Roger Warren – författare

The Oxford ShakespeareGeneral Editor: Stanley WellsThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers.- A new, modern-spelling text, collated and edited from all existing printings- Wide-ranging introduction explores the lyrical language with which Shakespeare dramatizes competing kinds of love- Detailed performance history designed to meet the needs of theatre professionals- On-page commentary and notes explain language, word-play, and staging- the only edition to provide a setting of the song 'Who is Silvia?' , taken from an Elizabethan source- Illustrated with production photographs and related art- Full index to introduction and commentary- Durable sewn binding for lasting use'not simply a better text but a new conception of Shakespeare' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Twelfth Night is one of the most popular of Shakespeare's plays in the modern theatre, and this edition places particular emphasis on its theatrical qualities throughout. The introduction analyses the many views of love in the play, and the juxtaposition of happiness and melancholy used to dramatize them. The presentation of the text has been re-thought in theatrical terms, and the exceptionally full an detailed commentary pays close attention to the often difficult language. The play's contrastig moods are emphasized by the use of music, which plays an important role in Twelfth Night; James Walker has re-edited the existing music from the original sources, and where none exist has composed settings compatible in style with the surviving originals, so that this edition offers material for all the music required in a performance, the only modern edition to do so. The edition will be invaluable to actors, directors, and students at all levels.

This edition of The Two Gentlemen of Verona offers a complete consideration of all aspects of the text. It interprets the play less as a contribution to a Renaissance literary debate between love and friendship (the traditional academic view) than as a dramatization of competing kinds of love - a theatrical counterpart to Shakespeare's Sonnets. It analyzes the lyrical language with which these kinds of love are expressed, and explores the tension between lyricism and the violence of some of the play's events, notably the concluding attempted rape scene. It also provides further evidence that The Two Gentlemen is Shakespeare's earliest surviving play, and proposes a new actor for whom the principal comic role of Lance may have been designed. This is the only edition to offer a setting of the song 'Who is Silvia?', prepared by Guy Woolfenden from an Elizabethan source, and is therefore the only edition on the market to provide a complete text for performance.

Shakespeare's late plays - Pericles, Cymbeline, The Winter's Tale, and The Tempest - have provoked a great deal of interest in the modern theatre. In this book, Roger Warren draws upon extensive theatrical experience of the plays in rehearsal and performance, particularly in two special seasons: at Stratford, Ontario in 1986 and at the National Theatre in 1988 under the direction of Sir Peter Hall. This book breaks new ground by describing in detail how the rehearsal process focuses the principal theatrical issues of Shakespeare's late plays.

This is the first full-scale edition of Cymbeline for thirty-seven years. During that time, there has been considerable interest in Shakespeare's late work in the theatre, and several notable productions have demonstrated the powerful impact of Cymbeline. Based firmly on Roger Warren's extensive experience of the play in rehearsal and performance, this edition shows how Shakespeare draws upon a wide range of sources to create a self-sufficient dramatic universe, combining virtuoso theatrical and poetic means to present a story of a marriage imperilled by mistrust and painfully rebuilt through the physical and spiritual journeys undertaken by the heroine and hero, set in a context of international conflict. A full and detailed commentary pays close attention to the play's complex, evocative language.

Pericles was one of the most popular plays in the Jacobean theatre, and it has regained much of that popularity in the modern theatre. In a wide-ranging introduction, Roger Warren draws on his experience of the play in rehearsal and performance to explore the reasons for this enduring popularity. Unfortunately Pericles survives only in a corrupt text, the Quarto of 1609: many passages are nonsensical, others appear to be missing altogether. Earlier editions have merely published a cleaned-up version of the Quarto, leaving crucial differences unaddressed; but this edition offers a conjectural reconstruction of what the original play might have been like. It is based on that published in the Oxford Complete Works of 1986, modified in the light of its use in several productions since then. It draws upon George Wilkin's narrative The Painful Adventures of Pericles (1608) to emend some of the Quarto's errors and to supply some of the missing material. It does so in the belief that the play is a collaboration between Shakespeare and Wilkins himself. The case for this is fully argued in the Introduction, which also explains the complex textual situation for the general reader. The entire Quarto text is reprinted in an appendix, together with the passages from Wilkin's narrative that have particularly contributed to the reconstruction, so that readers can see for themselves how the reconstruction has been made. It is hoped that this treatment of the play provides a much more comprehensive edition than has so far been available, making it more useful for actors, students, and the general reader.

