Reinhold F. Glei – författare

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy.Volume 38 showcases a broad range of medieval scholarship, including five original articles that explore French, English, Italian, and Latin subjects. The volume also features one review article and seven review notices that illustrate the volume’s interdisciplinary scope.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy.Volume 41 is a special issue which features twelve outstanding articles from the International Conference on Medieval and Renaissance Scottish Language and Literature.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy.Volume 47 showcases a variety of transnational and translingual perspectives, analyzing the works of humanist authors from across Europe, and how language can affect the interpretation of the literature. It expands beyond the Eurocentric appraisal of medieval works and takes into consideration a broader response.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy.Volume 48 is a special issue that presents the outcome of an international workshop (“Transnational Aspects of Early Modern Drama”) held (virtually) at Ruhr-Universität Bochum in June 2021. The conference was hosted by Jan Bloemendal, one of the most distinguished scholars in the field. This volume contains six transnational and/or translingual case studies of early modern theatre and four reviews which cover various epochs, genres and discourses.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy.This open access book contains four articles ranging from medieval literature (discovery of the Self in the twelfth century) and philosophy (reception of Moses Maimonides in Latin) to Humanist poetry (Boccaccio on leisure) and panegyrics (Nagonio on Henry VII and Prince Arthur, with an appendix containing a couple of poems hitherto unedited, along with an English translation). In addition, there are five book reviews which cover various epochs, genres, and discourses.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

Die Trostschrift an sich selbst, die der Politiker und Philosoph Boethius (ca. 480‑524 n.Chr.) kurz vor seiner Hinrichtung verfasste, gilt neben den Bekenntnissen des Augustinus als das berühmteste Werk der christlichen Spätantike. Weil Boethius als christlicher Märtyrer kanonisiert wurde, erfuhr auch sein Werk, die Consolatio Philosophiae, im Mittelalter eine christliche Umdeutung und führte zu einer außerordentlich intensiven Rezeption, die nicht nur durch die eindrucksvolle Zahl von über 400 Handschriften und ca. 20, zum Teil sehr umfangreiche lateinische Kommentare belegt ist, sondern auch durch Übersetzungen in verschiedene Volkssprachen. Mit einer erstaunlichen religiösen ‚Wandlungsfähigkeit‘ meisterte der Text dann die am Beginn der Renaissance einsetzende Krise der als ‚mittelalterlich‘ geltenden Literatur, wurde aber durch den ent-christianisierenden und re-antikisierenden Kommentar des Josse Bade (1498) für die Humanisten salonfähig gemacht. Im 17. Jahrhundert wurde Boethius dann erneut ‚christianisiert‘, genauer: konfessionalisiert, d.h. für den Diskurs des konfessionellen Zeitalters funktionalisiert. Die vielfältigen Aspekte dieser mittelalterlich-christlichen, humanistischen und konfessionellen Vereinnahmung werden in den Beiträgen des Sammelbandes analysiert und eröffnen eine diachrone, epochenübergreifende Perspektive.

Der Band fasst die Ergebnisse des 3. Arbeitsgesprächs der "Deutschen Neulateinischen Gesellschaft" zusammen, das im Februar 2007 in Bochum stattfand und das lateinische Drama der Frühen Neuzeit zum Gegenstand hatte. Die neuere interdisziplinäre Forschung nimmt neben den traditionellen Themen (frühhumanistische Anfänge, protestantisches Schuldrama, Jesuitentheater) und deren Verankerung vor allem im pädagogischen und konfessionellen Diskurs der Zeit verstärkt auch poetische Sonderformen, intertextuelle Phänomene und metaliterarische Dokumente in den Blick. Beachtung finden etwa die sogenannten Schülergespräche, insofern sie mit den voll ausgearbeiteten Bühnenstücken die pädagogische Funktion teilen. Dramatisierungen antiker Epenstoffe (z.B. Dido) sind sowohl aus gattungsspezifischer wie aus intertextueller Perspektive ein ergiebiger Forschungsgegenstand. Ähnliches gilt für das vielfach zu beobachtende Nebeneinander von lateinischen und volkssprachlichen Dramentexten (z.B. Jedermann-Stoff). Die Relevanz des lateinischen Theaters noch bis in die zweite Hälfte des 18. Jahrhunderts lässt sich anhand akademischer Disputationsthemen aufzeigen.

For more than fifty years, Medievalia et Humanistica has fostered conversation across disciplines, languages, and methods. This special issue continues that spirit by opening up the vibrant “textual universe” surrounding Marco Polo’s Devisement dou monde. Instead of treating the book as a fixed classic, contributors show how it lived many different lives—as a Franco-Italian narrative, a Venetian redaction, a Dominican Latin translation, a Middle French courtly text, and eventually a staple of early print culture.Readers are invited into newly reassessed stories—such as the dramatic but historically elusive Ethiopian bishop episode—and into Marco Polo’s encounter with Mongol urban design through a semiotic reading of Shangdu. Other essays trace how the VA version reshaped the work for religious communities and how the rediscovered Foligno manuscript (VA6) enriches our understanding of its transmission. Detailed studies of Francesco Pipino’s Latin translation, including the Gouda incunable once annotated by Christopher Columbus, help reveal how Polo’s book entered classrooms, libraries, and printshops from the late Middle Ages into the modern era.Volume 51 is dedicated to "Marco Polo's Textual Universe". Introduced by Marc Kruse and Mario Klarer, it offers six original articles on various aspects of the Devisement dou monde: the relation between fact and fiction (Hubert Alisade), Marco Polo's perception of urban spaces (Eugenio Burgio), the rediscovered Foligno witness (Samuela Simion), Francesco Pipino's Latin translation (Carlo Giovanni Calloni), fifteenth-century French translation (Laura Tomasi), and the Devisement's editorial history in the early modern period (Alvise Andreose). The volume is rounded off with six review articles, ranging from the Jewish diaspora in the Western World, from Dante's negotiating between Latin schoolbooks and vernacular poetry, to the servus callidus on the early modern stage, from Shakespeare's contesting authority through liminal spaces, to 17th-Century Jesuit Plays in Latin staged in Japan.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy.This open access book contains four articles ranging from medieval literature (discovery of the Self in the twelfth century) and philosophy (reception of Moses Maimonides in Latin) to Humanist poetry (Boccaccio on leisure) and panegyrics (Nagonio on Henry VII and Prince Arthur, with an appendix containing a couple of poems hitherto unedited, along with an English translation). In addition, there are five book reviews which cover various epochs, genres, and discourses.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Since 1970, a new series, sponsored by the Modern Language Association of America and edited by an international board of distinguished scholars and critics, has published interdisciplinary articles. In yearly hardcover volumes, the new series publishes significant scholarship, criticism, and reviews treating all facets of medieval and Renaissance culture: history, art, literature, music, science, law, economics, and philosophy.Volume 48 is a special issue that presents the outcome of an international workshop (“Transnational Aspects of Early Modern Drama”) held (virtually) at Ruhr-Universität Bochum in June 2021. The conference was hosted by Jan Bloemendal, one of the most distinguished scholars in the field. This volume contains six transnational and/or translingual case studies of early modern theatre and four reviews which cover various epochs, genres and discourses.