Rudiger Safranski – författare

Om tid enbart hade varit det en klocka mäter skulle det vara enkelt att veta vad tid är. Men tid som erfarenhet är något helt annat. Tiden kan gå sakta eller fort, vi kan ha knappt om tid eller gott om tid. Den kan framstå som ett löfte om något nytt och frigörande, men också som en källa till bekymmer eller som ett hot. Den organiserar vårt sociala liv och den är en ekonomisk resurs – ”tid är pengar” heter det ju. Men var och en av oss har dessutom en egen tid som vi försöker gestalta. Vi flyr också undan tidens gång i våra dagdrömmar, berättarkonsten kan leka med tiden, och mänskligheten har genom historien givit sig hän åt olika föreställningar om en uppfyllelsens tid. Skriftställaren Rüdiger Safranski, känd för sina böcker om Schopenhauer, Nietzsche och Heidegger, närmar sig i den här boken fenomenet tid genom att reflektera över vad vi gör med tiden och vad den gör med oss. Han låter framställningen ta sin början där upplevelsen av tid kanske är som allra starkast, nämligen i ledan, då minuterna brukar kännas olidligt långa och tröga – men han fördjupar sig också i vetenskapens, filosofins och litteraturens lustfyllda lek med olika – ofta hisnande – tidsperspektiv. Förhållandet mellan samhället och tiden är ett annat viktigt tema i boken. Safranski varnar för den accelererande ”ekonomiseringen” av tiden. Vi behöver, menar han, formulera en ny och annorlunda ”tidspolitik”, som i högre grad tar hänsyn till – och skyddar – vårt behov av ”egentid”. Rüdiger Safranski är född 1945 och tog sin doktorsexamen i litteraturvetenskap 1976. Han är sedan länge verksam som fri skriftställare och har en rad böcker om filosofi och litteratur bakom sig, på svenska finns bland annat "Nietzsche – en tankarnas biografi" (2003). "Safranskis analyser av tiden […] är djupa och präglade av hans enorma idéhistoriska beläsenhet. Det är underbart att det ännu finns någon som kan skriva populärvetenskap på denna nivå."/ Lars Gustafsson i Expressen

Here, Rüdiger Safranski sets his sights on the writer considered the Shakespeare of German literature. Goethe (1749–1832) awakened a burgeoning German nation and the European continent with his electrifying novel The Sorrows of Young Werther. Safranski scoured Goethe’s oeuvre, relying on primary sources as well as his correspondence with contemporaries and their comments to one another, to produce an illuminating portrait of the avatar of the Romantic era. Set against the cultural and political turmoil of Europe in the late eighteenth and early nineteenth centuries, Goethe, who intersected with almost every great figure of his age, is thrillingly re-created here. As Safranski shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.

No other modern philosopher has proved as influential as Friedrich Nietzsche (1844-1900) and none is as poorly understood. In the first new biography in decades, Rüdiger Safranski, one of the foremost living Nietzsche scholars, re-creates the anguished life of Nietzsche while simultaneously assessing the philosophical implications of his morality, religion, and art. Struggling to break away from the oppressive burdens of the past, Nietzsche invented a unique philosophy based on compulsive self-consciousness and constant self-revision. As groundbreaking as it will be long-lasting, this biography offers a brilliant, multifaceted portrait of a towering figure.

One of the century’s greatest philosophers, without whom there would be no Sartre, no Foucault, no Frankfurt School, Martin Heidegger was also a man of great failures and flaws, a Faustus who made a pact with the devil of his time, Adolf Hitler. The story of Heidegger’s life and philosophy, a quintessentially German story in which good and evil, brilliance and blindness are inextricably entwined and the passions and disasters of a whole century come into play, is told in this brilliant biography.Heidegger grew up in Catholic Germany where, for a chance at pursuing a life of learning, he pledged himself to the priesthood. Soon he turned apostate and sought a university position, which set him on the path to becoming the star of German philosophy in the 1920s. Rüdiger Safranski chronicles Heidegger’s rise along with the thought he honed on the way, with its debt to Heraclitus, Plato, and Kant, and its tragic susceptibility to the conservatism that emerged out of the nightmare of Germany’s loss in World War I. A chronicle of ideas and of personal commitments and betrayals, Safranski’s biography combines clear accounts of the philosophy that won Heidegger eternal renown with the fascinating details of the loves and lapses that tripped up this powerful intellectual.The best intellectual biography of Heidegger ever written and a best-seller in Germany, Martin Heidegger: Between Good and Evil does not shy away from full coverage of Heidegger’s shameful transformation into a propagandist for the National Socialist regime; nor does it allow this aspect of his career to obscure his accomplishments. Written by a master of Heidegger’s philosophy, the book is one of the best introductions to the thought and to the life and times of the greatest German philosopher of the century.