Shakespeare's Henry VI plays have come fully into their own in the modern theatre. They dramatize contemporary as much as Elizabethan issues: the struggle for power, the manoeuvres of politicians, social unrest, civil war - no wonder they have struck a chord with modern audiences. Roger Warren draws on his experience of Henry VI, Part Two in rehearsal as well as in performance to focus both the theatricality and the enduring contemporary relevance of the play, both in a wide-ranging Introduction and a detailed Commentary, which also provides a thorough explanation of the play's vivid language. The Textual Introduction offers a complete reconsideration of the complex relation between the two original texts.

Twelfth Night is one of the most popular of Shakespeare's plays in the modern theatre, and this edition places particular emphasis on its theatrical qualities throughout. Peopled with lovers misled either by disguises or their own natures, it combines lyrical melancholy with broad comedy. The introduction analyses its many views of love and the juxtaposition of joy and melancholy, while the detailed commentary pays particular attention to its linguistic subtleties. Music is particularly important in Twelfth Night, and this is the only modern edition to offer material for all the music required in a performance. James Walker has re-edited the existing music from the original sources, and where noe exists has composed settings compatible with the surviving originals. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Oxford ShakespeareGeneral Editor: Stanley WellsThe Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers- The only single-volume, modern-spelling edition both to offer a reconstruction of the original play and to reproduce the corrupt Quarto text of 1609 exactly as first printed- On-page commentary and notes explains meaning, staging, language, and allusions- Detailed introduction explains the complex textual situation and Shakespeare's probable collaboration with George Wilkins- Illustrated with production photographs and related art- Full index to introduction and commentary- Durable sewn binding for lasting use'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship' ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This book offers the first detailed, in-depth account of how and why some Arab foreign fighters subsequently became involved in Islamist terrorism. Drawing on a personal dataset of 3,010 Arab foreign fighters compiled using biographies, martyrdom eulogies, and postings on 'jihadi' websites, Terrorist Movements and the Recruitment of Arab Foreign Fighters suggests that the subsequent involvement in Islamist terrorism by some Arab foreign fighters is primarily forged in the crucible of defensive jihad.

Richard III brings the Wars of the Roses cycle of history plays to a close in bloody fashion. Arguably Shakespeare’s most villainous king, we watch in horror and delight as Richard murders his way to the throne, unable to resist his cruel wit and dark humour. This is a hugely entertaining and diabolical adventure that tells the story of one man’s journey to heaven, then back to hell.

The Comedy of Errors is a brilliant piece of theatrical mechanism, a story of mounting confusion involving two pairs of twins. But it also explores the relations between lovers and between husband and wife, and ends with the warmth and reconciliation of a multiple family reunion.

This book offers the first detailed, in-depth account of how and why some Arab foreign fighters subsequently became involved in Islamist terrorism. Drawing on a personal dataset of 3,010 Arab foreign fighters compiled using biographies, martyrdom eulogies, and postings on 'jihadi' websites, Terrorist Movements and the Recruitment of Arab Foreign Fighters suggests that the subsequent involvement in Islamist terrorism by some Arab foreign fighters is primarily forged in the crucible of defensive jihad.

Henry V dramatizes the legend of the heroic warrior-king who won the battle of Agincourt; but it also tells the more human story of a young king’s psychological journey, learning to deal with the political realities of Church and State.As increasing numbers of British servicemen and women are seeing active service, Propeller brings its own unique take on one of Shakespeare’s most famous plays. Also features introduction from Ed Hall (Artistic Director of Propeller Theatre Company), notes on the design and music from members of the Propeller team, as well an introduction to the text by Shakesperean academic Roger Warren.