Philip Barnard - Böcker

Over the past few decades, the writings of Charles Brockden Brown (1771-1810) have reclaimed a place of prominence in the American literary canon. Yet despite the explosion of teaching, research, and an ever-increasing number of doctoral dissertations, there remains no up-to-date overview of Brown's work.The Oxford Handbook of Charles Brockden Brown provides a state-of-the-art survey of the life and writings of Charles Brockden Brown, a key writer of the Atlantic revolutionary age and U.S. Early Republic. The seven novels he published during his lifetime are now studied for their narrative complexity, innovations in genre, and social-political commentaries on life in early America and the revolutionary Atlantic. Through the late twentieth century, Brown was best known as an author of political romances in the gothic mode that proved to be widely influential in romantic era, and has generated large amounts of scholarship as a crucial figure in the history of the American novel. This Handbook extends its focus beyond the well-known novels to address the full range of Brown's prolific literary career.The Handbook includes original essays on all of Brown's fiction and nonfiction writings, and offers new interpretations of the contexts of his work: from the literary, social, political, and economic to the scientific, commercial, and religious. The thirty-five contributors in this volume speak in new ways about Brown's depictions of literary theory, social justice, sexuality, and property relations, as well as colonialism, slavery, Native Americans, and women's rights. Brown's perspectives on American and global history, emerging modernity, selfhood and otherness, and other topics, are explained in comprehensible and up-to-date terms. In addition to opening up new avenues of research, The Oxford Handbook of Charles Brockden Brown provides the intellectual foundations needed to understand Brown's enduring impact and literary legacy.

This text, a collaboration between a clinical psychologist and a cognitive psychologist, offers a cognitive account of depression.

This text, a collaboration between a clinical psychologist and a cognitive psychologist, offers a cognitive account of depression.

In addition to the definitive UVA text of Brown's seminal novel, this edition includes an introduction setting the work in its historical, literary, and intellectual contexts. Related texts include selections from William Godwin's Enquiry Concerning Political Justice (1793), Erasmus Darwin's Zoonomia; or, The Laws of Organic Life (1794), Benjamin Franklin's A Narrative of the Late Massacres (1764), and Thomas Barton's The Conduct of the Paxton-Men (1764), as well excerpts from Brown's own essays on somnambulism and the uses of history in fiction.

Set during the epic Philadelphia yellow fever epidemic of 1793, Charles Brockden Brown's classic gothic novel Arthur Mervyn; or, Memoirs of the Year 1793 connects the outbreak with the upheavals of the revolutionary era and the murderous financial networks of Atlantic slavery.This edition of Arthur Mervyn offers selections from key contemporary texts as well as excerpts from Brown's own writings on slavery, race, and the uses of history in fiction.

Set during the epic Philadelphia yellow fever epidemic of 1793, Charles Brockden Brown's classic gothic novel Arthur Mervyn; or, Memoirs of the Year 1793 connects the outbreak with the upheavals of the revolutionary era and the murderous financial networks of Atlantic slavery.This edition of Arthur Mervyn offers selections from key contemporary texts as well as excerpts from Brown's own writings on slavery, race, and the uses of history in fiction.

Wieland; or The Transformation (1798) ties revolutionary-era Gothic themes to struggles over the politics of Enlightenment on both sides of the Atlantic.This edition of Wieland includes Brown's Memoirs of Carwin the Biloquist and writings on Cicero, as well as his key essays on history and literature, and selections from contemporary German and other texts that figure in the novel's background and in the charged atmosphere of the late 1790s.

Bringing together new accounts of the pulp horror writings of H.P. Lovecraft and the rise of the popular early 20th-century religious movements of American Pentecostalism and Social Gospel, Pentecostal Modernism challenges traditional histories of modernism as a secular avant-garde movement based in capital cities such as London or Paris. Disrupting accounts that separate religion from progressive social movements and mass culture, Stephen Shapiro and Philip Barnard construct a new Modernism belonging to a history of regional cities, new urban areas powered by the hopes and frustrations of recently urbanized populations seeking a better life. In this way, Pentecostal Modernism shows how this process of urbanization generates new cultural practices including the invention of religious traditions and mass-cultural forms.

