Philip Edwards – författare

Cook led three famous expeditions to the Pacific Ocean between 1768 and 1779. In voyages that ranged from the Antarctic circle to the Arctic Sea, Cook charted Australia and the whole coast of New Zealand, and brought back detailed descriptions of the natural history of the Pacific. Accounts based on Cook's journals were issued at the time, but it was not until this century that the original journals were published in Beaglehole's definitive edition. The JOURNALS tells the story of these voyages as Cook wanted it to be told, radiating the ambition, courage and skill which enabled him to carry out an unrivalled series of expeditions in dangerous waters.

Cook led three famous expeditions to the Pacific Ocean between 1768 and 1779. In voyages that ranged from the Antarctic circle to the Arctic Sea, Cook charted Australia and the whole coast of New Zealand, and brought back detailed descriptions of the natural history of the Pacific. Accounts based on Cook's journals were issued at the time, but it was not until this century that the original journals were published in Beaglehole's definitive edition. The JOURNALS tells the story of these voyages as Cook wanted it to be told, radiating the ambition, courage and skill which enabled him to carry out an unrivalled series of expeditions in dangerous waters.

The narratives of the voyages of the Elizabethan and early Jacobean era have served their turn over the centuries as stirring accounts of the daring of the empire-builders. In this collection of the contemporary accounts of three famous 'last voyages', these writings can be seen as a powerful and special kind of literature, having kinship with the great fictional tragedies of the period.Thomas Cavendish attempted in 1591 to repeat his earlier triumphant circumnavigation of the globe, but could not get through the Magellan Straits and died at sea, probably by his own hand, on the voyage home. Henry Hudson, making yet another attempt to find the North-West Passage in 1610-11, was set adrift in the ice by his own crew. Sir Walter Ralegh, released from the Tower, failed to find the Guiana gold in 1617-18 and came home to the executioner's axe. The men who wrote the accounts of these disastrous ventures were the participants themselves: the leaders, the mutineers, young gentlemen, even a poet and a mathematician. Apart from the poet, none were writing for a living, though some of them were writing for their lives, passionately justifying or exonerating themselves, challenging and contradicting each other. Brought together, their accounts form moving documents of endeavour and defeat in difficult seas and hostile terrain.All the narratives, given in modern spelling, have been newly re-edited from the original manuscripts or printings, with ample introductions which correct the existing historical record on a number of points, and with full explanatory commentary.

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of plays and poems by Philip Massinger. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

1460-1660 was a dramatic and crucially formative period in the emergence of the modern English state, language and identity. It encompassed the reigns of the last Plantagenets, the Tudors and the early Stuarts, as well as the victory of Parliament over the King in the Great Civil War and the amazing experiment of the Puritan Republic. The Making of the Modern English State traces the changes in politics and religion over the two hundred years that helped to form a new English identity. It is both an up-to-date narrative of the growth of the English state and an invaluable guide to recent historiography.

1460-1660 was a dramatic and crucially formative period in the emergence of the modern English state, language and identity. It encompassed the reigns of the last Plantagenets, the Tudors and the early Stuarts, as well as the victory of Parliament over the King in the Great Civil War and the amazing experiment of the Puritan Republic. The Making of the Modern English State traces the changes in politics and religion over the two hundred years that helped to form a new English identity. It is both an up-to-date narrative of the growth of the English state and an invaluable guide to recent historiography.

First published in 1968.By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control.

First published in 1968.By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control.

In this original and wide-ranging book, Philip Edwards examines the theme of pilgrimage in the works of a variety of major writers, including Shakespeare, Conrad, T. S. Eliot, Yeats, and Heaney. Edwards considers the original and early uses of the terms 'pilgrim' and 'pilgrimage' in life and literature, and demonstrates the importance, vitality and flexibility of pilgrimage as a literary theme over the centuries. The emphasis is almost wholly on post-reformation writers, analysing the theme of pilgrimage in major works where previously it has not been thought to exist, and marking an important departure from traditional studies of the pilgrim and pilgrimage in literature. With the character of Hamlet central to the discussion, Edwards argues the emergence in Shakespeare of a new tragic vision of pilgrimage, which perhaps had its beginnings in ancient Irish literature. This is a groundbreaking and unusual study, which encompasses centuries under a common, and vital, theme.

This imprint is established to publish in paperback for an individual readership the Press's most outstanding original monographs. These are titles which would normally appear in specialist hardback editions only, but whose quality and general academic importance justify their special promotion in this prestige imprint. The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programmes in the Humanities and Social Sciences, and therefore represents some of the best current scholarship in the English language.

Aspects of Othello, with its companion volume, Aspects of Macbeth, brings together authoritative articles by distinguished Shakespeare scholars. In making their selections from the entire range of Shakespeare Survey volumes, Professors Kenneth Muir and Philip Edwards have borne the interest of general readers in mind as well as the needs of teachers and students. In each volume the plate section includes both the articles' original illustrations and new material and there are specially written prefaces by the editors.

