Paolo Bussotti – författare

Evangelista Torricelli exemplifies the use the moderns made of the ancients'' mathematical methods. Celebrating Evangelista Torricelli''s monumental Opera geometrica, this book marks 380 years since its publication (1644-2024). This homage to Torricelli introduces the magnificent major work in Mechanics and Mathematics of a brilliant Archimedean–and–Galilean scientist to modern readers.

Opera geometrica deals with Motion & Mechanics and Geometry & Infinitesimals. In quibus Archimedis doctrina Torricelli also presents his mechanical principle of equilibrium – the foundation of the modern Principle of Virtual Work/Static.

This outstanding source and research book spotlights the relevance and originality of Torricelli’s Mechanics, and is the first and most profound analysis of the Opera geometrica to date. The historical study is achieved in extensive Introduction, 5 Essays and an accurate Transcription of Opera geometrica with parallel side–by–side text, including substantive explicative notes. The book is an accessible avenue to understanding this work by leading authorities who offer much-needed insights into the relationship Physics–Mathematics, Mechanics and Fundamentals. It appeals to historians, epistemologists and scientists.

This volume addresses the history and epistemology of early modern cosmology. The authors reconstruct the development of cosmological ideas in the age of ‘scientific revolution’ from Copernicus to Leibniz, taking into account the growth of a unified celestial-and-terrestrial mechanics. The volume investigates how, in the rise of the new science, cosmology displayed deep and multifaceted interrelations between scientific notions (stemming from mechanics, mathematics, geometry, astronomy) and philosophical concepts. These were employed to frame a general picture of the universe, as well as to criticize and interpret scientific notions and observational data.

This interdisciplinary work reconstructs a conceptual web pervaded by various intellectual attitudes and drives. It presents an historical–epistemological unified itinerary which includes Copernicus, Kepler, Galileo, Descartes, Huygens, Newton and Leibniz. For each of the scientists and philosophers, a presentation and commentary is made of their cosmological views, and where relevant, outlines of their most relevant physical concepts are given. Furthermore, the authors highlight the philosophical and epistemological implications of their scientific works. This work is helpful both as a synthetic overview of early modern cosmology, and an analytical exposition of the elements that were intertwined in early-modern cosmology. This book addresses historians, philosophers, and scientists and can also be used as a research source book by post-graduate students in epistemology, history of science and history of philosophy.

This book presents new insights into Leibniz’s research on planetary theory and his system of pre-established harmony. Although some aspects of this theory have been explored in the literature, others are less well known. In particular, the book offers new contributions on the connection between the planetary theory and the theory of gravitation. It also provides an in-depth discussion of Kepler’s influence on Leibniz’s planetary theory and more generally, on Leibniz’s concept of pre-established harmony. Three initial chapters presenting the mathematical and physical details of Leibniz’s works provide a frame of reference. The book then goes on to discuss research on Leibniz’s conception of gravity and the connection between Leibniz and Kepler.