Performing Psychologies offers new perspectives on arts and health, focussing on the different ways in which performance interacting with psychology can enhance understanding of the mind. The book challenges stereotypes of disability, madness and creativity, addressing a range of conditions (autism, dementia and schizophrenia) and performance practices including staged productions and applied work in custodial, health and community settings.Featuring case studies ranging from Hamlet to The Curious Incident of the Dog in the Night-Time, the pioneering work of companies such as Spare Tyre and Ridiculusmus, and embracing dance and music as well as theatre and drama, the volume offers new perspectives on the dynamic interactions between performance, psychology and states of mind. It contains contributions from psychologists, performance scholars, therapists and healthcare professionals, who offer multiple perspectives on working through performance-based media.Presenting a richly interdisciplinary and collaborative investigation of the arts in practice, this volume opens up new ways of thinking about the performance of psychologies, and about how psychologies perform.

Bringing together new accounts of the pulp horror writings of H.P. Lovecraft and the rise of the popular early 20th-century religious movements of American Pentecostalism and Social Gospel, Pentecostal Modernism challenges traditional histories of modernism as a secular avant-garde movement based in capital cities such as London or Paris. Disrupting accounts that separate religion from progressive social movements and mass culture, Stephen Shapiro and Philip Barnard construct a new Modernism belonging to a history of regional cities, new urban areas powered by the hopes and frustrations of recently urbanized populations seeking a better life. In this way, Pentecostal Modernism shows how this process of urbanization generates new cultural practices including the invention of religious traditions and mass-cultural forms.

Performing Psychologies offers new perspectives on arts and health, focussing on the different ways in which performance interacting with psychology can enhance understanding of the mind. The book challenges stereotypes of disability, madness and creativity, addressing a range of conditions (autism, dementia and schizophrenia) and performance practices including staged productions and applied work in custodial, health and community settings.Featuring case studies ranging from Hamlet to The Curious Incident of the Dog in the Night-Time, the pioneering work of companies such as Spare Tyre and Ridiculusmus, and embracing dance and music as well as theatre and drama, the volume offers new perspectives on the dynamic interactions between performance, psychology and states of mind. It contains contributions from psychologists, performance scholars, therapists and healthcare professionals, who offer multiple perspectives on working through performance-based media.Presenting a richly interdisciplinary and collaborative investigation of the arts in practice, this volume opens up new ways of thinking about the performance of psychologies, and about how psychologies perform.

Charles Brockden Brown (1771–1810), a prolific and often controversial writer,  has long been recognized as a significant figure in U.S. literary and cultural history. Brown’s prose fiction, periodical writings, historiography, and pamphlets take part in the full range of political, literary, scientific, and other debates that form the cultural landscape of the first decades of the American republic from 1790 to 1810. Scholarship in the twentieth century developed a general understanding of Brown as an ambitious novelist but only began to explore the full extent of his writings and the issues they raise.Revising Charles Brockden Brown explores the writer as a key figure for understanding the cultural politics of this crucial era of U.S. and Atlantic history. Using contemporary critical models drawn from history, interdisciplinary cultural studies, postcolonial studies, gender and queer theory, and other areas, the essays in this collection bring Brown studies into the twenty-first century, synthesizing and extending the implications of the upsurge in Brown scholarship that has occurred over the last twenty years. These essays explore Brown in his own right and as a window onto the social dynamics of the early republic, as a participant in and commentator on the tumultuous conflicts and transformations of this postrevolutionary moment. These studies focus on the period’s political and ideological discourses in “Revolution and Republican Communities,” address questions concerning the construction of subjectivity and gender in “Gender and Sexuality,” and explore the later development of Brown’s intellectual origins in the radical enlightenment in the “Cultural Politics of the Later Years.”Contributors: Philip Barnard, Martin BrÜckner, Bruce Burgett, Michelle Burnham, Sean X. Goudie, Mark L. Kamrath, Robert S. Levine, Stephen Shapiro, Frank Shuffelton, Julia Stern, Fredrika J. Teute, W. M. Verhoeven, and Ed WhitePhilip Barnard teaches in the Department of English at the University of Kansas. He writes on American literature and cultural theory and has translated and edited work by such figures as Victor SÉjour, Philippe Sollers, Jean-Luc Nancy, and Philippe Lacoue-Labarthe. Mark L. Kamrath teaches early American literature in the Department of English at the University of Central Florida. He is author of a forthcoming book on Brown’s historical writing, and co-editor of a collection of essays on eighteenth-century American periodicals. Stephen Shapiro teaches in the Department of English and Comparative Literature at the University of Warwick. He writes on American literature and cultural materialism and is preparing a book-length study on Brown, ideology, and the Atlantic world-system.

