Jan Bloemendal is a senior researcher at the Huygens Institute for the History of the Netherlands and secretary to the Erasmi Opera Omnia. Christoph Schülke is student assistant at Ruhr-Universität Bochum.

• Editorial Note Manuscript Submission Guidelines Articles for Future Volumes Preface Introduction: Transnational Aspects of Early Modern Drama Jan BloemendalComoedia Sacra and Comedia Nueva: Defending Innovation in Comedy from the Northern Humanists to Lope de Vega Dinah WoutersThe Anthology as Site of Transnational Literary Exchange in the German Empire and the Low Countries James A. Parente Jr.A Newly Discovered “Old” Dido Tragedy Reinhold F. Glei and Thomas KailuweitSuns and Reversals on Lohenstein’s Early Modern Schauplatz Rasmus VangshardtTransnational Early Modern Drama: Violence, Emotion, and Political Theater Nigel SmithPrint and Pageantry as Early Modern Tools for Public Diplomacy: French-Language Pamphlets on the Habsburg-Bourbon Weddings (1614–1615) and Marie de Médicis’s Tour of the Low Countries (1638) Bram van LeuverenContentsReview NoticesEva del Soldato: Early Modern Aristotle: On the Making and Unmaking of Authority. Philadelphia: University of PhiladelphiaPress, 2020. Bryan BrazeauCeri Sullivan: Shakespeare and the Play Scripts of Private Prayer.Oxford: Oxford University Press, 2020. Martina BrossJordan Kirk: Medieval Nonsense: Signifying Nothing in Fourteenth-Century England (Fordham Series in Medieval Studies). New York:Fordham University Press, 2021. Reinhold F. Glei