Orit Bashkin – författare

At the beginning of the twenty-first century, the vocabulary of civility and civilization is very much at the forefront of political debate. Most of these debates proceed as if the meaning of these words were self-evident. This is where Civilizing Emotions intervenes, tracing the history of the concepts of civility and civilization and thus adding a level of self-reflexivity to the present debates. Unlike previous histories, Civilizing Emotions takes a global perspective, highlighting the roles of civility and civilization in the creation of a new and hierarchized global order in the era of high imperialism and its entanglements with the developments in a number of well-chosen European and Asian countries.Emotions were at the core of the practices linked to the creation of a new global order in the nineteenth century. Civilizing Emotions explores why and how emotions were an asset in civilizing peoples and societies - their control and management, but also their creation and their ascription to different societies and social groups. The study is a contribution to the history of emotions, to global history, and to the history of concepts, three rapidly developing and innovative research areas which are here being brought together for the first time.

The Other Iraq challenges the notion that Iraq has always been a totalitarian, artificial state, torn by sectarian violence. Chronicling the rise of the Iraqi public sphere from 1921 to 1958, this enlightening work reveals that the Iraqi intellectual field was always more democratic and pluralistic than historians have tended to believe. Orit Bashkin demonstrates how Sunni, Shi'i, and Kurdish intellectuals effectively created hyphenated Iraqi identities, connoting pride in their individual heritages while simultaneously appropriating and integrating ideas and narratives of Arab and Iraqi nationalism. Illustrating three developmental stages of Iraqi intellectual history, she follows Iraqi intellectuals' changing roles, from agents of democracy, to specialists who analyze the population, to deeply entrenched members of society committed to change. Based on previously unexplored material, this eye-opening work has significant contemporary implications.

The Other Iraq challenges the notion that Iraq has always been a totalitarian, artificial state, torn by sectarian violence. Chronicling the rise of the Iraqi public sphere from 1921 to 1958, this enlightening work reveals that the Iraqi intellectual field was always more democratic and pluralistic than historians have tended to believe. Orit Bashkin demonstrates how Sunni, Shi'i, and Kurdish intellectuals effectively created hyphenated Iraqi identities, connoting pride in their individual heritages while simultaneously appropriating and integrating ideas and narratives of Arab and Iraqi nationalism. Illustrating three developmental stages of Iraqi intellectual history, she follows Iraqi intellectuals' changing roles, from agents of democracy, to specialists who analyze the population, to deeply entrenched members of society committed to change. Based on previously unexplored material, this eye-opening work has significant contemporary implications.

Although Iraqi Jews saw themselves as Iraqi patriots, their community—which had existed in Iraq for more than 2,500 years—was displaced following the establishment of the state of Israel. New Babylonians chronicles the lives of these Jews, their urban Arab culture, and their hopes for a democratic nation-state. It studies their ideas about Judaism, Islam, secularism, modernity, and reform, focusing on Iraqi Jews who internalized narratives of Arab and Iraqi nationalisms and on those who turned to communism in the 1940s. As the book reveals, the ultimate displacement of this community was not the result of a perpetual persecution on the part of their Iraqi compatriots, but rather the outcome of misguided state policies during the late 1940s and early 1950s. Sadly, from a dominant mood of coexistence, friendship, and partnership, the impossibility of Arab-Jewish coexistence became the prevailing narrative in the region—and the dominant narrative we have come to know today.

Although Iraqi Jews saw themselves as Iraqi patriots, their community—which had existed in Iraq for more than 2,500 years—was displaced following the establishment of the state of Israel. New Babylonians chronicles the lives of these Jews, their urban Arab culture, and their hopes for a democratic nation-state. It studies their ideas about Judaism, Islam, secularism, modernity, and reform, focusing on Iraqi Jews who internalized narratives of Arab and Iraqi nationalisms and on those who turned to communism in the 1940s. As the book reveals, the ultimate displacement of this community was not the result of a perpetual persecution on the part of their Iraqi compatriots, but rather the outcome of misguided state policies during the late 1940s and early 1950s. Sadly, from a dominant mood of coexistence, friendship, and partnership, the impossibility of Arab-Jewish coexistence became the prevailing narrative in the region—and the dominant narrative we have come to know today.

Between 1949 and 1951, 123,000 Iraqi Jews immigrated to the newly established Israeli state. Lacking the resources to absorb them all, the Israeli government resettled them in maabarot, or transit camps, relegating them to poverty. In the tents and shacks of the camps, their living conditions were squalid and unsanitary. Basic necessities like water were in short supply, when they were available at all. Rather than returning to a homeland as native sons, Iraqi Jews were newcomers in a foreign place.Impossible Exodus tells the story of these Iraqi Jews' first decades in Israel. Faced with ill treatment and discrimination from state officials, Iraqi Jews resisted: they joined Israeli political parties, demonstrated in the streets, and fought for the education of their children, leading a civil rights struggle whose legacy continues to influence contemporary debates in Israel. Orit Bashkin sheds light on their everyday lives and their determination in a new country, uncovering their long, painful transformation from Iraqi to Israeli. In doing so, she shares the resilience and humanity of a community whose story has yet to be told.

Journeys of dislocation and return, of discovery and conquest hold a prominent place in the imagination of many cultures. Wherever an individual or community may be located, it would seem, there is always the dream of being elsewhere. This has been especially true throughout the ages for Jews, for whom the promises and perils of travel have influenced both their own sense of self and their identity in the eyes of others.How does travel writing, as a genre, produce representations of the world of others, against which one's own self can be invented or explored? And what happens when Jewish authors in particular-whether by force or of their own free will, whether in reality or in the imagination-travel from one place to another? How has travel figured in the formation of Jewish identity, and what cultural and ideological work is performed by texts that document or figure specifically Jewish travel? Featuring essays on topics that range from Abraham as a traveler in biblical narrative to the guest book entries at contemporary Israeli museum and memorial sites; from the marvels medieval travelers claim to have encountered to eighteenth-century Jewish critiques of Orientalism; from the Wandering Jew of legend to one mid-twentieth-century Yiddish writer's accounts of his travels through Peru, Jews and Journeys explores what it is about travel writing that enables it to become one of the central mechanisms for exploring the realities and fictions of individual and collective identity.