This casebook provides a selection of key criticism, including an article newly translated into English, on the Cantos of Ezra Pound. The introduction positions the poem within Pound's corpus, contextualizes the contributions included and outlines their arguments, and concludes with suggestions for how the student may best approach this troubled and fascinating artifact. The selected articles maintain a high level of immediate contact with the Cantos, with the intention of preparing students for reading individual cantos on their own. Contributors discuss the nature of many of the successive major blocks of work, allowing the Pound newcomer to experience the poem as an irregular progression, varying greatly in its qualities. The first selection discusses "Canto I"; subsequent selections discuss, successively, major elements from "Canto II", the Draft of XXX, the China Cantos, the Pisan Cantos, and Drafts and Fragments. As a whole, the collection elucidates the personal and historical shifts that profoundly impacted Pound and consequentially produced the changing fusions of technique and matter in the Cantos. It also shows some of the huge variation in critics conceptions of the poem, or poetry itself, and of what it meant to be a poet and citizen of the West during the half-century in which the Cantos were written.

A substantial portion of Bunting's poems circulated, unheeded, half a century ago. Yet, more than twenty-five years after the publication of his masterpiece Briggflatts, this is is the first critical study to show the view of writing that fused Bunting's intense concerns with music, painting, and Northern culture, and made him the central British poet of the post-war era. Peter Makin's lucid sequence of exposition leads from the more approachable data of Bunting's life and writings to their relations with form and finally theory. Of particular interest are chapters on the saints and warriors that occupy a central position in Briggflatts and on the forms of music and of Northumbrian painting and writing that help determine its structure. Bunting was both realist - his poetry was `about life' - and profoundly formalist. His arguments clash, and cannot be made to match up. Yet they demand examination, not only because they gave rise to his verse, but because they undercut some of the more dangerous critical tendencies of our day. This study reveals Bunting as a major figure both in the development of the modernist movement and of twentieth-century British poetry as a whole.

Contracts in employment are of two kinds: the formal, written contract and the equally important, informal and unwritten psychological contract—how people think they should be treated. Both involve rights, obligations and expectations on the part of the employer and the employee, and a breach in one can have important effects on the other. For example, how people feel they are being treated by the organization can affect their perception of their levels of pay. Organizations and the Psychological Contract has two main aims in exploring these issues: to act as a handbook for practicing managers, and as a basic text in management courses.Organizations and the Psychological Contract has two main aims in exploring these issues in the organizational context: to act as a handbook for practicing managers, and as a basic text in management courses. Relevant theories are explained and developed using practical examples, self-assessment exercises, and case studies. This is a revised and much expanded version of Managing People at Work, with the addition of chapters on Selection and Career Development, Understanding and Coping with Change, Empowerment and Self-Management, and the Behavioural Approach to Motivation. As well as undertaking research into many aspects of organizational life, the authors have many years' experience as consultants, acting for industrial and commercial organizations in all sectors of the economy.

Provence and Pound offers a compelling exploration of the relationship between Ezra Pound and the tradition of Provençal poetry. Bridging centuries and cultures, the book examines how Pound—one of the most influential modernist poets—engaged with the medieval troubadours of 12th-century Provence, whose refined lyricism and courtly ideals shaped his understanding of poetic form, rhythm, and artistry. The troubadours, renowned for their mastery of the canso and other verse forms, created a literary culture that Pound saw as vibrant, organic, and deeply influential in the evolution of European poetics. By tracing his engagement with Provençal poetry, this study not only sheds light on Pound’s poetic evolution but also challenges traditional interpretations of the troubadour legacy.The book positions Pound as a revisionist scholar of the troubadours, one who bypassed the rigorous philological traditions of Provençal studies in favor of a more intuitive and artistic approach. While his grasp of Provençal language may have been imprecise, his ability to distill the essential spirit of the troubadour ethos allowed him to reinvigorate their influence for a modern audience. The discussion also reveals how Pound’s fascination with figures like Bertran de Born evolved over time, reflecting his shifting perspectives on poetry, politics, and aesthetics. By placing the medieval and the modern in direct conversation, Provence and Pound highlights the enduring power of the troubadours and underscores Pound’s singular role in resurrecting their legacy within the avant-garde movements of the 20th century.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

