Peter Galison – författare

"Galison provides excellent histories of three experimental episodes: the measurement of the gyromagnetic ratio of the electron, the discovery of the mu meson, or muon, and the discovery of weak neutral currents. These studies of actual experiments will provide valuable material for both philosophers and historians of science and Galison's own thoughts on the nature of experiment are extremely important. . . . Galison has given both philosophers and historians much to think about. I strongly urge you to read this book."—Allan Franklin, British Journal of the Philosophy of Science"Anyone who is seriously concerned with understanding how research is done should read this. There have been many books on one or another part of its subject matter but few giving such insights into how the research is done and how the consensus of discovery is arrived at."—Frank Close, New Scientist"[Galison] is to be congratulated on producing a masterpiece in the field."—Michael Redhead, Synthese"How Experiments End is a major historical work on an exciting topic."—Andy Pickering, Isis

This study engages with the impact of modern technology on experimental physicists. It reveals how the ever-increasing scale and complexity of apparatus has distanced physicists from the very science which drew them into experimenting, and has fragmented microphysics into different technical traditions. At the beginning of this century, physics was usually done by a lone researcher who put together experimental apparatus on a benchtop. Now experiments are frequently larger than a city block, and experimental physicists lead very different lives - programming computers, working with industry, co-ordinating vast teams of scientists and engineers, and playing politics. The author describes how, as a result of these changes, the necessity for teamwork in operating multimillion-dollar machines has created dynamic "trading zones", where instrument makers, theorists and experimentalists meet, share knowledge, and co-ordinate the extraordinarily diverse pieces of the culture of modern microphysics - work, machines, evidence and argument.

A dramatic new account of the parallel quests to harness time that culminated in the revolutionary science of relativity, Einstein's Clocks, Poincaré's Maps is "part history, part science, part adventure, part biography, part meditation on the meaning of modernity....In Galison's telling of science, the meters and wires and epoxy and solder come alive as characters, along with physicists, engineers, technicians and others.…Galison has unearthed fascinating material" (New York Times).Clocks and trains, telegraphs and colonial conquest: the challenges of the late nineteenth century were an indispensable real-world background to the enormous theoretical breakthrough of relativity. And two giants at the foundations of modern science were converging, step-by-step, on the answer: Albert Einstein, an young, obscure German physicist experimenting with measuring time using telegraph networks and with the coordination of clocks at train stations; and the renowned mathematician Henri Poincaré, president of the French Bureau of Longitude, mapping time coordinates across continents. Each found that to understand the newly global world, he had to determine whether there existed a pure time in which simultaneity was absolute or whether time was relative.Esteemed historian of science Peter Galison has culled new information from rarely seen photographs, forgotten patents, and unexplored archives to tell the fascinating story of two scientists whose concrete, professional preoccupations engaged them in a silent race toward a theory that would conquer the empire of time.

Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.

Modern science has changed every aspect of life in ways that cannot be compared to developments of previous eras. This four-volume set presents key developments within modern physical science and the effects of these discoveries on modern global life. The first two volumes explore the history of the concept of relativity, the cultural roots of science, the concept of time and gravity before, during, and after Einstein's theory, and the cultural reception of relativity. Volume 3 explores the impact of modern science upon global politics and the creation of a new kind of war, and Volume 4 details the old and new efforts surrounding the elucidation of the quantum world, as well as the cultural impact of particle physics. This reprint collection pools the best scholarship available, collected from a large array of difficult to acquire books, journals, and pamphlets. Each volume begins with an introductory essay, written by one of the top scholars in the history of science. Students and scholars of modern culture, science, and society will find these volumes a veritable research gold mine.

Modern science has changed every aspect of life in ways that cannot be compared to developments of previous eras. This four-volume set presents key developments within modern physical science and the effects of these discoveries on modern global life. The first two volumes explore the history of the concept of relativity, the cultural roots of science, the concept of time and gravity before, during, and after Einstein's theory, and the cultural reception of relativity. Volume 3 explores the impact of modern science upon global politics and the creation of a new kind of war, and Volume 4 details the old and new efforts surrounding the elucidation of the quantum world, as well as the cultural impact of particle physics. This reprint collection pools the best scholarship available, collected from a large array of difficult to acquire books, journals, and pamphlets. Each volume begins with an introductory essay, written by one of the top scholars in the history of science. Students and scholars of modern culture, science, and society will find these volumes

