Peter Davison – författare

Including Animal Farm'Orwell is the most influential political writer of the twentieth century' New York Review of BooksThroughout his life George Orwell aimed, in his words, to make 'political writing into an art'. This collection brings together the best of his matchless political essays and journalism with his timeless satire on totalitarianism, Animal Farm. It includes articles on subjects from the corruption of language to the oppressive British Empire; his masterly wartime Socialist polemic, 'The Lion and the Unicorn'; a wry review of Mein Kampf; a defence of Nineteen Eighty-Four; and extracts from his controversial list of 'Crypto-Communists'. Together these works demonstrate Orwell's commitment to telling the truth, however unpalatable, and doing so with artistry and humanity.Edited by Peter Davison with an Introduction by Timothy Garton Ash

The volume contains Richard II, Henry IV Part One, henry IV Part Two, and Henry V. Each play possesses its own distinctive mood, tone and style, and together they inhabit the turbulent period of change from the usurpation of the throne of Richard II by Bolingbroke to the triumph of heroic kingship in Henry V.

George Orwell was an inveterate keeper of diaries. The Orwell Diaries presents eleven of them, covering the period 1931-1949, and follows Orwell from his early years as a writer to his last literary notebook. An entry from 1931 tells of a communal shave in the Trafalgar Square fountains, while notes from his travels through industrial England show the development of the impassioned social commentator. This same acute power of observation is evident in his diaries from Morocco, as well as at home, where his domestic diaries chart the progress of his garden and animals with a keen eye; the wartime diaries, from descriptions of events overseas to the daily violence closer to home, describe astutely his perspective on the politics of both, and provide a new and entirely refreshing insight into Orwell's character and his great works.

With such varied correspondents as T. S. Eliot, Stephen Spender and Anthony Powell, for nearly forty years George Orwell wrote and received the letters that are now collected together in A Life in Letters, edited with an introduction by Peter Davison in Penguin Modern Classics.Personal as well as political, Orwell's letters offer a fascinating window into the mind of a phenomenal man. We are privy to snatched glimpses of his family life: his son Richard's developing teeth, the death of his wife Eileen, and his own illness. Candid portraits of Barcelona during the Spanish Civil War, his opinions on bayonets, and on the chaining of German prisoners display his magnificent talent as a political writer, and letters to friends and his publisher provide a unique insight into the development and publication of some of the most important novels in the English language. A Life in Letters features previously unpublished material, including letters which shed new light on a love that would haunt him for his whole life, as well as revealing the inspiration for some of his most famous characters. Presented for the first time in a dedicated volume, this selection of Orwell's letters is an indispensible companion to his diaries.'Arguably the most influential writer thrown up by the West in the twentieth century ... the real Orwell - whoever he is - continues to take shape'The Times

Including Animal Farm'Orwell is the most influential political writer of the twentieth century' New York Review of BooksThroughout his life George Orwell aimed, in his words, to make 'political writing into an art'. This collection brings together the best of his matchless political essays and journalism with his timeless satire on totalitarianism, Animal Farm. It includes articles on subjects from the corruption of language to the oppressive British Empire; his masterly wartime Socialist polemic, 'The Lion and the Unicorn'; a wry review of Mein Kampf; a defence of Nineteen Eighty-Four; and extracts from his controversial list of 'Crypto-Communists'. Together these works demonstrate Orwell's commitment to telling the truth, however unpalatable, and doing so with artistry and humanity.Edited by Peter Davison with an Introduction by Timothy Garton Ash

Including The Road to Wigan Pier'No one wrote better about the English character than Orwell' New York Review of BooksMuch of George Orwell's best writing, brought together in this collection, is concerned with his complex, often contradictory attitude to England. In the brilliantly perceptive The English People, he lists the national characteristics as 'suspicion of foreigners, sentimentality about animals, hypocrisy, exaggerated class distinctions and an obsession with sport'. The Road to Wigan Pier, his blistering account of poverty in the north of England, and many of his essays, attack what he called 'the most class-ridden country under the sun', while other writings here ruminate on the merits of cricket, gardening, roast dinners, pubs, tea and seaside postcards.Edited by Peter Davison with an Introduction by Ben Pimlott