As it tells the story of Constantia Dudley, from her family's financial collapse to her encounters with a series of cosmopolitan revolutionaries and reactionaries, Charles Brockden Brown's Ormond; or The Secret Witness (1799) develops a sustained meditation on late-Enlightenment debates concerning political liberty, women's rights, conventions of sex-gender, and their relation to the reshaping of an Atlantic world in the throes of transformation.This edition of Ormond includes Brown's Alcuin (1798), an important dialogue on women's rights and marriage, as well as his key essays on history and literature, along with selections from contemporary writings on women's education and revolution debates that figure in the novel's background and in the charged atmosphere of the late 1790s.

On Wieland; or the Transformation: "An impressive edition . . . the most thoroughly satisfying historical and literary contextualization for the novel that I've ever encountered. Shapiro and Barnard offer a rich transatlantic artistic and ideological context that helps pull the whole novel into coherent focus. The footnotes to the novel are incredibly thorough, helpful, and interesting. . . . This Hackett edition of Wieland [is] the freshest and most topical of those now available." --Dana D. Nelson, Vanderbilt UniversityOn Ormond; or, the Secret Witness: "Philip Barnard and Stephen Shapiro have produced an awesome edition of Brown's Ormond by providing copious explanatory notes and helpful documentation of the essential historical context of feminist, radical, egalitarian, and abolitionist expression. Oh, ye patriots, read it and learn!" --Peter Linebaugh, University of ToledoOn Arthur Mervyn; or, Memoirs of the Year 1793: "This new edition of Arthur Mervyn far exceeds any previous version of this remarkable American novel. Through exhaustive archival research, the editors have produced a reliable text constructed within the intellectual, cultural, political, and religious contexts of a society informing Brown's efforts to capture and preserve the formation of the early republic for generations of readers and cultural historians. This vital text is essential reading for anyone interested in the origins of the United States." --Emory Elliott, University Professor, University of California-RiversideOn Edgar Huntly; or, Memoirs of a Sleep-Walker: "This is now the edition of choice for those of us who teach Brown's fascinating Edgar Huntly. Barnard and Shapiro explore the relevant historical, cultural, and literary backgrounds in their illuminating Introduction; they skillfully annotate the text; they provide useful and up-to-date bibliographies; and they append a number of revealing primary texts for further cultural contextualization. This edition will help to stimulate new thinking about race, empire, and sexuality in Brown's prescient novel of the American frontier." --Robert S. Levine, University of Maryland

