Roger Kimball – författare

Julien Benda's classic study of 1920s Europe resonates today. The "treason of the intellectuals" is a phrase that evokes much but is inherently ambiguous. The book bearing this title is well known but little understood. This edition is introduced by Roger Kimball.From the time of the pre-Socratics, intellectuals were a breed apart. They were non-materialistic knowledge-seekers who believed in a universal humanism and represented a cornerstone of civilized society. According to Benda, this all began to change in the early twentieth century. In Europe in the 1920s, intellectuals began abandoning their attachment to traditional philosophical and scholarly ideals, and instead glorified particularisms and moral relativism.The "treason" of which Benda writes is the betrayal by the intellectuals of their unique vocation. He criticizes European intellectuals for allowing political commitment to insinuate itself into their understanding of the intellectual vocation, ushering the world into "the age of the intellectual organization of political hatreds." From the savage flowering of ethnic and religious hatreds in the Middle East and throughout Europe today to the mendacious demand for political correctness and multiculturalism on college campuses everywhere in the West, the treason of the intellectuals continues to play out its unedifying drama.

Julien Benda's classic study of 1920s Europe resonates today. The "treason of the intellectuals" is a phrase that evokes much but is inherently ambiguous. The book bearing this title is well known but little understood. This edition is introduced by Roger Kimball.From the time of the pre-Socratics, intellectuals were a breed apart. They were non-materialistic knowledge-seekers who believed in a universal humanism and represented a cornerstone of civilized society. According to Benda, this all began to change in the early twentieth century. In Europe in the 1920s, intellectuals began abandoning their attachment to traditional philosophical and scholarly ideals, and instead glorified particularisms and moral relativism.The "treason" of which Benda writes is the betrayal by the intellectuals of their unique vocation. He criticizes European intellectuals for allowing political commitment to insinuate itself into their understanding of the intellectual vocation, ushering the world into "the age of the intellectual organization of political hatreds." From the savage flowering of ethnic and religious hatreds in the Middle East and throughout Europe today to the mendacious demand for political correctness and multiculturalism on college campuses everywhere in the West, the treason of the intellectuals continues to play out its unedifying drama.

In this incisive collection of essays which appeared originally in The New Criterion, ten distinguished critics and observers examine the origins and prospects of liberalism, from its roots in thinkers such as Rousseau and Mill to its troubled legacy in twentieth-century pursuits, and its compromising effects in the moral and intellectual life of our culture. Its contributors include Roger Scruton, Keith Windschuttle, Hadley Arkes, Robert Conquest, Jean Bethke Elshtain, Robert Kagan, John Silber, John O'Sullivan, Hilton Kramer, and Roger Kimball. Genuinely provocative. —Kirkus Reviews

Experiments Against Reality displays the sophistication, breadth of knowledge, and clarity of argument that have made Mr. Kimball one of the most trenchant critics of our contemporary culture. He begins by considering the influential poet and theorist T. E. Hulme, and shows how the work of Eliot, Auden, Wallace Stevens, Robert Musil, Elias Canetti, and others can be seen as efforts to articulate a convincing alternative to the intellectual and spiritual desolations of the age. Turning to the philosophical tradition, Mr. Kimball suggests how figures from Mill and Nietzsche to Bertrand Russell, Wittgenstein, Sartre, Heidegger, Foucault, and Roger Scruton have addressed—or in many cases evaded—the defining moral imperatives of modernity. Finally he steps back to consider more generally the career of contemporary culture—the trivializing nature of the contemporary art world; the academic attack on historical truth and scientific rationality; the fate of the two cultures controversy. Experiments Against Reality offers continuing evidence of Mr. Kimball's stature as one of our most important cultural critics. Named an International Book of the Year by Mary Lefkowitz, Times Literary Supplement. A scathing critic but one whose tirades are usually justified.... His intellectual rigor is refreshing. Experiments Against Reality demonstrates what criticism can be if you take away all the theoretical scaffolding inherent in, say, a deconstructionist, structuralist or feminist reading. —Catherine Saint Louis, New York Times Book Review

Ten distinguished critics reflect on the direction of our society, emphasizing both the dangers that threaten our institutions and the vivifying survivals that are worthy of being cherished and nurtured. Contributors include Robert H. Bork, Anthony Daniels, Roger Kimball, Hilton Kramer, Kenneth Minogue, Eric Ormsby, David Pryce-Jones, Diana Schaub, Mark Steyn, and Keith Windschuttle.