Including Down and Out in Paris and London'Orwell was the great moral force of his age' SpectatorThe powerful writings collected together in this volume chronicle George Orwell's first-hand experiences of life among the underclass of the 'two nations' of rich and poor. Down and Out in Paris and London is the young Orwell's memoir of his time as a struggling, often penniless writer, living among the destitute and dispossessed, in which he exposes what 'going to the dogs' is really like. There are also articles and letters on sleeping rough in Trafalgar Square, being arrested for drunkenness, on the poverty Orwell witnessed in Morocco and India, and his shocking essay, 'How the Poor Die'.Edited by Peter Davison with an Introduction by Peter Clarke

George Orwell was an inveterate keeper of diaries. The Orwell Diaries presents eleven of them, covering the period 1931-1949, and follows Orwell from his early years as a writer to his last literary notebook. An entry from 1931 tells of a communal shave in the Trafalgar Square fountains, while notes from his travels through industrial England show the development of the impassioned social commentator. This same acute power of observation is evident in his diaries from Morocco, as well as at home, where his domestic diaries chart the progress of his garden and animals with a keen eye; the wartime diaries, from descriptions of events overseas to the daily violence closer to home, describe astutely his perspective on the politics of both, and provide a new and entirely refreshing insight into Orwell's character and his great works.

The volume contains Richard II, Henry IV Part One, henry IV Part Two, and Henry V. Each play possesses its own distinctive mood, tone and style, and together they inhabit the turbulent period of change from the usurpation of the throne of Richard II by Bolingbroke to the triumph of heroic kingship in Henry V.

The twelve edited volumes of Orwell's non-fiction, collected for the first time in one invaluable ebook. A rich treasure trove of material, this unique collection includes Orwell's reviews, broadcasts, notebooks, wartime diaries, articles on socialism and censorship, correspondence with luminaries such as Arthur Koestler, Anthony Powell and Evelyn Waugh, and famous essays such as 'Politics and the English Language', 'Why I Write' and 'Some Thoughts on the Common Toad'.Edited by Professor Peter Davison, the collection encompasses twelve annotated volumes and ranges across the whole of Orwell's writing life, from 1903 to 1950. As well as providing an unparalleled insight into Orwell's life and works, the volume offers a wonderful overview of the social, literary and political events of the thirties and forties. It will be an invaluable resource for fans, students and scholars alike. Contents:A Kind of Compulsion (1903-36)Facing Unpleasant Facts (1937-39)A Patriot After All (1940-41)All Propaganda is Lies (1941-42)Keeping Our Little Corner Clean (1942-43)Two Wasted Years (1943)I Have Tried to Tell the Truth (1943-44)I Belong to the Left (1945)Smothered Under Journalism (1946)It is What I Think (1947-48)Our Job is to Make Life Worth Living (1949-50)The Lost Orwell

Personal as well as political, Orwell's letters offer a fascinating window into the mind of a phenomenal man. We are privy to snatched glimpses of his family life: his son Richard's developing teeth, the death of his wife Eileen, and his own illness. Candid portraits of Barcelona during the Spanish Civil War, his opinions on bayonets, and on the chaining of German prisoners display his magnificent talent as a political writer, and letters to friends and his publisher provide a unique insight into the development and publication of some of the most important novels in the English language. A Life in Letters features previously unpublished material, including letters which shed new light on a love that would haunt him for his whole life, as well as revealing the inspiration for some of his most famous characters. Presented for the first time in a dedicated volume, this selection of Orwell's letters is an indispensible companion to his diaries.

Including Down and Out in Paris and London'Orwell was the great moral force of his age' SpectatorThe powerful writings collected together in this volume chronicle George Orwell's first-hand experiences of life among the underclass of the 'two nations' of rich and poor. Down and Out in Paris and London is the young Orwell's memoir of his time as a struggling, often penniless writer, living among the destitute and dispossessed, in which he exposes what 'going to the dogs' is really like. There are also articles and letters on sleeping rough in Trafalgar Square, being arrested for drunkenness, on the poverty Orwell witnessed in Morocco and India, and his shocking essay, 'How the Poor Die'.Edited by Peter Davison with an Introduction by Peter Clarke

Including Homage to Catalonia'Spain not only defined Orwell as an individual, it also gave him his first glimpse of totalitarianism' D. J. Taylor, GuardianGeorge Orwell's experience of the Spanish Civil War had a transformative effect on his life and work. This volume brings together his complete writings on the war, including Homage to Catalonia, his searing memoir of fighting in the conflict and the bitter betrayal that followed. The powerful journalism, essays, letters and pamphlets also collected here show his resolution to tell the truth about what happened amid a 'crop of lies' from both the Communist Party and the British press, while in 'Looking Back on the Spanish War' he remembers the heroism and decency of the ordinary people he encountered.Edited by Peter Davison with an Introduction by Christopher Hitchens

