R. G. Collingwood – författare

The Idea of History is the best-known work of the great Oxford philosopher, historian, and archaeologist R. G. Collingwood. Published posthumously in 1946, it examines how the idea of history has evolved from the time of Herodotus to the twentieth century, and offers Collingwood's own view of what history is. This revised edition has a substantial new introduction which discusses how scholars have responded to Collingwood's classic over the last fifty years. It also makes available for the first time some of Collingwood's lectures on the philosophy of history - essential for a fuller understanding of his thought, and in particular for the interpretation of The Idea of History itself.

Published here for the first time is much of a final and long-anticipated work on philosophy of history by the great Oxford philosopher and historian R. G. Collingwood (1889-1943). The original text of this uncompleted work has only recently been discovered. It is accompanied by further, shorter writings by Collingwood on historical knowledge and inquiry, selected from previously unpublished manuscripts held at the Bodleian Library, Oxford. All these writings, besides containing entirely new ideas, discuss further many of the issues which Collingwood famously raised in The Idea of History and in his Autobiography. The volume includes also two conclusions written by Collingwood for lectures which were eventually revised and published as The Idea of Nature, but which have relevance also to his philosophy of history. A lengthy editorial introduction sets these writings in their context, and discusses philosophical questions to which they give rise. The editors also consider why Collingwood left The Principles of History unfinished at his death, and what significance should be attached to the fact that it contains no reference to the idea of historical understanding as re-enactment. This volume will be a landmark publication not just in Collingwood studies but in philosophy of history generally.

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood on critical, anthropological, and cultural themes only hinted at in his previously available work. At the centre of the book are six chapters of a study of folktale and magic, composed by Collingwood in the mid-1930s and intended for development into a book. Here Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. This is preceded, in Part I, by a range of contextualizing material on such topics as the relations between music and poetry, the nature of language, the value of Jane Austen''s novels, the philosophy of art, and the relations between aesthetic theory and artistic practice. Part III of the volume consists of two essays, one on the relationship between art and mechanized civilization, and the second, written in 1931, on the collapse of human values and civilization leading up to the catastrophe of armed conflict. These offer a devastating analysis of the consequences that attend the desertion of liberal principles, indeed of all politics as such, in the ultimate self-annihilation of military conquest. The volume opens with three substantial introductory essays by the editors, authorities in the fields of critical and literary history, social and cultural anthropology, and the philosophy of history and the history of ideas; they provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment brings hitherto unrecognized areas of Collingwood''s achievement to light, and demonstrates the broad range of Collingwood''s intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology.

James Connelly and Giuseppina D''Oro present a new edition of R. G. Collingwood''s classic work of 1933, supplementing the original text with important related writings from Collingwood''s manuscripts which appear here for the first time. The editors also contribute a substantial new introduction. The volume will be welcomed by all historians of twentieth-century philosophy.

This treatise on aesthetics begins by showing that the word "art" is used as a name not only for "art proper" but also for certain things which are "art falsely so called." These are craft or skill, magic, and amusement, each of which, by confusion with art proper, generates a false aesthetic theory. In the course of attacking these theories the author criticizes various psychological theories of art, offers a new theory of magic, and reinterprets Plato's so-called"attack on art," showing that it has been entirely misunderstood. Finally, he draws important inferences concerning the position of art in human society.

Collingwood's theory of philosophical method applied to the problem of the philosophy of nature.

An Essay on Metaphysics is one of the finest works of the great Oxford philosopher, historian, and archaeologist R. G. Collingwood (1889-1943). First published in 1940, it is a broad-ranging work in which Collingwood considers the nature of philosophy, especially of metaphysics. He puts forward his well-known doctrine of absolute presuppositions, expounds a logic of question and answer, and gives an original and influential account of causation. The book has been widely read and much discussed ever since. In this revised edition the complete original text is accompanied by three previously unpublished essays by Collingwood which will be essential reading for any serious student of his thought: `The Nature of Metaphysical Study' (1934), `The Function of Metaphysics in Civilization' (1938), and `Notes for a Essay on Logic' (1939). These fascinating writings illuminate and amplify the ideas of the Essay, to which they are closely related. The distinguished philosopher and Collingwood scholar Rex Martin has established authoritative versions of these new texts, added a short set of notes on the Essay, and contributed a substantial introduction explaining the story of the composition of all these works, discussing their major themes, and setting them in the context of Collingwood's philosophy as a whole.

This book brings together for the first time R. G. Collingwood's political and related writings, in which he places political action in the context of action as a whole and addresses the substantive social and political issues - in particular Nazism and Fascism - which he perceived as a threat to European civilization. This is the first time that substantial philosophical arguments from the unpublished manuscripts have been reproduced since Malcolm Knox edited the posthumously published Idea of History.