Provence and Pound offers a compelling exploration of the relationship between Ezra Pound and the tradition of Provençal poetry. Bridging centuries and cultures, the book examines how Pound—one of the most influential modernist poets—engaged with the medieval troubadours of 12th-century Provence, whose refined lyricism and courtly ideals shaped his understanding of poetic form, rhythm, and artistry. The troubadours, renowned for their mastery of the canso and other verse forms, created a literary culture that Pound saw as vibrant, organic, and deeply influential in the evolution of European poetics. By tracing his engagement with Provençal poetry, this study not only sheds light on Pound’s poetic evolution but also challenges traditional interpretations of the troubadour legacy.The book positions Pound as a revisionist scholar of the troubadours, one who bypassed the rigorous philological traditions of Provençal studies in favor of a more intuitive and artistic approach. While his grasp of Provençal language may have been imprecise, his ability to distill the essential spirit of the troubadour ethos allowed him to reinvigorate their influence for a modern audience. The discussion also reveals how Pound’s fascination with figures like Bertran de Born evolved over time, reflecting his shifting perspectives on poetry, politics, and aesthetics. By placing the medieval and the modern in direct conversation, Provence and Pound highlights the enduring power of the troubadours and underscores Pound’s singular role in resurrecting their legacy within the avant-garde movements of the 20th century.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

"All you can usually say about a poem or a picture is, 'Look at it, listen to it.' Whether you listen to a piece of music or a poem, or look at a picture or a jug or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own."-Basil Bunting A close poetic ally of Ezra Pound and Louis Zukofsky, the British poet Basil Bunting is best known for his use of specific musical form in poetry. Several of his works, including his long poem Briggflatts, are in the form of the sonata. Although his language is plain, unvarnished English, his influences and models extend to Classical, Persian, and Japanese verse. Basil Bunting on Poetry collects two series of lectures that Bunting delivered in 1968 and 1974. Tracing the development of an English poetry governed by families of stress-groups from Beowulf down to Wyatt, Wordsworth, Whitman, Pound, and Zukofsky, the lectures focus on writing and hearing poetry rather than on literary-historical concerns. Throughout, editor Peter Makin expands upon and annotates the lectures with additional comments drawn from Bunting's writings.

This is an excellent text for practising managers and students on management and occupational psychology courses. It deals with all aspects of organisational life from recruitment and selection to motivation, leadership and organizational change. The book provides a comprehensive coverage of all aspects of behaviour at work.

This casebook provides a selection of key criticism, including an article newly translated into English, on the Cantos of Ezra Pound. The introduction positions the poem within Pound's corpus, contextualizes the contributions included and outlines their arguments, and concludes with suggestions for how the student may best approach this troubled and fascinating artifact. The selected articles maintain a high level of immediate contact with the Cantos, with the intention of preparing students for reading individual cantos on their own. Contributors discuss the nature of many of the successive major blocks of work, allowing the Pound newcomer to experience the poem as an irregular progression, varying greatly in its qualities. The first selection discusses "Canto I"; subsequent selections discuss, successively, major elements from "Canto II", the Draft of XXX, the China Cantos, the Pisan Cantos, and Drafts and Fragments. As a whole, the collection elucidates the personal and historical shifts that profoundly impacted Pound and consequentially produced the changing fusions of technique and matter in the Cantos. It also shows some of the huge variation in critics conceptions of the poem, or poetry itself, and of what it meant to be a poet and citizen of the West during the half-century in which the Cantos were written.

A substantial portion of Bunting's poems circulated, unheeded, half a century ago. Yet, more than twenty-five years after the publication of his masterpiece Briggflatts, this is is the first critical study to show the view of writing that fused Bunting's intense concerns with music, painting, and Northern culture, and made him the central British poet of the post-war era. Peter Makin's lucid sequence of exposition leads from the more approachable data of Bunting's life and writings to their relations with form and finally theory. Of particular interest are chapters on the saints and warriors that occupy a central position in Briggflatts and on the forms of music and of Northumbrian painting and writing that help determine its structure. Bunting was both realist - his poetry was `about life' - and profoundly formalist. His arguments clash, and cannot be made to match up. Yet they demand examination, not only because they gave rise to his verse, but because they undercut some of the more dangerous critical tendencies of our day. This study reveals Bunting as a major figure both in the development of the modernist movement and of twentieth-century British poetry as a whole.