Including The Road to Wigan Pier'No one wrote better about the English character than Orwell' New York Review of BooksMuch of George Orwell's best writing, brought together in this collection, is concerned with his complex, often contradictory attitude to England. In the brilliantly perceptive The English People, he lists the national characteristics as 'suspicion of foreigners, sentimentality about animals, hypocrisy, exaggerated class distinctions and an obsession with sport'. The Road to Wigan Pier, his blistering account of poverty in the north of England, and many of his essays, attack what he called 'the most class-ridden country under the sun', while other writings here ruminate on the merits of cricket, gardening, roast dinners, pubs, tea and seaside postcards.Edited by Peter Davison with an Introduction by Ben Pimlott

"Peter Davison, for years, has pondered with clear insight the perspectives of affection, attachment, loss, and memory, his language spare and his tone classical and deceptively quiet. The poems of this new collection look at the same world with surprise and speak of it with a startled and startling freedom, feeling ''entitled to / the liberty of breathing easy''--a freedom that brings with it the old clarity and eloquence."--W. S. MerwinThe poems in Peter Davison''s exuberant new collection contemplate the paradox of growing old--of having a mind still "a juicy swamp of invention" in a body beginning to falter.Both intimate and generous, these poems celebrate the cycle of the seasons, of death and rebirth: snapping turtles lay their eggs and new ones hatch;  a ruffed grouse drums his spring mating dance. Memory is central: a mother''s lost face; a father''s voice that "plumbed the marrow of poetry as tenderly / as if a darling had crept into his arms"; a wife''s "rueful eyes, cornflower blue." And the poet pays tribute to the literary life--to reading, to the precise moment a word rises to consciousness, to getting over Robert Frost, to the mind of Sylvia Plath.  These are poems that expand time for us and deepen place, whether Davison is taking us on a path along a limestone cliff under canopies of holly and ivy, or is revisiting the instant while recovering from surgery when it becomes clear he is going to heal.  "To learn poetry," Davison writes in his foreword, "we need to take poems into our breath and blood, and that requires us to hear them as we read them, to learn to read with all the senses, especially with the ear." Breathing Room gives us a splendid array of poems that we want to read with all our senses.

"A beautiful and richly instructive book, a worthy and welcome sequel to Eileen Simpson''s Poets in Their Youth."Louis S. AuchinclossAn intimately perceptive account, by a poet who knew them all, of the brilliant circle of poets who lived and worked in Boston through the half-decade beginning in 1955. That was the year Peter Davison, coming to Boston as a book editor. was swept up in a world -- in a tumult -- of poetry. He rediscovered his father''s old friend Robert Frost. He briefly squired Sylvia Plath. He came to know Robert Lowell (whose poems and private disasters dominated the period) and Adrienne Rich, Stanley Kunitz, Richard Wilbur. Anne Sexton, W. S. Merwin, and others who, closely bound together in friendship or rivalry or both, defined the shape of American poetry at mid-century Through their eves as well as his own, and often in their words, Davison presents a sharply fresh vision of the shift from confidence to a troubled questioning that overtook America -- a transformation that was, in a sense, foreshadowed in the sensibilities, in the writings, sometimes in the lives, of some of our finest poets.

James Dickey, in reviewing Peter Davison''s last book, Praying Wrong: New and Selected Poems, 1957-1984, said, '' Davison will not let things break him. His voice is his; he has earned it and can use it, and as a result is surely one of our better poets.'' That sense of this poet''s singularity is one of the great strengths of this new book; these deeply felt poems are uniquely his. From the almost unbearably moving ''Equinox 1980, '' which opens the book, to the delightful ''Peaches, '' The Great Ledge confirms the remark of Vernon Young that Davison is ''one of the few poets of the first order writing in English today.''