Modern science has changed every aspect of life in ways that cannot be compared to developments of previous eras. This four-volume set presents key developments within modern physical science and the effects of these discoveries on modern global life. The first two volumes explore the history of the concept of relativity, the cultural roots of science, the concept of time and gravity before, during, and after Einstein's theory, and the cultural reception of relativity. Volume 3 explores the impact of modern science upon global politics and the creation of a new kind of war, and Volume 4 details the old and new efforts surrounding the elucidation of the quantum world, as well as the cultural impact of particle physics. This reprint collection pools the best scholarship available, collected from a large array of difficult to acquire books, journals, and pamphlets. Each volume begins with an introductory essay, written by one of the top scholars in the history of science. Students and scholars of modern culture, science, and society will find these volumes a veritable research gold mine.

Since the seventeenth century our ideas of scientific authorship have expanded and changed dramatically. In this ambitious volume of new work, Mario Biagioli and Peter Galison have brought together historians of science, literary historians, and historians of the book. Together they track the changing nature and identity of the author in science, both historically and conceptually, from the emergence of scientific academies in the age of Galileo to concerns with large-scale multiauthorship and intellectual property rights in the age of cloning labs and pharmaceutical giants. How, for example, do we decide whether a chemical compound is discovered or invented? What does it mean to patent genetic material? Documenting the emergence of authorship in the late medieval period, authorship's limits and its fragmentation, Scientific Authorship offers a collective history of a complex relationship.

Since the seventeenth century our ideas of scientific authorship have expanded and changed dramatically. In this ambitious volume of new work, Mario Biagioli and Peter Galison have brought together historians of science, literary historians, and historians of the book. Together they track the changing nature and identity of the author in science, both historically and conceptually, from the emergence of scientific academies in the age of Galileo to concerns with large-scale multiauthorship and intellectual property rights in the age of cloning labs and pharmaceutical giants. How, for example, do we decide whether a chemical compound is discovered or invented? What does it mean to patent genetic material? Documenting the emergence of authorship in the late medieval period, authorship's limits and its fragmentation, Scientific Authorship offers a collective history of a complex relationship.

Is science unified or disunified? Over the last century, the question has raised the interest (and hackles) of scientists, philosophers, historians, and sociologists of science, for at stake is how science and society fit together. Recent years have seen a turn largely against the rhetoric of unity, ranging from the please of condensed matter physicists for disciplinary autonomy all the way to discussions in the humanities and social sciences that involve local history, feminism, multiculturalism, postmodernism, scientific relativism and realism, and social constructivism. Many of these varied aspects of the debate over the disunity of science are reflected in this volume, which brings together a number of scholars studying science who otherwise have had little to say to each other: feminist theorists, philosophers of science, sociologists of science. How does the context of discover shape knowledge? What are the philosophical consequences of a disunified science? Does, for example, an antirealism, a realism, or an arealism become defensible within a picture of local scientific knowledge? What politics lies behind and follows from a picture of the world of science more like a quilt than a pyramid? Who gains and loses if representation of science has standards that vary from place to place, field to field, and practitioner to practitioner.

Is science unified or disunified? Over the last century, the question has raised the interest (and hackles) of scientists, philosophers, historians, and sociologists of science, for at stake is how science and society fit together. Recent years have seen a turn largely against the rhetoric of unity, ranging from the please of condensed matter physicists for disciplinary autonomy all the way to discussions in the humanities and social sciences that involve local history, feminism, multiculturalism, postmodernism, scientific relativism and realism, and social constructivism. Many of these varied aspects of the debate over the disunity of science are reflected in this volume, which brings together a number of scholars studying science who otherwise have had little to say to each other: feminist theorists, philosophers of science, sociologists of science. How does the context of discover shape knowledge? What are the philosophical consequences of a disunified science? Does, for example, an antirealism, a realism, or an arealism become defensible within a picture of local scientific knowledge? What politics lies behind and follows from a picture of the world of science more like a quilt than a pyramid? Who gains and loses if representation of science has standards that vary from place to place, field to field, and practitioner to practitioner.

Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.

Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.

Since the seventeenth century our ideas of scientific authorship have expanded and changed dramatically. In this ambitious volume of new work, Mario Biagioli and Peter Galison have brought together historians of science, literary historians, and historians of the book. Together they track the changing nature and identity of the author in science, both historically and conceptually, from the emergence of scientific academies in the age of Galileo to concerns with large-scale multiauthorship and intellectual property rights in the age of cloning labs and pharmaceutical giants. How, for example, do we decide whether a chemical compound is discovered or invented? What does it mean to patent genetic material? Documenting the emergence of authorship in the late medieval period, authorship''s limits and its fragmentation, Scientific Authorship offers a collective history of a complex relationship.