The New Leviathan, originally published in 1942, a few months before the author's death, is the book which R. G. Collingwood chose to write in preference to completing his life's work on the philosophy of history. It was occasioned by the Second World War and the threat which Nazism and Fascism constituted to civlization. The book draws upon many years of work in moral and political philosophy and attempts to establish the multiple and complex connections between the levels of consciousness, society, civilization, and barbarism. Collingwood argues that traditional social contract theory has failed to account for the continuing existence of the non-social community and its relation to the social community in the body politic. He is also critical of the tendency within ethics to confound right and duty. The publication of 120 pages of additional manuscript material in this revised edition demonstrates in more detail how Collingwood was determined to show that right and duty occupy different levels of rational practical consciousness. The additional writings also contain Collingwood's unequivocal rejection of relativism. David Boucher's introduction shows that The New Leviathan and The Idea of History are integrally related and that neither can be properly understood independently of the other. He is also concerned to show how many of Collingwood's ideas have a contemporary relevance, and that his ideas on barbarism are not so unusual as they might at first appear. 'A strange and fascinating book . . . The publication of this handsome new edition of The New Leviathan . . . is a welcome event.' Political Studies 'In his respectful and informative introduction David Boucher shows how The New Leviathan and the additional material appended to it fit in with Collingwood's thought as a whole.' History of Political Thought 'Throughout, the Introduction displays Boucher's usual mastery of the material, serious and probing approach, and judicious appraisal.' Collingwood Studies

The New Leviathan, originally published in 1942, a few months before the author's death, is the book which R. G. Collingwood chose to write in preference to completing his life's work on the philosophy of history. It was a reaction to the Second World War and the threat which Nazism and Fascism constituted to civilization. The book draws upon many years of work in moral and political philosophy and attempts to establish the multiple and complex connections between the levels of consciousness, society, civilization, and barbarism. Collingwood argues that traditional social contract theory has failed to account for the continuing existence of the non-social community and its relation to the social community in the body politic. He is also critical of the tendency within ethics to confound right and duty.The publication of additional manuscript material in this revised edition demonstrates in more detail how Collingwood was determined to show that right and duty occupy different levels of rational practical consciousness. The additional material also contains Collingwood's unequivocal rejection of relativism.David Boucher's introduction shows that The New Leviathan and The Idea of History are integrally related and that neither can be properly understood independently of the other. He is also concerned to show how many of Collingwood's ideas have a contemporary relevance, and that his ideas on barbarism are not so unusual as they might at first appear.

An Autobiography

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R. G. Collingwood on critical, anthropological, and cultural themes only hinted at in his previously available work. At the centre of the book are six chapters of a study of folktale and magic, composed by Collingwood in the mid-1930s and intended for development into a book. Here Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. This is preceded, in Part I, by a range of contextualizing material on such topics as the relations between music and poetry, the nature of language, the value of Jane Austen's novels, the philosophy of art, and the relations between aesthetic theory and artistic practice. Part III of the volume consists of two essays, one on the relationship between art and mechanized civilization, and the second, written in 1931, on the collapse of human values and civilization leading up to the catastrophe of armed conflict. These offer a devastating analysis of the consequences that attend the desertion of liberal principles, indeed of all politics as such, in the ultimate self-annihilation of military conquest.The volume opens with three substantial introductory essays by the editors, authorities in the fields of critical and literary history, social and cultural anthropology, and the philosophy of history and the history of ideas; they provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment brings hitherto unrecognized areas of Collingwood's achievement to light, and demonstrates the broad range of Collingwood's intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology.

An Essay on Metaphysics is one of the finest works of the great Oxford philosopher, historian, and archaeologist R. G. Collingwood (1889-1943). First published in 1940, it is a broad-ranging work in which Collingwood considers the nature of philosophy, especially of metaphysics. He puts forward his well-known doctrine of absolute presuppositions, expounds a logic of question and answer, and gives an original and influential account of causation. The book has been widely read and much discussed ever since.In this new edition the complete original text is accompanied by three previously unpublished essays by Collingwood which will be essential reading for any serious student of his thought: 'The Nature of Metaphysical Study' (1934), 'Function of Metaphysics in Civilization' (1938), and 'Notes for an Essay on Logic' (1939). These fascinating writings illuminate and amplify the ideas of the Essay, to which they are closely related. The distinguished philosopher and Collingwood scholar Rex Martin has established authoritative versions of these new texts, added a short set of notes on the Essay, and contributed a substantial introduction explaining the story of the composition of all these works, discussing their major themes, and setting them in the context of Collingwood's philosophy as a whole.

