Oscar Moro Abadía - Böcker

Ontologies of Rock Art is the first publication to explore a wide range of ontological approaches to rock art interpretation, constituting the basis for groundbreaking studies on Indigenous knowledges, relational metaphysics, and rock imageries.The book contributes to the growing body of research on the ontology of images by focusing on five main topics: ontology as a theoretical framework; the development of new concepts and methods for an ontological approach to rock art; the examination of the relationships between ontology, images, and Indigenous knowledges; the development of relational models for the analysis of rock images; and the impact of ontological approaches on different rock art traditions across the world.Generating new avenues of research in ontological theory, political ontology, and rock art research, this collection will be relevant to archaeologists, anthropologists, and philosophers. In the context of an increasing interest in Indigenous ontologies, the volume will also be of interest to scholars in Indigenous studies.Chapter 14 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9780429321863/ontologies-rock-art-oscar-moro-abad%C3%ADa-martin-porr?context=ubx&refId=3766b051-4754-4339-925c-2a262a505074

Ontologies of Rock Art is the first publication to explore a wide range of ontological approaches to rock art interpretation, constituting the basis for groundbreaking studies on Indigenous knowledges, relational metaphysics, and rock imageries.The book contributes to the growing body of research on the ontology of images by focusing on five main topics: ontology as a theoretical framework; the development of new concepts and methods for an ontological approach to rock art; the examination of the relationships between ontology, images, and Indigenous knowledges; the development of relational models for the analysis of rock images; and the impact of ontological approaches on different rock art traditions across the world.Generating new avenues of research in ontological theory, political ontology, and rock art research, this collection will be relevant to archaeologists, anthropologists, and philosophers. In the context of an increasing interest in Indigenous ontologies, the volume will also be of interest to scholars in Indigenous studies.Chapter 14 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9780429321863/ontologies-rock-art-oscar-moro-abad%C3%ADa-martin-porr?context=ubx&refId=3766b051-4754-4339-925c-2a262a505074

Indigenous Archaeology in Two Hemispheres: Approaches to Inuit and First Nations Pasts in Canada, Australia and Greenland examines the history and current experiences of Inuit and Australian First Nations peoples in archaeology.The book explores recent work by Australian, Canadian, and Greenlandic scholars and community partners in a context marked by globalization. This cross-national interdisciplinary approach enriches the research with Indigenous voices from the Eastern Arctic and Australia, aiding the exploration of the similarities and differences in Inuit and First Nations peoples’ historical experiences and the challenges they face currently. Chapters call into question the traditional frameworks that have shaped research on the past of Indigenous people in these regions, frameworks that promote imbalanced power relationships, and endorse a collaborative agenda that rejects the objectification of other worldviews and alterities. The book is organized around four main themes considered: historical approaches, current challenges to Inuit and First Nations archaeology, data sovereignty, and Indigenous perspectives.The book will be of interest to students and researchers in archaeology, anthropology, history, art history, the history of science and cultural heritage management.

New Advances in the History of Archaeology presents the papers from three sessions organised by the History of Archaeology Scientific Commission at the 18th UISPP World Congress (Paris, June 2018). The first session, From stratigraphy to stratigraphic excavation in pre- and protohistoric archaeology organised by Massimo Tarantini and Alessandro Guidi, reviews the development of stratigraphical methods in archaeology in many European countries. The second session, Epistemology, History and Philosophy of Science: Interdisciplinary Perspectives on the History of Archaeology, organised by Sophie A. de Beaune and Oscar Moro Abadia, is characterised by different examples of intersections between archaeology and other disciplines like history and the philosophy of science. Finally, four papers discuss the development of different types of interdisciplinarity in Europe and South America. These were presented in the third session, Archaeology and interdisciplinarity, from the 19th century to present-day research, organized by Laura Coltofean, Géraldine. Delley, Margarita Díaz-Andreu and Marc-Antoine Kaeser.

Engaging critically with concepts of race, species, and otherness, this book contributes to current debates on human evolution. In a political climate marked by movements such as Black Lives Matter and policies like Donald Trump’s Executive Order 14168 against ‘gender ideology’, this volume brings together a group of leading scholars in archeology, paleoanthropology and human evolution to examine how narratives of human origins intersect with issues of race, gender, and anthropocentrism. Drawing on postcolonial and critical frameworks from the Humanities and Social Sciences, it interrogates key foundational concepts and assumptions underpinning evolutionary discourses.

This special issue publication of the Journal of Archaeological Method and Theory devoted to Pleistocene and Holocene arts examines a number of recent developments in the study of deep-time images. The contributions argue that in a context marked by new technological advances, the study of what was traditionally known as ‘prehistoric art’ has been transformed into a dynamic area of research marked by four main interrelated processes: (A) the inclusion of new corpuses of images beyond traditional conceptualizations of ‘prehistoric’ art, (B) the shift from a ‘contemplative model’ (which treated images and artefacts as ‘already made art’) to a ‘construction model’ that focuses on the processes involved in the making of artwork, (C) the transition from a Eurocentric model to a worldwide paradigm, and (D) the increasing incorporation of Holocene and Indigenous arts into general discussions about ‘prehistoric’ arts.  This text appeals to students and researchers in the field. Previously published in Journal of Archaeological Method and Theory Volume 27, issue 3, September 2020Chapters Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe, Chapter An Archaeology of Affect: Art, Ontology and the Carved Stone Balls of Neolithic Britain, and Chapter Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access? are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

This special issue publication of the Journal of Archaeological Method and Theory devoted to Pleistocene and Holocene arts examines a number of recent developments in the study of deep-time images. The contributions argue that in a context marked by new technological advances, the study of what was traditionally known as ‘prehistoric art’ has been transformed into a dynamic area of research marked by four main interrelated processes: (A) the inclusion of new corpuses of images beyond traditional conceptualizations of ‘prehistoric’ art, (B) the shift from a ‘contemplative model’ (which treated images and artefacts as ‘already made art’) to a ‘construction model’ that focuses on the processes involved in the making of artwork, (C) the transition from a Eurocentric model to a worldwide paradigm, and (D) the increasing incorporation of Holocene and Indigenous arts into general discussions about ‘prehistoric’ arts.  This text appeals to students and researchers in the field. Previously published in Journal of Archaeological Method and Theory Volume 27, issue 3, September 2020Chapters Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe, Chapter An Archaeology of Affect: Art, Ontology and the Carved Stone Balls of Neolithic Britain, and Chapter Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access? are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

This open access volume explores the impact of globalization on the contemporary study of deep-time art. This book provides comparative approaches on rock art globally and scrutinises the impacts of globalization on research, preservation, and management of deep-time art.