Peter Collier – författare

Noam Chomsky’s defense of Pol Pot and the genocidal Khymer Rouge, as well as his bizarre associations with Holocaust revisionists, may surprise those who think they know what he believes. Other Chomsky views, such as his claim that the United States has taken the place of Nazi Germany on the world stage, will be more familiar. With Chomskyism growing here and abroad, Collier writes, “It is clearly time for a reckoning.”

The essays in this book provide a response to the millions of words Noam Chomsky has written in the past forty years. Examining Chomsky’s controversial ideas about various foreign and domestic issues and even the legitimacy of the linguistics theories on which his reputation rests, The Anti-Chomsky Reader explores the dark corners of what the New Yorker recently called “one of the greatest minds of the twentieth century.”

“What’s the point of being Irish anyway if you don’t think the world will break your heart?” asks Jack Kennedy. He is spellbound by a song about Ireland’s neverland of dreams: “How Are Things in Glocca Morra?”No one better knew the real JFK’s dreams and passions than Lem Billings, a prep-school roommate who made himself “sidekick everlasting.” The late Peter Collier had the great fortune to obtain oral histories from Billings himself, and they became the basis for a vivid biographical novel in Lem’s voice. On assignment with the Hearst newspapers, Jack goes with Lem to Hollywood, that neverland of dreams he loves for “the feeling that something might happen.” Things do. Communists and gangsters vie for control of the unions. There are labor strikes, blackmail, assassinations. And there are glamorous actresses. Joseph Kennedy Sr. hovers oppressively over his son and aims to derail his romance with Valentina, survivor of an Italian prison camp and daughter of a mobster. The world breaks Jack’s heart, and he dives into politics with steely purpose. But the interlude in Hollywood sends ripples through the Kennedys’ lives. When Lem gets the news of JFK’s assassination, he instantly thinks of Val’s father—a man whose middle name is vendetta. Billings never got the answers he sought about Jack’s death. As for his intimate knowledge of the Kennedys, he remained ever discreet, but left a trove of recollections to be opened by a later generation. Conveyed through Collier’s lively and imaginative prose, they illuminate shadowy corners of an extraordinary American saga.

In The Fords: An American Epic, Peter Collier and David Horowitz tell the riveting story of three generations of Fords, a dramatic story of conflict between fathers and sons played out against the backdrop of America’s greatest industrial empire.The story begins with the first Henry Ford, the mechanical wizard, tinkerer and “mad genius” who drove the automobile into the heart of American life and conquered the world with it. An American Original, by the end of his life he had become an embittered crank who so possessively loved the company he built that when his son, Edsel, tried to change it to suit the changing times, Henry destroyed him. It was left to Edsel’s son Henry II to avenge him and save the Ford Motor Company in the postwar world.From the details of the first Henry’s illicit affair and illegitimate son, to the life and loves of “Hank the Deuce” and his celebrated feud with Lee Iacocca, this is an engrossing account of a vital chapter in American history. The authors have added new material to this classic work, showing how Henry II’s line lost out to the line of his brother William Clay Ford in the quest to control this most American of companies in the twenty-first century.In addition to The Fords, Peter Collier and David Horowitz are the authors of dynastic biographies of the Kennedys, Roosevelts, Rockefellers, and Fondas.

The Kennedys may well be the most photographed, written about, talked about, admired, hated, and controversial family in American history. But for all the words and pictures, the real story was not told until Peter Collier and David Horowitz spent years researching archives and interviewing both family members and hundreds of people close to the Kennedys.An immediate classic, The Kennedys combines intimate knowledge with a perspective free of obligations to family loyalties and myths, bringing the story of four generations of “America’s family” fully into view. Collier and Horowitz capture the strain of ambition; the dynastic ebb and flow; the invention of a mythic identity; the corrosive underside of the dream of Camelot—developed over four generations—that led one young Kennedy to say, “We broke the rules and in turn we were broken by them.”The Kennedys: An American Drama is a fascinating and brilliantly comprehensive history that brings together, for the first time, all the complex strains of the story of the Kennedys’ rise and fall. The authors have added new material showing the effect of the death of John F. Kennedy Jr., and the other family tragedies of the last few years, on the Kennedys and their mythic role in American life.In addition to The Kennedys, Peter Collier and David Horowitz are the authors of dynastic biographies of the Fords, Roosevelts, Rockefellers, and Fondas.

Que se joue-t-il entre le voyage et la littérature au début du XXe siècle ? Cet ouvrage se penche sur les œuvres de Blaise Cendrars, de Victor Segalen et d’Albert Londres pour comprendre comment s’articulent le voyage et son écriture autour du motif de l’éclat. Dans ces trois œuvres, le lien entre soi, le monde et l’autre est profondément remis en question dès qu’il est question de voyage. L’écriture elle-même a tendance à sortir des sentiers battus et menace d’éclatement certaines classifications narratives, linguistiques, génériques et poétiques. Plus encore, les textes étudiés obligent le critique qui veut les suivre à tracer une trajectoire qui lui est propre afin d’étudier de près les directions prises par ces textes en perpétuelle partance. Ce livre propose de s’engager dans cette trajectoire critique et, tout en cheminant, montre la nécessité de penser conjointement voyage et éclatement, voyage et littérature, et suggère une nouvelle lecture des textes considérés.