Published here for the first time in paperback is much of a final and long-anticipated work on philosophy of history by the renowned Oxford philosopher, historian, and archaeologist R. G. Collingwood (1889-1943). The original text of this uncompleted work was only recently discovered in the archives of Oxford University Press. Also found there were two conclusions written by Collingwood for lectures which were eventually revised and published as The Idea of Nature, but which have relevance to his philosophy of history as well. These pieces are included in this volume, accompanied by further short writings by Collingwood on historical knowledge and inquiry, selected from previously unpublished manuscripts held at the Bodleian Library, Oxford. All these writings, besides containing entirely new ideas, discuss further many of the issues which Collingwood is famous for having raised in The Idea of History and in his Autobiography.A lengthy editorial introduction sets these writings in their context, and discusses philosophical questions to which they give rise. The editors also consider why Collingwood left The Principles of History unfinished at his death, and what significance should be attached to the fact that it contains no reference to one of his best-known ideas: that of historical understanding as re-enactment. This volume will be a significant publication not just in Collingwood studies but in philosophy of history generally.

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood on critical, anthropological, and cultural themes only hinted at in his previously available work. At the centre of the book are six chapters of a study of folktale and magic, composed by Collingwood in the mid-1930s and intended for development into a book. Here Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. This is preceded, in Part I, by a range of contextualizing material on such topics as the relations between music and poetry, the nature of language, the value of Jane Austen's novels, the philosophy of art, and the relations between aesthetic theory and artistic practice. Part III of the volume consists of two essays, one on the relationship between art and mechanized civilization, and the second, written in 1931, on the collapse of human values and civilization leading up to the catastrophe of armed conflict. These offer a devastating analysis of the consequences that attend the desertion of liberal principles, indeed of all politics as such, in the ultimate self-annihilation of military conquest.The volume opens with three substantial introductory essays by the editors, authorities in the fields of critical and literary history, social and cultural anthropology, and the philosophy of history and the history of ideas; they provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment brings hitherto unrecognized areas of Collingwood's achievement to light, and demonstrates the broad range of Collingwood's intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology.

James Connelly and Giuseppina D'Oro present a new edition of R. G. Collingwood's classic work of 1933, supplementing the original text with important related writings from Collingwood's manuscripts which appear here for the first time. The editors also contribute a substantial new introduction. The volume will be welcomed by all historians of twentieth-century philosophy.

An Essay on Philosophical Method contains the most sustained discussion in the twentieth century of the subject matter and method of philosophy and an unparalleled explanation of why philosophy has a distinctive domain of enquiry that differs from that of the sciences of nature. This new edition of the Essay focuses on Collingwood's contribution to metaphilosophy and locates his argument for the autonomy of philosophy against the twentieth century trend to naturalize its subject matter. Collingwood argues that the distinctions which philosophers make, for example, between the concepts of duty and utility in moral philosophy, or between the concepts of mind and body in the philosophy of mind, are not empirical taxonomies that cut nature at the joints but semantic distinctions to which there may correspond no empirical classes. This identification of philosophical distinctions with semantic distinctions provides the basis for an argument against the naturalization of the subject matter of philosophy for it entails that not all concepts are empirical concepts and not all classifications are empirical classifications. Collingwood's explanation of why philosophy has a distinctive subject matter thus constitutes a clear challenge to the project of radical empiricism. Whilst not losing sight of its historical context, the introduction to this new edition seeks to locate Collingwood's account of philosophical method against the background of contemporary concerns about the fate of philosophy in the age of science. This volume also contains a substantial amount of previously unpublished material: 'The Metaphysics of F. H. Bradley', 'Method and Metaphysics', and Collingwood's fascinating correspondence with Gilbert Ryle. The latter will prove to be a mine of information for anyone interested in the origins of analytic philosophy.

This volume presents several unpublished works by R. G. Collingwood (1889-1943), providing indispensable context for understanding and reconstructing Collingwood's conception of the nature of metaphysical inquiry. 'Central Problems in Metaphysics: Realism and Idealism' consists of notes made for lectures delivered at the University of Oxford in 1936, in which Collingwood attempts to find a resolution to the realism-idealism debate that had dominated British philosophy since the closing decades of the nineteenth century. Other writings include selected passages from his 'Notes Towards a Metaphysic', the complete manuscript of 'The Nature of Metaphysical Study', and the dossier prepared for Collingwood's appointment to the Waynflete Professorship of Metaphysical Philosophy in 1935. The editors' Introduction outlines the historical background to the realism-idealism debate in the Oxbridge milieu during the first half of the twentieth century. The postface argues that the contrast between 'Central Problems in Metaphysics' and the view of metaphysics as an historical discipline in An Essay in Metaphysics is largely superficial, and that, properly understood, Collingwood's philosophy shows complementarity and unity.

This early work by Robin G. Collingwood was originally published in 1924 and we are now republishing it with a brand new introductory biography. ''Speculum Mentis'' is an academic work on the subject of philosophy. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).

This early work by Robin G. Collingwood was originally published in 1940 and we are now republishing it with a brand new introductory biography. ''An Essay on Metaphysics'' is an academic inquiry in the field of philosophy. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).