Peter Davison - Böcker

George Orwell was an inveterate keeper of diaries. The Orwell Diaries presents eleven of them, covering the period 1931-1949, and follows Orwell from his early years as a writer to his last literary notebook. An entry from 1931 tells of a communal shave in the Trafalgar Square fountains, while notes from his travels through industrial England show the development of the impassioned social commentator. This same acute power of observation is evident in his diaries from Morocco, as well as at home, where his domestic diaries chart the progress of his garden and animals with a keen eye; the wartime diaries, from descriptions of events overseas to the daily violence closer to home, describe astutely his perspective on the politics of both, and provide a new and entirely refreshing insight into Orwell's character and his great works.

With such varied correspondents as T. S. Eliot, Stephen Spender and Anthony Powell, for nearly forty years George Orwell wrote and received the letters that are now collected together in A Life in Letters, edited with an introduction by Peter Davison in Penguin Modern Classics.Personal as well as political, Orwell's letters offer a fascinating window into the mind of a phenomenal man. We are privy to snatched glimpses of his family life: his son Richard's developing teeth, the death of his wife Eileen, and his own illness. Candid portraits of Barcelona during the Spanish Civil War, his opinions on bayonets, and on the chaining of German prisoners display his magnificent talent as a political writer, and letters to friends and his publisher provide a unique insight into the development and publication of some of the most important novels in the English language. A Life in Letters features previously unpublished material, including letters which shed new light on a love that would haunt him for his whole life, as well as revealing the inspiration for some of his most famous characters. Presented for the first time in a dedicated volume, this selection of Orwell's letters is an indispensible companion to his diaries.'Arguably the most influential writer thrown up by the West in the twentieth century ... the real Orwell - whoever he is - continues to take shape'The Times

Including Animal Farm'Orwell is the most influential political writer of the twentieth century' New York Review of BooksThroughout his life George Orwell aimed, in his words, to make 'political writing into an art'. This collection brings together the best of his matchless political essays and journalism with his timeless satire on totalitarianism, Animal Farm. It includes articles on subjects from the corruption of language to the oppressive British Empire; his masterly wartime Socialist polemic, 'The Lion and the Unicorn'; a wry review of Mein Kampf; a defence of Nineteen Eighty-Four; and extracts from his controversial list of 'Crypto-Communists'. Together these works demonstrate Orwell's commitment to telling the truth, however unpalatable, and doing so with artistry and humanity.Edited by Peter Davison with an Introduction by Timothy Garton Ash

Including Down and Out in Paris and London'Orwell was the great moral force of his age' SpectatorThe powerful writings collected together in this volume chronicle George Orwell's first-hand experiences of life among the underclass of the 'two nations' of rich and poor. Down and Out in Paris and London is the young Orwell's memoir of his time as a struggling, often penniless writer, living among the destitute and dispossessed, in which he exposes what 'going to the dogs' is really like. There are also articles and letters on sleeping rough in Trafalgar Square, being arrested for drunkenness, on the poverty Orwell witnessed in Morocco and India, and his shocking essay, 'How the Poor Die'.Edited by Peter Davison with an Introduction by Peter Clarke

Including Homage to Catalonia'Spain not only defined Orwell as an individual, it also gave him his first glimpse of totalitarianism' D. J. Taylor, GuardianGeorge Orwell's experience of the Spanish Civil War had a transformative effect on his life and work. This volume brings together his complete writings on the war, including Homage to Catalonia, his searing memoir of fighting in the conflict and the bitter betrayal that followed. The powerful journalism, essays, letters and pamphlets also collected here show his resolution to tell the truth about what happened amid a 'crop of lies' from both the Communist Party and the British press, while in 'Looking Back on the Spanish War' he remembers the heroism and decency of the ordinary people he encountered.Edited by Peter Davison with an Introduction by Christopher Hitchens

Including The Road to Wigan Pier'No one wrote better about the English character than Orwell' New York Review of BooksMuch of George Orwell's best writing, brought together in this collection, is concerned with his complex, often contradictory attitude to England. In the brilliantly perceptive The English People, he lists the national characteristics as 'suspicion of foreigners, sentimentality about animals, hypocrisy, exaggerated class distinctions and an obsession with sport'. The Road to Wigan Pier, his blistering account of poverty in the north of England, and many of his essays, attack what he called 'the most class-ridden country under the sun', while other writings here ruminate on the merits of cricket, gardening, roast dinners, pubs, tea and seaside postcards.Edited by Peter Davison with an Introduction by Ben Pimlott

Even productions of Othello based on very different conceptions of the play can prove successful ad deeply moving. Among critics, however, Othello has roused furous critical disagreement, remarkable for the degree of animosity exposed. After an Introduction in which the problems of analysing this play are outlined, Peter Davison considers six critical approaches to Othello: Genre, Historical and Social, Dramatic Convention and Decorum, Character and Psychological, the Play as Dramatic Poem, and Archetypal Criticism. In the second part of this study, Professor Davison offers his own, contextual approach. He takes into account the historical and social context in which the play was written, the context of the play in performance, and the context in which contemporary audiences see and read Othello. He also provides a guide for further reading.

