Ramie Targoff – författare

For Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven-Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissance brought a startling reversal of this tradition: human love became definitively mortal. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, Targoff seeks to understand this shift and its consequences for English poetry. Targoff shows that medieval notions of the somewhat flexible boundaries between love in this world and in the next were hardened by Protestant reformers, who envisioned a total break between the two. Tracing the narrative of this rupture, she focuses on central episodes in poetic history in which poets developed rich and compelling compensations for the lack of posthumous love - from Thomas Wyatt's translations of Petrarch's love sonnets and the Elizabethan sonnet series of Shakespeare and Spencer to the carpe diem poems of the seventeenth century.Targoff's centerpiece is Romeo and Juliet, where she considers how Shakespeare's reworking of the Italian story stripped away any expectation that the doomed teenagers would reunite in heaven. This book ultimately demonstrates that the negation of posthumous love brought forth a new mode of poetics that derived its emotional and aesthetic power from its insistence upon love's mortal limits.

For centuries readers have struggled to fuse the seemingly scattered pieces of John Donne's works into a complete image of the poet and priest. In "John Donne, Body and Soul", Ramie Targoff offers a way to read Donne as a writer who returned again and again to a single great subject, one that connected to his deepest intellectual and emotional concerns. Reappraising Donne's oeuvre in pursuit of the struggles and commitments that connect his most disparate works, Targoff convincingly shows that Donne believed throughout his life in the mutual necessity of body and soul. In chapters that range from his earliest letters to his final sermon, Targoff reveals that Donne's obsessive imagining of both the natural union and the inevitable division between body and soul is the most continuous and abiding subject of his writing.

For centuries readers have struggled to fuse the seemingly scattered pieces of John Donne's works into a complete image of the poet and priest. In "John Donne, Body and Soul", Ramie Targoff offers a way to read Donne as a writer who returned again and again to a single great subject, one that connected to his deepest intellectual and emotional concerns. Reappraising Donne's oeuvre in pursuit of the struggles and commitments that connect his most disparate works, Targoff convincingly shows that Donne believed throughout his life in the mutual necessity of body and soul. In chapters that range from his earliest letters to his final sermon, Targoff reveals that Donne's obsessive imagining of both the natural union and the inevitable division between body and soul is the most continuous and abiding subject of his writing.

Common Prayer explores the relationship between prayer and poetry in the century following the Protestant Reformation. Ramie Targoff challenges the conventional and largely misleading distinctions between the ritualized world of Catholicism and the more individualistic focus of Protestantism. Early modern England, she demonstrates, was characterized less by the triumph of religious interiority than by efforts to shape public forms of devotion. This provocatively revisionist argument will have major implications for early modern studies.Through readings of William Shakespeare's Hamlet, Richard Hooker's Lawes of Ecclesiastical Politie, Philip Sidney's Apology for Poetry and his translations of the Psalms, John Donne's sermons and poems, and George Herbert's The Temple, Targoff uncovers the period's pervasive and often surprising interest in cultivating public and formalized models of worship. At the heart of this study lies an original and daring approach to understanding the origins of devotional poetry; Targoff shows how the projects of composing eloquent verse and improving liturgical worship come to be deeply intertwined. New literary practices, then, became a powerful means of forging common prayer, or controlling private and otherwise unmanageable expressions of faith.

Common Prayer explores the relationship between prayer and poetry in the century following the Protestant Reformation. Ramie Targoff challenges the conventional and largely misleading distinctions between the ritualized world of Catholicism and the more individualistic focus of Protestantism. Early modern England, she demonstrates, was characterized less by the triumph of religious interiority than by efforts to shape public forms of devotion. This provocatively revisionist argument will have major implications for early modern studies.Through readings of William Shakespeare's Hamlet, Richard Hooker's Lawes of Ecclesiastical Politie, Philip Sidney's Apology for Poetry and his translations of the Psalms, John Donne's sermons and poems, and George Herbert's The Temple, Targoff uncovers the period's pervasive and often surprising interest in cultivating public and formalized models of worship. At the heart of this study lies an original and daring approach to understanding the origins of devotional poetry; Targoff shows how the projects of composing eloquent verse and improving liturgical worship come to be deeply intertwined. New literary practices, then, became a powerful means of forging common prayer, or controlling private and otherwise unmanageable expressions of faith.

'An outstanding revisionist portrait of an age' Telegraph'Targoff tells their stories with vim and vigour' i Paper'[A] fascinating excavation of four intellectual powerhouse women' Tina Brown, New York TimesA New Yorker Book of the YearDiscover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of ShakespeareIn an innovative and engaging narrative of everyday life in Shakespeare's England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day.

This remarkable work about women writers in the English Renaissance explodes our notion of the Shakespearean period by drawing us into the lives of four women who were committed to their craft long before there was any possibility of 'a room of one's own.'In an innovative and engaging narrative of everyday life in Shakespeare's England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day.

'An outstanding revisionist portrait of an age' Telegraph'Targoff tells their stories with vim and vigour' i Paper'[A] fascinating excavation of four intellectual powerhouse women' Tina Brown, New York TimesA New Yorker Book of the YearDiscover the lives and work of four ambitious Renaissance women who, against all odds, made themselves heard-and read-in the time of ShakespeareIn an innovative and engaging narrative of everyday life in Shakespeare's England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. These women had husbands and children to care for and little support for their art, yet against all odds they defined themselves as writers, finding rooms of their own where doors had been shut for centuries. Targoff flings them open to uncover the treasures left by these extraordinary women; in the process, she helps us see the Renaissance in a fresh light, creating a richer understanding of history and offering a much-needed female perspective on life in Shakespeare's day.

Vittoria Colonna’s 1538 Rime, originally issued without her permission by a small Parma press, was the first of many editions of her poetry published during her lifetime. Born into one of the most powerful families in Rome and connected to many of the great political, religious, and artistic figures of the period, Colonna was uniquely positioned to transform the landscape of women’s writing. The first woman to see her own poems appear in print in a single-author volume, she led the way for hundreds of other women of her time to publish their own works. Comprising more than one hundred and forty sonnets and two canzoni, the Rime expresses Colonna’s anguish over the loss of her husband and her struggle both to preserve his memory and secure her own future.This volume presents the first complete English translation of the 1538 Rime and restores the original Italian texts from the blemished Parma printing and later composite editions, a boon to readers of both languages.