On Wieland; or the Transformation: "An impressive edition . . . the most thoroughly satisfying historical and literary contextualization for the novel that I've ever encountered. Shapiro and Barnard offer a rich transatlantic artistic and ideological context that helps pull the whole novel into coherent focus. The footnotes to the novel are incredibly thorough, helpful, and interesting. . . . This Hackett edition of Wieland [is] the freshest and most topical of those now available." --Dana D. Nelson, Vanderbilt UniversityOn Ormond; or, the Secret Witness: "Philip Barnard and Stephen Shapiro have produced an awesome edition of Brown's Ormond by providing copious explanatory notes and helpful documentation of the essential historical context of feminist, radical, egalitarian, and abolitionist expression. Oh, ye patriots, read it and learn!" --Peter Linebaugh, University of ToledoOn Arthur Mervyn; or, Memoirs of the Year 1793: "This new edition of Arthur Mervyn far exceeds any previous version of this remarkable American novel. Through exhaustive archival research, the editors have produced a reliable text constructed within the intellectual, cultural, political, and religious contexts of a society informing Brown's efforts to capture and preserve the formation of the early republic for generations of readers and cultural historians. This vital text is essential reading for anyone interested in the origins of the United States." --Emory Elliott, University Professor, University of California-RiversideOn Edgar Huntly; or, Memoirs of a Sleep-Walker: "This is now the edition of choice for those of us who teach Brown's fascinating Edgar Huntly. Barnard and Shapiro explore the relevant historical, cultural, and literary backgrounds in their illuminating Introduction; they skillfully annotate the text; they provide useful and up-to-date bibliographies; and they append a number of revealing primary texts for further cultural contextualization. This edition will help to stimulate new thinking about race, empire, and sexuality in Brown's prescient novel of the American frontier." --Robert S. Levine, University of Maryland

Charles Brockden Brown (1771–1810) is a key writer of the revolutionary era and U.S. early republic, known for his landmark novels and other writings in a variety of genres. The Collected Writings ofCharles Brockden Brown presents all of Brown’s non-novelistic writings—letters, political pamphlets, fiction, periodical writings, historical writings, and poetry—in a seven-volume scholarly edition. The edition’s volumes are edited to the highest scholarly standards and will bear the seal of the Modern Language Association Committee on Scholarly Editions (MLA-CSE).Letters and Early Epistolary Writings, volume 1 of the series, presents, for the first time, Brown’s complete extant correspondence along with three early epistolary fiction fragments. Brown’s 179 extant letters provide essential context for reading his other works and a wealth of information about his life, family, associates, and the wider cultural life of the revolutionary period and Early Republic. The letters document the interactions of Brown’s intellectual and literary circles in Philadelphia and during his New York years, when his publishing career began in earnest. The correspondence additionally includes exchanges with notables including Thomas Jefferson and Albert Gallatin. The volume's three epistolary fragments are the earliest examples of Brown’s fiction and are transcribed here for the first time in complete and definitive texts. The volume’s historical texts are fully annotated and accompanied by Historical and Textual Essays, as well as other appended materials, including the most complete and accurate information available concerning Brown’s correspondents and family history. The scholarly work informing this volume establishes significant new findings concerning Brown, his family and friends, and the circumstances of his development as a major literary figure of the revolutionary Atlantic world.

The Productive Body asks how the human body and its labor have been expropriated and re-engineered through successive stages of capitalism; and how capitalism's transformation of the body is related to the rise of scientific psychology and social science disciplines complicit with modern regimes of control. In Discipline and Punish, Foucault cited Guery and Deleule in order to link Marx's diagnosis of capitalism with his own critique of power/knowledge. The Productive Body brings together Marxism and theories of the body-machine for the goal of political revolution.

The second volume in the Collected Writings of Charles Brockden Brown assembles for the first time his major periodical writings from the period when he was also producing his famous novels. All the pieces he contributed to The Columbian Magazine and The Weekly Magazine are joined by an expansive collection of stories and essays from The Monthly Magazine, which he also edited between 1799 and 1800. Texts offering major insights into Brown’s ideas about the human imagination, American society, and the art of fiction such as “The Rhapsodist,” “The Man at Home,” and “The Difference Between History and Romance,” are complemented by dozens of other works, many never before attributed to him, covering topics ranging from the theatre and classical literature to racial identity and geographical knowledge. Each edited text provides detailed information concerning publication history and provenance, along with extensive scholarly annotation. The editors of the volume include two additional essays: "A Historical Essay," offering detailed contextualization of the post-Revolutionary cultural milieu from which Brown’s magazine writing emerged, and "A Textual Essay," offering new bibliographical information about the texts and explains editorial protocols for the volume.