This extraordinary account, by a participant who knew them all, offers vivid reminiscences of Robert Lowell, Adrienne Rich, Stanley Kunitz, Sylvia Plath, Richard Wilbur, Anne Sexton, W. S. Merwin, and many others who interacted with each other and shaped American poetry at mid-century.

Shakespeare's Richard III presents difficult textual problems. There are 2,000 verbal differences between the text of the first quarto (1597) and the version in the First Folio (1623). Although the narrative of the two plays is virtually identical, each has lines which are not found in the other, parts of the play are arranged differently, and the quarto deploys fewer characters. The text of the quarto is accompanied by a collation of variant readings and substantial textual notes. In a lengthy introduction Peter Davison proposes that Shakespeare's company, the Lord Chamberlain's Men, used a memorially reconstructed text of Richard III during a touring performance of the play, and that text provided the manuscript for the 1597 quarto. Using examples of touring practice of the past 400 years, Davison shows how the actors' involvement helped to produce the text we have.

Shakespeare's Richard III presents difficult textual problems. There are 2,000 verbal differences between the text of the first quarto (1597) and the version in the First Folio (1623). Although the narrative of the two plays is virtually identical, each has lines which are not found in the other, parts of the play are arranged differently, and the quarto deploys fewer characters. The text of the quarto is accompanied by a collation of variant readings and substantial textual notes. In a lengthy introduction Peter Davison proposes that Shakespeare's company, the Lord Chamberlain's Men, used a memorially reconstructed text of Richard III during a touring performance of the play, and that text provided the manuscript for the 1597 quarto. Using examples of touring practice of the past 400 years, Davison shows how the actors' involvement helped to produce the text we have.

From his school days to his tragic early death, George Orwell, who never wrote an autobiography, chronicled the dramatic events of his turbulent life in a profusion of powerful letters. Indeed, one of the twentieth century’s most revered icons was a lively, prolific correspondent who developed in rich, nuanced dispatches the ideas that would influence generations of writers and intellectuals. This historic work—never before published in America and featuring many previously unseen letters—presents an account of Orwell’s interior life as personal and absorbing as readers may ever see.Over the course of a lifetime, Orwell corresponded with hundreds of people, including many distinguished political and artistic figures. Witty, personal, and profound, the letters tell the story of Orwell’s passionate first love that ended in devastation and explains how young Eric Arthur Blair chose the pseudonym "George Orwell." In missives to luminaries such as T. S. Eliot, Stephen Spender, Arthur Koestler, Cyril Connolly, and Henry Miller, he spells out his literary and philosophical beliefs. Readers will encounter Orwell’s thoughts on matters both quotidian (poltergeists and the art of playing croquet) and historical—including his illuminating descriptions of war-shattered Barcelona and pronouncements on bayonets and the immanent cruelty of chaining German prisoners.The letters also reveal the origins of his famous novels. To a fan he wrote, "I think, and have thought ever since the war began…that our cause is the better, but we have to keep on making it the better, which involves constant criticism." A paragraph before, he explained that the British intelligentsia in 1944 were "perfectly ready for dictatorial methods, secret police, systematic falsification of history," prefiguring the themes of 1984. Entrusting the manuscript of Animal Farm to Leonard Moore, his literary agent, Orwell describes it as "a sort of fairy story, really a fable with political meaning…This book is murder from the Communist point of view."Hardly known outside a small circle of Orwell scholars, these rare letters include Orwell’s message to Dwight Macdonald of 5 December 1946 explaining Animal Farm; his correspondence with his first translator, R. N. Raimbault (with English translations of the French originals); and the moving encomium written about Orwell by his BBC head of department after his service there. The volume concludes with a fearless account of the painful illness that took Orwell’s life at age forty-seven. His last letter concerns his son and his estate and closes with the words, "Beyond that I can’t make plans at present."Meticulously edited and fully annotated by Peter Davison, the world’s preeminent Orwell scholar, the volume presents Orwell “in all his varieties” and his relationships with those most close to him, especially his first wife, Eileen. Combined with rare photographs and hand-drawn illustrations, George Orwell: A Life in Letters offers "everything a reader new to Orwell needs to know…and a great deal that diehard fans will be enchanted to have" (New Statesmen).

This groundbreaking volume, never before published in the United States, at last introduces the interior life of George Orwell, the writer who defined twentieth-century political thought. Written as individual books throughout his career, the eleven surviving diaries collected here record Orwell’s youthful travels among miners and itinerant laborers, the fearsome rise of totalitarianism, the horrific drama of World War II, and the feverish composition of his great masterpieces Animal Farm and 1984 (which have now sold more copies than any two books by any other twentieth-century author). Personal entries cover the tragic death of his first wife and Orwell’s own decline as he battled tuberculosis. Exhibiting great brilliance of prose and composition, these treasured dispatches, edited by the world’s leading Orwell scholar, exhibit “the seeds of famous passages to come” (New Statesman) and amount to a volume as penetrating as the autobiography he would never write.