Mr. Kimball, one of the best of our cultural critics, offers a lively and penetrating study of genius—and pseudo-genius—at work, and investigates the use and abuse of intelligence. Drawing on figures as various as Plutarch and Hegel, Kierkegaard and P.G. Wodehouse, Elias Canetti and Anthony Trollope, he provides a sharply observed tour of Western intellectual and artistic aspiration. A master of the genre, as collections of his pieces attest, none more impressively than this set. —Booklist Starred Review

It is no longer news that the history of the European past and its role in shaping American cultural life is under severe attack. In virtually every university that offers a liberal arts curriculum, in every arts institution that deals with European classics, in the offices of every publication that engages in intellectual pursuits, the discussion of the past has become the principal battleground for mapping out the future of our culture. In this provocative and insightful collection of essays first published in The New Criterion, ten distinguished critics reflect on the fate of Europe’s cultural and political legacy as we approach the turn of the century. On subjects ranging from the collapse of communism and its implications for European society, to the study of the classics, to the prospects for serious music and art, these essays offer analyses marked by wit, independence, and commanding intelligence. The contributors include David Pryce-Jones, Anne Applebaum, Roger Scruton, John Gross, Ferdinand Mount, John Herington, Keith Windschuttle, Mark Steyn, Hilton Kramer, and Roger Kimball. The Future of the European Past is a major contribution to the debate over some of the most pressing cultural issues of our time.

Since Tenured Radicals first appeared in 1990, it has achieved a stature as the leading critique of the ways in which the humanities are now taught and studied at American universities. Trenchant and witty, it lays bare the sham of what now passes for serious academic pursuit in too many circles. In this new edition, completely reset, Roger Kimball has brought the text up to date and has added a new Introduction. Those who have never read Tenured Radicals are in for a treat; others may find a second reading worth their while. “Mr. Kimball names his enemies precisely…. This book will breed fistfights.”—Roger Rosenblatt, New York Times Book Review. “All persons serious about education should see it.”—Allan Bloom, author of The Closing of the American Mind. “Tenured Radicals is a withering critique.”—Jonathan Yardley, Washington Post Book World. “A bravado performance of critical journalism…a vivid, up-to-the-minute account, alternately amusing and dismaying, of the takeover of the academy by ideology.”—Robert Alter, Newsday. “A stinging account…. The commonsense approach of Tenured Radicals provokes constant reflections and occasional laughter at the squirming victims.”—Roger Shattuck, author of The Banquet Years.

In a series of penetrating reflections on the United States and its institutions in the post-9/11 world, this book offers some answers to questions that people at home and abroad have begun to ask about our country. How did it attain its international preeminence? What exactly is this richest, most powerful of countries made of? Where will its unmatched influence lead? Military historian Frederick Kagan discusses the future of our armed forces and the challenges they will face in defending America's unique position. David B. Hart shows how religion, with all its variety and occasional excess, is "alive and striving in America, with the power to shelter many virtues under its promises of supernatural grace." From the future of the law to the future of higher education, from music to the visual arts, Lengthened Shadows provides a unique situation report on American culture today. Writers and thinkers such as Robert Bork, Hilton Kramer, Roger Kimball and Mark Steyn offer a probing assessment of the institutions that organize our lives--their health, their influence and their prospects--at the beginning of what some commentators are calling "the next American century."

Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball reveals in this witty and provocative book, the student is less likely to learn about the aesthetics of masterworks than to be told, for instance, that Peter Paul Rubens' great painting Drunken Silenus is an allegory about anal rape. Or that Courbet's famous hunting pictures are psychodramas about "castration anxiety." Or that Gauguin's Manao tupapau is an example of the way repression is "written on the bodies of women." Or that Jan van Eyck's masterful Arnolfini Portrait is about "middle-class deceptions ...and the treatment of women." Or that Mark Rothko's abstract White Band (Number 27) "parallels the pictorial structure of a pieta." Or that Winslow Homer's The Gulf Stream is "a visual encoding of racism." In "The Rape of the Masters: How Political Correctness Sabotages Art," Kimball, a noted art critic himself, shows how academic art history is increasingly held hostage to radical cultural politics--feminism, cultural studies, postcolonial studies, the whole armory of academic antihumanism.To make his point, he describes how eight famous works of art (reprinted here as illustrations) have been made over to fit a radical ideological fantasy. Kimball then performs a series of intellectual rescue operations, explaining how these great works should be understood through a series of illuminating readings in which art, not politics, guides the discussion. "The Rape of the Masters" exposes the charlatanry that fuels much academic art history and leaks into the art world generally, affecting galleries, museums and catalogues. It also provides an engaging antidote to the tendentious, politically motivated assaults on our treasured sources of culture and civilization.

For most of the last century, William F. Buckley Jr. was the leading figure in the conservative movement in America. The magazine he founded in 1955, National Review, brought together writers representing every strand of conservative thought, and refined those ideas over the decades that followed. Buckley's own writings were a significant part of this development. He was not a theoretician but a popularizer, someone who could bring conservative ideas to a vast audience through dazzling writing and lively wit. Culled from millions of published words spanning nearly sixty years, Athwart History: Half a Century of Polemics, Animadversions, and Illuminations offers Buckley's commentary on the American and international scenes, in areas ranging from Kremlinology to rock music. The subjects are widely varied, but there are common threads linking them all: a love for the Western tradition and its American manifestation; the belief that human beings thrive best in a free society; the conviction that such a society is worth defending at all costs; and an appreciation for the quirky individuality that free people inevitably develop.

For most of the last century, William F. Buckley Jr. was the leading figure in the conservative movement in America. The magazine he founded in 1955, National Review, brought together writers representing every strand of conservative thought, and refined those ideas over the decades that followed. Buckley's own writings were a significant part of this development. He was not a theoretician but a popularizer, someone who could bring conservative ideas to a vast audience through dazzling writing and lively wit. Culled from millions of published words spanning nearly sixty years, Athwart History: Half a Century of Polemics, Animadversions, and Illuminations offers Buckley's commentary on the American and international scenes, in areas ranging from Kremlinology to rock music. The subjects are widely varied, but there are common threads linking them all: a love for the Western tradition and its American manifestation; the belief that human beings thrive best in a free society; the conviction that such a society is worth defending at all costs; and an appreciation for the quirky individuality that free people inevitably develop.

The ideas and policies that are percolating down from 1600 Pennsylvania Avenue and Capitol Hill--increased government intervention, calls to "spread the wealth around," onerous regulations, and bailouts for all--are not new. We've been down this road before. We know where it leads. It is that forlorn byway that Friedrich von Hayek called the Road to Serfdom. The good news is we don't have to go down that road again. Resurrecting 18th-century style pamphleteering, Encounter Broadsides provide the intellectual ammunition for the battle over America's future. From the folly of Obamacare, to the politicization of the Justice Department, or disastrous efforts to nationalize our education system, each Encounter Broadside assaults a new tentacle of the rising statism. Now, for the first time, The New Leviathan collects these salvos in one essential handbook. The New Leviathan is edited by Roger Kimball with contributions from John R. Bolton, Daniel DiSalvo, Richard A. Epstein, Peter Ferrara, John Fund, Victor Davis Hanson, Andrew C. McCarthy, Betsy McCaughey, Stephen Moore, Michael B. Mukasey, Glenn Harlan Reynolds, Rich Trzupek, and Kevin D. Williamson.Together, they make the definitive case for liberty and democratic capitalism at a time when they are under siege from the resurgence of collectivist sentiment.