Contracts in employment are of two kinds: the formal, written contract and the equally important, informal and unwritten psychological contract—how people think they should be treated. Both involve rights, obligations and expectations on the part of the employer and the employee, and a breach in one can have important effects on the other. For example, how people feel they are being treated by the organization can affect their perception of their levels of pay. Organizations and the Psychological Contract has two main aims in exploring these issues: to act as a handbook for practicing managers, and as a basic text in management courses.Organizations and the Psychological Contract has two main aims in exploring these issues in the organizational context: to act as a handbook for practicing managers, and as a basic text in management courses. Relevant theories are explained and developed using practical examples, self-assessment exercises, and case studies. This is a revised and much expanded version of Managing People at Work, with the addition of chapters on Selection and Career Development, Understanding and Coping with Change, Empowerment and Self-Management, and the Behavioural Approach to Motivation. As well as undertaking research into many aspects of organizational life, the authors have many years' experience as consultants, acting for industrial and commercial organizations in all sectors of the economy.

Provence and Pound offers a compelling exploration of the relationship between Ezra Pound and the tradition of Provençal poetry. Bridging centuries and cultures, the book examines how Pound—one of the most influential modernist poets—engaged with the medieval troubadours of 12th-century Provence, whose refined lyricism and courtly ideals shaped his understanding of poetic form, rhythm, and artistry. The troubadours, renowned for their mastery of the canso and other verse forms, created a literary culture that Pound saw as vibrant, organic, and deeply influential in the evolution of European poetics. By tracing his engagement with Provençal poetry, this study not only sheds light on Pound’s poetic evolution but also challenges traditional interpretations of the troubadour legacy.The book positions Pound as a revisionist scholar of the troubadours, one who bypassed the rigorous philological traditions of Provençal studies in favor of a more intuitive and artistic approach. While his grasp of Provençal language may have been imprecise, his ability to distill the essential spirit of the troubadour ethos allowed him to reinvigorate their influence for a modern audience. The discussion also reveals how Pound’s fascination with figures like Bertran de Born evolved over time, reflecting his shifting perspectives on poetry, politics, and aesthetics. By placing the medieval and the modern in direct conversation, Provence and Pound highlights the enduring power of the troubadours and underscores Pound’s singular role in resurrecting their legacy within the avant-garde movements of the 20th century.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

Provence and Pound offers a compelling exploration of the relationship between Ezra Pound and the tradition of Provençal poetry. Bridging centuries and cultures, the book examines how Pound—one of the most influential modernist poets—engaged with the medieval troubadours of 12th-century Provence, whose refined lyricism and courtly ideals shaped his understanding of poetic form, rhythm, and artistry. The troubadours, renowned for their mastery of the canso and other verse forms, created a literary culture that Pound saw as vibrant, organic, and deeply influential in the evolution of European poetics. By tracing his engagement with Provençal poetry, this study not only sheds light on Pound’s poetic evolution but also challenges traditional interpretations of the troubadour legacy.The book positions Pound as a revisionist scholar of the troubadours, one who bypassed the rigorous philological traditions of Provençal studies in favor of a more intuitive and artistic approach. While his grasp of Provençal language may have been imprecise, his ability to distill the essential spirit of the troubadour ethos allowed him to reinvigorate their influence for a modern audience. The discussion also reveals how Pound’s fascination with figures like Bertran de Born evolved over time, reflecting his shifting perspectives on poetry, politics, and aesthetics. By placing the medieval and the modern in direct conversation, Provence and Pound highlights the enduring power of the troubadours and underscores Pound’s singular role in resurrecting their legacy within the avant-garde movements of the 20th century.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

"All you can usually say about a poem or a picture is, 'Look at it, listen to it.' Whether you listen to a piece of music or a poem, or look at a picture or a jug or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own."-Basil Bunting A close poetic ally of Ezra Pound and Louis Zukofsky, the British poet Basil Bunting is best known for his use of specific musical form in poetry. Several of his works, including his long poem Briggflatts, are in the form of the sonata. Although his language is plain, unvarnished English, his influences and models extend to Classical, Persian, and Japanese verse. Basil Bunting on Poetry collects two series of lectures that Bunting delivered in 1968 and 1974. Tracing the development of an English poetry governed by families of stress-groups from Beowulf down to Wyatt, Wordsworth, Whitman, Pound, and Zukofsky, the lectures focus on writing and hearing poetry rather than on literary-historical concerns. Throughout, editor Peter Makin expands upon and annotates the lectures with additional comments drawn from Bunting's writings.

This is an excellent text for practising managers and students on management and occupational psychology courses. It deals with all aspects of organisational life from recruitment and selection to motivation, leadership and organizational change. The book provides a comprehensive coverage of all aspects of behaviour at work.