Aspects of Macbeth, with its companion volume, Aspects of Othello, brings together authoritative articles by distinguished Shakespeare scholars. In making their selections from the entire range of Shakespeare Survey volumes, Professors Kenneth Muir and Philip Edwards have borne the interests of general readers in mind as well as the needs of teachers and students. In each volume the plate section includes both the articles' original illustrations and new material and there are specially written prefaces by the editors.

This is the first full study of one of the most popular and extensive forms of eighteenth-century literature, the voyage narrative. It illustrates the wide variety of published and unpublished material in this field, from self-satisfied official accounts to the little-known narratives of victims of the press-gang. It includes a survey of writings about the Pacific - including Cook's voyages and Bligh and The Bounty; there is a major new study of William Dampier, studies of writings about the slave-trade, and accounts of seamen and passengers, including Fielding and Mary Wollstonecraft. This is a book about writing, rather than exploration and adventure, dealing with the devious routes from the actuality of experience to the production of self-serving narratives. These are narratives of energy, vitality and interest, set within the context of British competitive sea-going imperialism.

Although Shakespeare is acknowledged to be one of the greatest masters of language the world has known, there are very few books among the thousands devoted to his work which attempt to deal directly with how he uses language. No single book could deal with the 'infinite variety' of tone, diction, imagery, rhythm, and so on which together make up Shakespeare's different styles. But the editors of this book asked a number of distinguished Shakespearian scholars to give an account of what seemed to him or her some particularly interesting and important feature of Shakespeare's use of language. Using a quotation from Shakespeare as a starting point, some authors have focussed their discussion on individual plays; others have ranged more widely under general headings, such as bombast, rhetoric or paradox. The cumulative effect will enable readers, students and theatre-goers to come to a greater awareness of the richness and subtlety of 'Shakespeare's styles'. The three editors are senior Shakespeare critics and scholars and they have all been close associates of Professor Kenneth Muir. It was to honour the life-long devotion of Kenneth Muir to the study of Shakespeare, and to pay a tribute to the inspiration and help which he has given to those who have worked with him, that his new book was devised.

In this original and wide-ranging book, Philip Edwards examines the theme of pilgrimage in the works of a variety of major writers, including Shakespeare, Conrad, T. S. Eliot, Yeats, and Heaney. Edwards considers the original and early uses of the terms 'pilgrim' and 'pilgrimage' in life and literature, and demonstrates the importance, vitality and flexibility of pilgrimage as a literary theme over the centuries. The emphasis is almost wholly on post-reformation writers, analysing the theme of pilgrimage in major works where previously it has not been thought to exist, and marking an important departure from traditional studies of the pilgrim and pilgrimage in literature. With the character of Hamlet central to the discussion, Edwards argues the emergence in Shakespeare of a new tragic vision of pilgrimage, which perhaps had its beginnings in ancient Irish literature. This is a groundbreaking and unusual study, which encompasses centuries under a common, and vital, theme.

The third edition of Hamlet offers a completely new introduction to this rich, mysterious play, examining Shakespeare's transformation of an ancient Nordic legend into a drama whose philosophical, psychological, political, and spiritual complexities have captivated audiences world-wide for over 400 years. Focusing on the ways in which Shakespeare re-imagined the revenge plot and its capacity to investigate the human experiences of love, grief, obligation, and memory, Heather Hirschfeld explores the play's cultural and theatrical contexts, its intricate textual issues, its vibrant critical traditions and controversies, and its history of performance and adaptation by celebrated directors, actors, and authors. Supplemented by an updated reading list, extensive illustrations and helpful appendices, this edition also features revised commentary notes explicitly designed for the student reader, offering the very best in contemporary criticism of this great tragedy.

The third edition of Hamlet offers a completely new introduction to this rich, mysterious play, examining Shakespeare''s transformation of an ancient Nordic legend into a drama whose philosophical, psychological, political, and spiritual complexities have captivated audiences world-wide for over 400 years. Focusing on the ways in which Shakespeare re-imagined the revenge plot and its capacity to investigate the human experiences of love, grief, obligation, and memory, Heather Hirschfeld explores the play''s cultural and theatrical contexts, its intricate textual issues, its vibrant critical traditions and controversies, and its history of performance and adaptation by celebrated directors, actors, and authors. Supplemented by an updated reading list, extensive illustrations and helpful appendices, this edition also features revised commentary notes explicitly designed for the student reader, offering the very best in contemporary criticism of this great tragedy.

First published in 1968.By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare''s work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control.

First published in 1968.By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare''s work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control.

First published in 1997, this volume challenges the belief that possessive individualists need states to restrain them from trespassing on the natural rights of others or from harming themselves and questions whether anarchy can be sustained to accommodate the long-term self-interests of possessive individualists. Issues discussed include Hobbes’ response to the Foole, Libertarian Anarchism and the inevitability of a minimal state in anarchist society, along with tactics to avoid large wealth differentials.