We are living in an age of unprecedented upheaval. The future of Western culture is uncertain. America's economic and political vitality are more fragile than ever. The preservation of tradition is far from guaranteed. Many have observed that we are living through a world historical moment of which Hegel spoke: a time when many of the traditional assumptions about the shape and future of culture are suddenly in play. As The New Criterion embarks on its fourth decade of publication, the magazine commemorates its commitment to the civilizing values of informed criticism with the publication of Future Tense: The Lessons of Culture in an Age of Upheaval. Compiling the writings of some of the greatest essayists of our time, Future Tense examines this pivotal period through a variety of lenses. Beginning with a meditation on memorials after the 9/11 attacks (Michael J. Lewis), the essays address patriotism in relation to Pericles (Victor Davis Hanson), twenty-first century American pride and leadership (Andrew Roberts), the future of religion in America (David Bentley Hart), and the unwinding of the welfare state (Kevin D. Williamson).Continuing this arc, pieces examine self-knowledge and modern technology (Anthony Daniels), the cultural capital of museums (James Panero), and the difficulties of making law in the modern world (Andrew C. McCarthy). In its penultimate essay, the book explores the possibility of a forthcoming political revolution (James Piereson), then closes with a reflection of culture's role in the economy of life and the fragility of civilization (Roger Kimball). Taken together, these prominent writers demonstrate an acute understanding of the value of Western thought as well as the challenges it faces. Future Tense is an engaging discourse on the prospects of society and an important collection for anyone concerned with the longevity of traditional culture.

The populist phenomenon is often identified with the election of Donald Trump in November 2016. But the political, moral, and social realities for which Trump was a symbol both predated his candidacy and achieved independent fulfillment in countries as disparate as the United Kingdom, Hungary, and Brazil. At the center of the populist challenge, this volume proposes, are two questions. The first revolves around the question of sovereignty: who governs a country? This question is at the center of all contemporary populist initiatives and has been posed with increasing urgency as the bureaucratic burden of what has come to be called the administrative state has intruded more and more forcefully upon the political and social life of Western democracies. The second key question, one related to the issue of sovereignty, concerns what Lincoln called “public sentiment”: the widespread, almost taken-for-granted yet nonetheless palpable affirmation by a people of their national identity. The erosion of national sovereignty to which populism is a response has been accompanied by an erosion of that shared national consensus. Increasingly, the traditional pillars of this consensus—the binding forces of family, religion, civic duty, and patriotic filiation—have faltered before the blandishments of transnational progressivism.The debate sparked by these problems has turned on a number of high-profile issues which this volume seeks to address, including immigration, free trade, foreign policy, religious freedom, and the question of citizenship.

On the occasion of its fortieth anniversary, The New Criterion has brought together a plump chrestomathy of essays demonstrating its range and acuity as America’s foremost review of culture and the arts.  With contributions by Bruce Bawer, Anthony Daniels, Denis Donoghue, Joseph Epstein, John Steele Gordon, Victor Davis Hanson, Charles Hill, Donald Kagan, Roger Kimball, Heather Mac Donald, Myron Magnet, Andrew C. McCarthy, David Pryce-Jones, Andrew Roberts, Alexander McCall Smith, Aleksandr Solzhenitsyn, Keith Windschuttle, and many others, this collection of fifty essays brings you the best of the best: incisive cultural criticism, scintillating historical analysis, and robust commentary about the way we live now.  Edited by Roger Kimball, this spiritual Baedeker is a timely repository of timeless writing about the figures, controversies, and challenges that define our life in the 2020s.

At least since Oedipus met King Laius on the road from Delphi to Thebes, the image of a crossroads has signaled a dramatic and morally fraught turning point. It was with this cargo of significance in mind that The New Criterion published a special series of essays on “Western Civilization at the Crossroads” during its fortieth-anniversary season. Featuring contributions by Conrad Black, Victor Davis Hanson, Roger Kimball, Andrew Roberts, and other luminaries, this book collects the ten special essays to assess where Western civilization is now, and where it’s going.

In The Long March, Roger Kimball, the author of Tenured Radicals, shows how the "cultural revolution" of the 1960s and '70s took hold in America, lodging in our hearts and minds, and affecting our innermost assumptions about what counts as the good life. Kimball believes that the counterculture transformed high culture as well as our everyday life in terms of attitudes toward self and country, sex and drugs, and manners and morality. Believing that this dramatic change "cannot be understood apart from the seductive personalities who articulated its goals," he intersperses his argument with incisive portraits of the life and thought of Allen Ginsberg, Norman Mailer, Timothy Leary, Susan Sontag, Eldridge Cleaver and other "cultural revolutionaries" who made their mark. For all that has been written about the counterculture, until now there has not been a chronicle of how this revolutionary movement succeeded and how its ideas helped provoke today's "culture wars." The Long March fills this gap with a compelling and well-informed narrative that is sure to provoke discussion and debate.