Peter Fraser - Böcker

The Lexicon of Greek Personal names, established as a major research project of the British Academy and now funded by the Arts and Humanities Research Board and by Greek Foundations, offers scholars a comprehensive listing of all named individuals from the ancient Greek-speaking world. The information needed has been compiled from all written sources, literary, epigraphical, papyrological and numismatic, within a chronological range from the eighth century BC to approximately 600 AD; the geographical limits match the use of Greek language in antiquity, from Asia Minor to the Western Mediterranean, the Black Sea to North Africa. Many scholars have contributed to the achievement of this ambitious research programmeWith the present volume, the project moves into Northern Greece and on to the west and north shores of the Black Sea, extending from the Greek colonial zone into the Balkan hinterland as far as the Danube.The Greek world was highly differentiated in many ways, from the broadest divisions into Aeolic, Ionic and Doric speaking communities, to individual cities with their different social, religious and political patterns. Names follow, and play a part in measuring, these differences, which transcended physical boundaries. The LGPN volumes enable scholars to use fully all the potential of personal names to illuminate all aspects of ancient society.The LGPN volumes provide the basis for further research into all aspects of ancient Greek society, and are used by the classical community worldwide.

Arts Marketing focuses on a variety of sectors within the arts and addresses the way in which marketing principles are applied within these, outlining both the similarities and the differences that occur. Relating policy to practice, this contributed text demonstrates the most effective means of marketing in specific areas of the arts, with each chapter having been written by a specialist in the field. Although primarily focusing on the UK market, the subject has global relevance and appeal, and policy is evaluated on national, European and supranational levels. Specialist topics dealt with range from the marketing of the theatre, opera, and museums, through to the film industry and popular music.

Christianity has had a powerful influence on every sphere of Western art, even art which on the surface might seem antithetical to the faith. This book argues that point with an analysis of the horror film genre, examining nine classics which illustrate the evolution of horror and reveal a culture haunted by fear of the unspeakable. The history and literary roots of the horror genre are also discussed. The author concludes that our innate dread of evil and the imperative of warding it off are the key mechanics of the horror experience. Films covered include Vampyr (1932), The Mummy (1932), The Thing (1951), Night of the Demon (1957), The Wicker Man (1973), The Exorcist (1973), Halloween (1978), Ringu (1998) and Pan's Labyrinth (2006).

In Restoration England the Secretaries of State performed the duties not only of a Home and Foreign Secretary combined, but also of a modern news-agency. This is a 1956 study in a vital function of seventeenth-century government, in communications, the dissemination of news, and the growth of articulate public opinion. Mr Fraser first shows the scope and nature of the Secretaries' responsibility for providing the Council with intelligence, their control of the Post Office, and their use of spies among the Dissenters and in Holland during the Dutch wars. The second part covers the continental system of news exchange, the Secretaries' correspondence with ambassadors, consuls, customs officers, postmasters and other, details of posts, and the sources of news published in the London Gazette and the newsletters from Whitehall.

Arts Marketing focuses on a variety of sectors within the arts and addresses the way in which marketing principles are applied within these, outlining both the similarities and the differences that occur. Relating policy to practice, this contributed text demonstrates the most effective means of marketing in specific areas of the arts, with each chapter having been written by a specialist in the field. Although primarily focusing on the UK market, the subject has global relevance and appeal, and policy is evaluated on national, European and supranational levels. Specialist topics dealt with range from the marketing of the theatre, opera, and museums, through to the film industry and popular music.