The poetry of Peter Davison, of which this is the ninth volume, covers a broad range of subject matter. Musical and supple, with rewards for the eye, the ear, and the mind, concerned as much with country as with city matters, Davison''s poems move past personality. They open questions of identity, explorations of the natural world, personal and religious conflict, and the mysterious workings of memory. His poetry, such as the long poem "The Great Ledge," is especially moving and powerful when read aloud.Though Davison is perhaps most widely known as an editor of poetry, his poems are neither academic nor exclusive. John Hall Wheelock wrote, after Davison''s earliest book won the Yale Series of Younger Poets Award in 1963, "With Peter Davison, feeling has come back into poetry." May Swenson, reviewing his second book, said: "There is a savage self-revelation and deep understanding of the hearts and minds of others." Alfred Kazin spoke of "the bone-sharp integrity of Davison''s poetry, with its notable openness to difficulties, both personal and historic." When Davison''s fourth book was published in Great Britain, John Fuller wrote, "What an assured talent is here revealed! It is a splendidly accessible body of work," and Robert Penn Warren concurred: "He has found a new depth and force...He has splendidly found himself...himself and his way." Vernon Young called him, in Parnassus, "one of the few poets of the first order writing in English today," and James Dickey said, Peter Davison''s quiet, deep poems are among the best being written. Any thoughtful reader will be moved by his clear, unpretentious writing, his imaginative participation in life, his passionate balance." Jay Parini, in Virginia Quarterly, called Davison "one of America''s finest contemporary poets, whose sharpness of vision and candor [leave] the reader breathless," and Phoebe Pettingell, in The New Leader, said, "Peter Davison''s verse illuminates the commonplace with a mystical sense of the divine revealed in nature."This volume, combining Davison''s most recent work with all the earlier poems he wishes to preserve, reveals a poet in his late middle age writing out of the midst of a life both active and contemplative, yet given over to poetry. He is a worthy heir to the passionate poetic tradition of Thomas Hardy and Robert Frost.

Even productions of Othello based on very different conceptions of the play can prove successful ad deeply moving. Among critics, however, Othello has roused furous critical disagreement, remarkable for the degree of animosity exposed. After an Introduction in which the problems of analysing this play are outlined, Peter Davison considers six critical approaches to Othello: Genre, Historical and Social, Dramatic Convention and Decorum, Character and Psychological, the Play as Dramatic Poem, and Archetypal Criticism. In the second part of this study, Professor Davison offers his own, contextual approach. He takes into account the historical and social context in which the play was written, the context of the play in performance, and the context in which contemporary audiences see and read Othello. He also provides a guide for further reading.

This extraordinary account, by a participant who knew them all, offers vivid reminiscences of Robert Lowell, Adrienne Rich, Stanley Kunitz, Sylvia Plath, Richard Wilbur, Anne Sexton, W. S. Merwin, and many others who interacted with each other and shaped American poetry at mid-century.

Shakespeare's Richard III presents difficult textual problems. There are 2,000 verbal differences between the text of the first quarto (1597) and the version in the First Folio (1623). Although the narrative of the two plays is virtually identical, each has lines which are not found in the other, parts of the play are arranged differently, and the quarto deploys fewer characters. The text of the quarto is accompanied by a collation of variant readings and substantial textual notes. In a lengthy introduction Peter Davison proposes that Shakespeare's company, the Lord Chamberlain's Men, used a memorially reconstructed text of Richard III during a touring performance of the play, and that text provided the manuscript for the 1597 quarto. Using examples of touring practice of the past 400 years, Davison shows how the actors' involvement helped to produce the text we have.

Shakespeare's Richard III presents difficult textual problems. There are 2,000 verbal differences between the text of the first quarto (1597) and the version in the First Folio (1623). Although the narrative of the two plays is virtually identical, each has lines which are not found in the other, parts of the play are arranged differently, and the quarto deploys fewer characters. The text of the quarto is accompanied by a collation of variant readings and substantial textual notes. In a lengthy introduction Peter Davison proposes that Shakespeare's company, the Lord Chamberlain's Men, used a memorially reconstructed text of Richard III during a touring performance of the play, and that text provided the manuscript for the 1597 quarto. Using examples of touring practice of the past 400 years, Davison shows how the actors' involvement helped to produce the text we have.

Even productions of Othello based on very different conceptions of the play can prove successful ad deeply moving. Among critics, however, Othello has roused furous critical disagreement, remarkable for the degree of animosity exposed. After an Introduction in which the problems of analysing this play are outlined, Peter Davison considers six critical approaches to Othello: Genre, Historical and Social, Dramatic Convention and Decorum, Character and Psychological, the Play as Dramatic Poem, and Archetypal Criticism. In the second part of this study, Professor Davison offers his own, contextual approach. He takes into account the historical and social context in which the play was written, the context of the play in performance, and the context in which contemporary audiences see and read Othello. He also provides a guide for further reading.