Since the seventeenth century our ideas of scientific authorship have expanded and changed dramatically. In this ambitious volume of new work, Mario Biagioli and Peter Galison have brought together historians of science, literary historians, and historians of the book. Together they track the changing nature and identity of the author in science, both historically and conceptually, from the emergence of scientific academies in the age of Galileo to concerns with large-scale multiauthorship and intellectual property rights in the age of cloning labs and pharmaceutical giants. How, for example, do we decide whether a chemical compound is discovered or invented? What does it mean to patent genetic material? Documenting the emergence of authorship in the late medieval period, authorship''s limits and its fragmentation, Scientific Authorship offers a collective history of a complex relationship.

Modern science has changed every aspect of life in ways that cannot be compared to developments of previous eras. This four-volume set presents key developments within modern physical science and the effects of these discoveries on modern global life. The first two volumes explore the history of the concept of relativity, the cultural roots of science, the concept of time and gravity before, during, and after Einstein''s theory, and the cultural reception of relativity. Volume 3 explores the impact of modern science upon global politics and the creation of a new kind of war, and Volume 4 details the old and new efforts surrounding the elucidation of the quantum world, as well as the cultural impact of particle physics. This reprint collection pools the best scholarship available, collected from a large array of difficult to acquire books, journals, and pamphlets. Each volume begins with an introductory essay, written by one of the top scholars in the history of science. Students and scholars of modern culture, science, and society will find these volumes a veritable research gold mine.

Modern science has changed every aspect of life in ways that cannot be compared to developments of previous eras. This four-volume set presents key developments within modern physical science and the effects of these discoveries on modern global life. The first two volumes explore the history of the concept of relativity, the cultural roots of science, the concept of time and gravity before, during, and after Einstein''s theory, and the cultural reception of relativity. Volume 3 explores the impact of modern science upon global politics and the creation of a new kind of war, and Volume 4 details the old and new efforts surrounding the elucidation of the quantum world, as well as the cultural impact of particle physics. This reprint collection pools the best scholarship available, collected from a large array of difficult to acquire books, journals, and pamphlets. Each volume begins with an introductory essay, written by one of the top scholars in the history of science. Students and scholars of modern culture, science, and society will find these volumes a veritable research gold mine.

Modern science has changed every aspect of life in ways that cannot be compared to developments of previous eras. This four-volume set presents key developments within modern physical science and the effects of these discoveries on modern global life. The first two volumes explore the history of the concept of relativity, the cultural roots of science, the concept of time and gravity before, during, and after Einstein''s theory, and the cultural reception of relativity. Volume 3 explores the impact of modern science upon global politics and the creation of a new kind of war, and Volume 4 details the old and new efforts surrounding the elucidation of the quantum world, as well as the cultural impact of particle physics. This reprint collection pools the best scholarship available, collected from a large array of difficult to acquire books, journals, and pamphlets. Each volume begins with an introductory essay, written by one of the top scholars in the history of science. Students and scholars of modern culture, science, and society will find these volumes a veritable research gold mine.

Modern science has changed every aspect of life in ways that cannot be compared to developments of previous eras. This four-volume set presents key developments within modern physical science and the effects of these discoveries on modern global life. The first two volumes explore the history of the concept of relativity, the cultural roots of science, the concept of time and gravity before, during, and after Einstein''s theory, and the cultural reception of relativity. Volume 3 explores the impact of modern science upon global politics and the creation of a new kind of war, and Volume 4 details the old and new efforts surrounding the elucidation of the quantum world, as well as the cultural impact of particle physics. This reprint collection pools the best scholarship available, collected from a large array of difficult to acquire books, journals, and pamphlets. Each volume begins with an introductory essay, written by one of the top scholars in the history of science. Students and scholars of modern culture, science, and society will find these volumes a veritable research gold mine.

This collection demonstrates the range of approaches that some of the leading scholars of our day take to basic questions at the intersection of the natural and human worlds. The essays focus on three interlocking categories: Reason stakes a bigger territory than the enclosed yard of universal rules. Nature expands over a far larger region than an eternal category of the natural. And history refuses to be confined to claims of an unencumbered truth of how things happened.