This richly detailed biography of a key figure in nineteenth-century philosophy pays equal attention to the life and to the work of Arthur Schopenhauer. Rüdiger Safranski places this visionary skeptic in the context of his philosophical predecessors and contemporaries Kant, Fichte, Schelling, Hegel—and explores the sources of his profound alienation from their “secularized religion of reason.” He also provides a narrative of Schopenhauer’s personal and family life that reads like a Romantic novel: the struggle to break free from a domineering father, the attempt to come to terms with his mother’s literary and social success (she was a well-known writer and a member of Goethe’s Weimar circle), the loneliness and despair when his major philosophical work, The World as Will and Representation, was ignored by the academy. Along the way Safranski portrays the rich culture of Goethe’s Weimar, Hegel’s Berlin, and other centers of German literary and intellectual life.When Schopenhauer first proposed his philosophy of “weeping and gnashing of teeth,” during the heady “wild years” of Romantic idealism, it found few followers. After the disillusionments and failures of 1848, his work was rediscovered by philosophers and literary figures. Writers from Nietzsche to Samuel Beckett have responded to Schopenhauer’s refusal to seek salvation through history.The first biography of Schopenhauer to appear in English in this century, Schopenhauer and the Wild Years of Philosophy succeeds in bringing to life an intriguing figure in philosophy and the intellectual battles of his time, whose consequences still shape our world.

According to current debates, ’individualization’ has frequently been proposed as the conceptual counterpart to ’globalization’. It has often seemed that nothing would be left once these processes have fully unfolded, other than individual human atoms dispersed on a globe without any political, economic or cultural structures.Regardless of whether this description is based on any good and valid observation, nobody drew the conclusion that suddenly emerges as evident after reading Rüdiger Safranski’s lucid and timely exploration of the issue: globalization, if it occurs, means a radical change in the human condition. It brings human being in direct confrontation with the world in its totality. Almost unnoticed in broader debate, the scenario of globalization entails a return - in new a radical guise - of the time-honoured question of the ways of being-in-the-world of human beings.In this compelling new book, the philosopher Rüdiger Safranski grapples with the pressing problems of the global age: ‘Big Brother’ states, terrorism, international security and the seeming impossibility of ‘world’ peace. He suggests that the era ofglobalization should not be thought of as that epoch in world history in which all human beings will see themselves in the same, indistinct situation. There will always be, Sanfranski argues, some need for understanding one’s own situation by drawing boundaries and conceptualizing ‘otherness’ and individuality.

According to current deabtes, ’individualization’ has frequently been proposed as the conceptual counterpart to ’globalization’. It has often seemed that nothing would be left once these processes have fully unfolded, other than individual human atoms dispersed on a globe without any political, economic or cultural structures.Regardless of whether this description is based on any good and valid observation, nobody drew the conclusion that suddenly emerges as evident after reading Rüdiger Safranski’s lucid and timely exploration of the issue: globalization, if it occurs, means a radical change in the human condition. It brings human being in direct confrontation with the world in its totality. Almost unnoticed in broader debate, the scenario of globalization entails a return - in new a radical guise - of the time-honoured question of the ways of being-in-the-world of human beings. In this compelling new book, the philosopher Rüdiger Safranski grapples with the pressing problems of the global age: ‘Big Brother’ states, terrorism, international security and the seeming impossibility of ‘world’ peace. He suggests that the era ofglobalization should not be thought of as that epoch in world history in which all human beings will see themselves in the same, indistinct situation. There will always be, Sanfranski argues, some need for understanding one’s own situation by drawing boundaries and conceptualizing ‘otherness’ and individuality.

The renowned scholar Rüdiger Safranski’s Romanticism: A German Affair both offers an accessible overview of Romanticism and, more critically, traces its lasting influence, for better and for ill, on German culture. Safranski begins with the eighteenthcentury Sturm und Drang movement, which would sow the seeds for Romanticism in Germany. While Romanticism was a broad artistic, literary, and intellectual movement, German thinkers were especially concerned with its strong philosophical-metaphysical and religious dimension. Safranski follows this spirit in its afterlife in the work of Heinrich Heine, Richard Wagner, Friedrich Nietzsche, Thomas Mann, and through the later artistic upheavals of the twentieth century. He concludes by carefully considering Romanticism’s possible influence in the rise of National Socialism and the student revolt of 1968.Romanticism: A German Affair is essential reading for anyone interested in the power of art, culture, and ideas in the life of a nation.

Ausgewählt und mit einer Einleitung versehen von Rüdiger Safranski.Gegensätze ziehen sich an – was für Physik und Liebe gilt, trifft auf Freundschaften nur in Ausnahmefällen zu. Einer dieser wunderbaren und Epoche machenden Ausnahmefälle ist die Freundschaft zwischen Goethe und Schiller, deren Lebenselixier gerade im Gegensätzlichen der Positionen und Temperamente bestand. Wenn Bildung heißt: sich selbst zu entdecken und weiterzuentwickeln in der Begegnung mit dem Anderen und Fremden, dann ist der Briefwechsel zwischen Goethe und Schiller die praktische Probe aufs Exempel dieser klassischen Bildungsidee. Herausgegeben und eingeleitet von Rüdiger Safranski, dokumentiert die hier vorliegende Briefauswahl eines der glücklichsten Ereignisse der deutschen Literaturgeschichte, dessen enorme produktive Kraft bis heute spürbar ist.

Arthur Schopenhauer ist einer der einflussreichsten und meist gelesenen Philosophen: Wie kein anderer Denker des 19. Jahrhunderts hat er – nicht zuletzt aufgrund seines meisterhaften Stils – breite Leserkreise erreicht und von Richard Wagner bis Thomas Mann zahlreiche Künstler geprägt. In diesem Lesebuch wird das gesamte Spektrum seines Denkens ausgebreitet: von den zentralen Texten zur Erkenntnistheorie und Metaphysik bis hin zu Fragen der praktischen Philosophie und Lebenskunst. Herausgegeben und eingeleitet wird der Band von dem renommierten Publizisten und Schopenhauer-Biographen Rüdiger Safranski.