Ronald Briggs – författare

Changes in the Landscape is a collection of timely essays that bring the methodologies and commitments of ecocriticism to bear on the study of Latin American literature and cultural production. The book’s eleven chapters, written by some of the leading voices in the field, invite readers to consider how the relationship between humans and nonhuman nature was fundamentally transformed during a period when new modes of capitalist production were emerging in the region and around the world. Jennifer L. French’s introductory essay provides a historical and theoretical framework for the collection.Ranging from the immediate aftermath of the Spanish‑American Wars of Independence (1810–1826) to the early twentieth century (1925), the volume’s essays cover a wide variety of genres and forms of cultural production, from JosÉ HernÁndez’s epic poem MartÍn Fierro to prose fiction, painting and photography, and the personal albums compiled by Spanish-American women. Individually and collectively, the essays engage with scientific writing as both a discourse of power and a source of potentially significant, even revelatory information about human and nonhuman nature. Changes in the Landscape enables readers to more fully understand the transition from colonial regimes to the ecocidal extractivism of the export boom (1870–1930) by drawing out and analyzing some of the cognitive resources and rhetorical strategies that were available to imagine, protest, or enact new norms and expectations regarding the relations between human and nonhuman life, be it the life of wildflowers, waterfalls, or Cuba’s CiÉnaga de Zapata.

Changes in the Landscape is a collection of timely essays that bring the methodologies and commitments of ecocriticism to bear on the study of Latin American literature and cultural production. The book’s eleven chapters, written by some of the leading voices in the field, invite readers to consider how the relationship between humans and nonhuman nature was fundamentally transformed during a period when new modes of capitalist production were emerging in the region and around the world. Jennifer L. French’s introductory essay provides a historical and theoretical framework for the collection.Ranging from the immediate aftermath of the Spanish‑American Wars of Independence (1810–1826) to the early twentieth century (1925), the volume’s essays cover a wide variety of genres and forms of cultural production, from JosÉ HernÁndez’s epic poem MartÍn Fierro to prose fiction, painting and photography, and the personal albums compiled by Spanish-American women. Individually and collectively, the essays engage with scientific writing as both a discourse of power and a source of potentially significant, even revelatory information about human and nonhuman nature. Changes in the Landscape enables readers to more fully understand the transition from colonial regimes to the ecocidal extractivism of the export boom (1870–1930) by drawing out and analyzing some of the cognitive resources and rhetorical strategies that were available to imagine, protest, or enact new norms and expectations regarding the relations between human and nonhuman life, be it the life of wildflowers, waterfalls, or Cuba’s CiÉnaga de Zapata.

In ""Tropes of Enlightenment in the Age of Bolivar"", Ronald Briggs shines a much-needed light on the writings and life of Simon Rodriguez, early tutor to the hero of Latin American independence Simon Bolivar and an accomplished essayist in his own right. Bolivar and Rodriguez's lives intersected often after those early years. When Bolivar swore his life to Spanish American independence on a hill outside Rome in 1805, Rodriguez was there to witness the historic moment. And when Bolivar needed to shape the new government of Bolivia, he enlisted Rodriguez to serve roles in developing both its educational system and its infrastructure. The book, released during the bicentennial of the early wars for Latin American independence, boldly places Rodriguez in the pantheon of important writers who influenced philosophical thought during the upheavals of the eighteenth and nineteenth centuries, including Ralph Waldo Emerson, Noah Webster, and Tom Paine. Beyond merely providing the first in-depth analysis of Rodriguez's writings and life work, Briggs also reveals an innovator of style as Rodriguez shaped the utility and vitality of the essay as an emerging form of argument. ""Tropes of Enlightenment in the Age of Bolivar"" is an essential study of a unique and playful writer who is finally revealed as a foundational figure in Spanish American independence and an influential thinker in the larger field of hemispheric studies.

Moral electricity—a term coined by American transcendentalists in the 1850s to describe the force of nature that was literacy and education in shaping a greater society. This concept wasn't strictly an American idea, of course, and Ronald Briggs introduces us to one of the greatest examples of this power: the literary scene in Lima, Peru, in the nineteenth century.As Briggs notes in the introduction to The Moral Electricity of Print, ""the ideological glue that holds the American hemisphere together is a hope for the New World as a grand educational project combined with an anxiety about the baleful influence of a politically and morally decadent Old World that dominated literary output through its powerful publishing interests."" The very nature of living as a writer and participating in the literary salons of Lima was, by definition, a revolutionary act that gave voice to the formerly colonized and now liberated people. In the actions of this literary community, as men and women worked toward the same educational goals, we see the birth of a truly independent Latin American literature.

Latin American Literature in Transition 1800-1870 uses affect as an analytical tool to uncover the countervailing forces that shaped Latin American literatures and cultures during the first six decades of the nineteenth century. Chapters provide perspectives on colonial violence and its representation, on the development of the national idea, on communities within and beyond the nation, and on the intersectional development of subjectivity during and after processes of cultural and political independence. This volume includes interdisciplinary approaches to nineteenth-century Latin American cultures that range from visual and art history to historiography to comparative literature and the study of literary and popular print culture. This book engages with the complex and sometimes counterintuitive relationship between felt ideas of community and the political changes that shaped these affective networks and communities.