse writers as Hobson, Wilshire, Angell, Brailsford, Luxemberg and Lenin. Throughout, the author objectively evaluates the theory that capitalism is a cause of aggression – a fundamental tenet of anti-imperialist writers. It is Norman Etherington’s contention that further investigations into the sources, causes and effects of imperialism can only take place if the various theories concerning it are analysed. A fascinating and detailed study, this reissue will be of particular value to students interested in the theories and history of imperialism.

@text: First published in 1984, this study examines closely the shifting attitudes towards, and theories concerning, imperialism, from the colonial wars of the late nineteenth century to America’s involvement in Vietnam. This lucid investigation encompasses the World Wars, the disintegration of the Colonies and the Cold War. It also gives fascinating insight into the theories of imperialism advocated by such diverse writers as Hobson, Wilshire, Angell, Brailsford, Luxemberg and Lenin.

Some of the most compelling and enduring creative work of the late Victorian and Edwardian Era came from committed imperialists and conservatives. Their continuing popularity owes a great deal to the way their guiding ideas resonated with modernism in the arts and psychology. The analogy they perceived between the imperial business of subjugating savage subjects and the civilised ego's struggle to subdue the unruly savage within generated some of their best artistic endeavours. In a series of thematically linked chapters Imperium of the soul explores the work of writers Rudyard Kipling, Joseph Conrad, Rider Haggard and John Buchan along with the composer Edward Elgar and the architect Herbert Baker. It culminates with an analysis of their mutual infatuation with T. E. Lawrence - Lawrence of Arabia - who represented all their dreams for the future British Empire but whose ultimate paralysis of creative imagination exposed the fatal flaw in their psycho-political project. This transdisciplinary study will interest not only scholars of imperialism and the history of ideas but general readers fascinated by bygone ideas of exotic adventure and colonial rule.

Some of the most compelling and enduring creative work of the late Victorian and Edwardian Era came from committed imperialists and conservatives. Their continuing popularity owes a great deal to the way their guiding ideas resonated with modernism in the arts and psychology. The analogy they perceived between the imperial business of subjugating savage subjects and the civilised ego's struggle to subdue the unruly savage within generated some of their best artistic endeavours. In a series of thematically linked chapters Imperium of the soul explores the work of writers Rudyard Kipling, Joseph Conrad, Rider Haggard and John Buchan along with the composer Edward Elgar and the architect Herbert Baker. It culminates with an analysis of their mutual infatuation with T. E. Lawrence - Lawrence of Arabia - who represented all their dreams for the future British Empire but whose ultimate paralysis of creative imagination exposed the fatal flaw in their psycho-political project.