Philip Edwards – författare
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1 180 kr
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5 581 kr
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286 kr
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First published in 1997, this volume challenges the belief that possessive individualists need states to restrain them from trespassing on the natural rights of others or from harming themselves and questions whether anarchy can be sustained to accommodate the long-term self-interests of possessive individualists. Issues discussed include Hobbes’ response to the Foole, Libertarian Anarchism and the inevitability of a minimal state in anarchist society, along with tactics to avoid large wealth differentials.
286 kr
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First published in 1997, this volume challenges the belief that possessive individualists need states to restrain them from trespassing on the natural rights of others or from harming themselves and questions whether anarchy can be sustained to accommodate the long-term self-interests of possessive individualists. Issues discussed include Hobbes’ response to the Foole, Libertarian Anarchism and the inevitability of a minimal state in anarchist society, along with tactics to avoid large wealth differentials.
673 kr
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534 kr
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393 kr
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393 kr
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181 kr
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The Story of the Voyage
Sea-Narratives in Eighteenth-Century England
658 kr
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486 kr
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982 kr
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546 kr
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243 kr
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1 014 kr
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194 kr
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948 kr
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First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare''s work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control.
948 kr
Läs direkt efter köp
First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare''s work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control.
1 018 kr
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260 kr
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