Peter Raby – författare

Oscar Wilde was already one of the best known literary figures in Britain when he was persuaded to turn his extraordinary talents to the theatre. Between 1891 and 1895 he produced a sequence of distinctive plays which spearheded the dramatic renaissance of the 1890s and retain their power today.The social comedies, Lady Windermere's Fan, A Woman of No Importance, and An Ideal Husband, offer a moving as well as witty dissection of society and its morals, with a sharp focus on sexual politics. By contrast, the experimental, symbolist Salome, written originally in French, was banned for public performance by the English censor. Wilde's final dramatic triumph was his `trivial' comedy for serious people, The Importance of Being Earnest, arguably the greatest farcical comedy in English.

The Cambridge Companion to Oscar Wilde offers an essential introduction to one of the theatre's most important and enigmatic writers. Although a general overview, the volume also offers some of the latest thinking on the dramatist and his impact on the twentieth century. Part One places Wilde's work within the cultural and historical context of his time and includes an opening essay by Wilde's grandson, Merlin Holland. Further chapters also examine Wilde and the Victorians and his image as a Dandy. Part Two looks at Wilde's essential work as playwright and general writer, including his poetry, critiques, and fiction, and provides detailed analysis of such key works as Salome and The Importance of Being Earnest among others. The third group of essays examines the themes and factors which shaped Wilde's work and includes Wilde and his view of the Victorian woman, Wilde's sexual identities, and interpreting Wilde on stage. This 1997 volume also contains a detailed chronology of Wilde's work, a guide to further reading, and illustrations from important productions.

This book presents a complete account of the remarkable life and career of Harriet Smithson Berlioz. Peter Raby's success in this book is to bring fully and sympathetically to life the vulnerable woman and the working actress who is so generally submerged beneath the myth that was created about her. At the same time he provides a continually fascinating commentary on the theatrical and cultural history of her time: on touring troupes in Ireland; on the late Georgian theatre in London; on the different acting styles and traditions in England and France; on the economics of the theatre and the composition of the audiences; on the intellectual background to Shakespeare's belated acceptance in France; on French translations of Shakespeare and contemporary French critical essays and reviews; on the leading figures who frame Harriet's story - actors, painters, writers, and musicians (most notably, of course, Berlioz himself). Holding all together is the complex figure of Harriet - a talented actress, and who for a brief but crucial period in French cultural history became a symbol and an ideal of the new, Romantic spirit.

Harold Pinter was one of the world's leading and most controversial writers, and his impact and influence continues to grow. This Companion examines the wide range of Pinter's work - his writing for theatre, radio, television and screen, and also his highly successful work as a director and actor. Substantially updated and revised, this second edition covers the many developments in Pinter's career since the publication of the first edition, including his Nobel Prize for Literature win in 2005, his appearance in Samuel Beckett's play Krapp's Last Tape and recent productions of his plays. Containing essays written by both academics and leading practitioners, the volume places Pinter's writing within the critical and theatrical context of his time and considers its reception worldwide. Including three new essays, new production photographs, five updated and revised chapters and an extended chronology, the Companion provides fresh perspectives on Pinter's work.

Harold Pinter was one of the world's leading and most controversial writers, and his impact and influence continues to grow. This Companion examines the wide range of Pinter's work - his writing for theatre, radio, television and screen, and also his highly successful work as a director and actor. Substantially updated and revised, this second edition covers the many developments in Pinter's career since the publication of the first edition, including his Nobel Prize for Literature win in 2005, his appearance in Samuel Beckett's play Krapp's Last Tape and recent productions of his plays. Containing essays written by both academics and leading practitioners, the volume places Pinter's writing within the critical and theatrical context of his time and considers its reception worldwide. Including three new essays, new production photographs, five updated and revised chapters and an extended chronology, the Companion provides fresh perspectives on Pinter's work.

In 1858, aged thirty-five, weak with malaria, isolated in the remote Spice Islands, Alfred Russel Wallace wrote to Charles Darwin: he had, he said excitedly, worked out a theory of natural selection. Darwin was aghast - his work of decades was about to be scooped. Within a fortnight, his outline and Wallace's paper were presented jointly in London. A year later, with Wallace still at the opposite side of the world, On the Origin of Species was published. Wallace had none of Darwin's advantages or connections. Born in Usk, Gwent, in 1823, he left school at fourteen and in his mid-twenties spent four years in the Amazon collecting for museums and wealthy patrons, only to lose all his finds in a shipboard fire in mid-Atlantic. He vowed never to travel again. Yet two years later he was off to the East Indies, beginning an eight-year trek over thousands of miles; here he discovered countless unknown species and identified for the first time the point of divide between Asian and Australian fauna, 'Wallace's Line'. With vigour and sensitivity, Peter Raby reveals Wallace as a courageous and unconventional explorer. After his return, he plunged into a variety of controversies, staying vital and alert until his death at the age of 90, in 1913. Gentle, self-effacing, and remarkably free from the racism that blighted so many of his contemporaries, Wallace is one of the neglected giants of the history of science and ideas. This stirring biography - the first for many years - puts him at centre stage, where he belongs.

Oscar Wilde was a courageous individualist whose path-breaking life and work were shaped in the crucible of his time and place, deeply marked by the controversies of his era. This collection of concise and illuminating articles reveals the complex relationship between Wilde's work and ideas, and contemporary contexts including Victorian feminism, aestheticism and socialism. Chapters investigate how Wilde's writing was both a resistance to and quotation of Victorian master narratives and genre codes. From performance history to film and operatic adaptations, the ongoing influence and reception of Wilde's story and work is explored, proposing not one but many Oscar Wildes. To approach the meaning of Wilde as an artist and historical figure, the book emphasises not only his ability to imagine new worlds, but also his bond to the turbulent cultural and historical landscape around him - the context within which his life and art took shape.

During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.

During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.

During the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.