Sandy King – författare

Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and color, to serve as point source for a new carbon printer to begin to master the craft of carbon printing, as well as provide new material for experienced carbon printers so they can expand their techniques. The book includes never-before-published information on pre-sensitizing carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-color carbon prints.

Carbon Transfer Printing is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints.

Topics that the book covers are:

Key events in carbon’s history

How to organize the carbon workplace

Sections on necessary supplies and equipment

A step-by-step digital method of making high quality digital negatives

Simple and advanced methods of carbon printing

How to make carbon tissue, including several methods of pre-sensitizing

How to choose UV light sources for printing in carbon

Step-by-step processing directions

How to prepare final support papers

Troubleshooting carbon

Multi-layer printing to add tone, or make a full color carbon print

Finishing and final presentation of carbon prints

A gallery of images and advice from contemporary carbon printers

Carbon Transfer Printing is designed for both the beginning carbon enthusiast as well as for the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to present day, and the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.

Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and color, to serve as point source for a new carbon printer to begin to master the craft of carbon printing, as well as provide new material for experienced carbon printers so they can expand their techniques. The book includes never-before-published information on pre-sensitizing carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-color carbon prints.

Carbon Transfer Printing is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints.

Topics that the book covers are:

Key events in carbon’s history

How to organize the carbon workplace

Sections on necessary supplies and equipment

A step-by-step digital method of making high quality digital negatives

Simple and advanced methods of carbon printing

How to make carbon tissue, including several methods of pre-sensitizing

How to choose UV light sources for printing in carbon

Step-by-step processing directions

How to prepare final support papers

Troubleshooting carbon

Multi-layer printing to add tone, or make a full color carbon print

Finishing and final presentation of carbon prints

A gallery of images and advice from contemporary carbon printers

Carbon Transfer Printing is designed for both the beginning carbon enthusiast as well as for the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to present day, and the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.

At Tattersall Prison, a max-lock for the baddest of the bad, sleepless nights are the norm… until a fireball from the sky turns the night shift into a nightmare — trapping guards and cons on the inside, cops on the outside, and escapees in-between… all of them threatened by a hideous alien invader which needs nice, warm human bodies in which to incubate. From the outside, it looks like a replay of Waco, but from the inside, it’s more like Dante’s first draft of the Inferno. Psychotic Fraiser Bonner leads an army of convicts with a grudge against lead guard Wayne Jessup, whose crew is marooned inside with no means of exit. Black ops spook Elaine Farris tries to call the shots as captive guards get executed by Bonner. Farris dreads the moment she will have to call in her “expert,” Conrad Gant, whose life she destroyed six years earlier. Why? Because Gant knows about the alien interlopers, who use the human form as a chrysalis and shed the envelope of flesh to produce Earth-compatible conquerors… and Gant was hounded into silence by Elaine and her fixers. Now the clock is ticking and there’s an invasion to be stopped, as minute by minute, guards perish and alien numbers grow stronger, with the aim of spilling out of the prison cordon and into the rest of the world. It’s a hostage situation. It’s a battle between species. It’s Earth's most serious Standoff.The Standoff is the third entry in John Carpenter’s Tales of Science Fiction, created especially for Storm King’s John Carpenter and Sandy King by David J. Schow. All five issues are collected here to offer a chapter play that’s half suspense thriller, and half science fiction fever dream. Whose side would you take? It’s time to lock and load for The Standoff… and watch out for those nasty, flying alien bugs every step of the way.

Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and color, to serve as point source for a new carbon printer to begin to master the craft of carbon printing, as well as provide new material for experienced carbon printers so they can expand their techniques. The book includes never-before-published information on pre-sensitizing carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-color carbon prints. Carbon Transfer Printing is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints.Topics that the book covers are: Key events in carbon’s history How to organize the carbon workplace Sections on necessary supplies and equipment A step-by-step digital method of making high quality digital negatives Simple and advanced methods of carbon printing How to make carbon tissue, including several methods of pre-sensitizing How to choose UV light sources for printing in carbon Step-by-step processing directions How to prepare final support papers Troubleshooting carbon Multi-layer printing to add tone, or make a full color carbon print Finishing and final presentation of carbon prints A gallery of images and advice from contemporary carbon printersCarbon Transfer Printing is designed for both the beginning carbon enthusiast as well as for the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to present day, and the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.

Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and color, to serve as point source for a new carbon printer to begin to master the craft of carbon printing, as well as provide new material for experienced carbon printers so they can expand their techniques. The book includes never-before-published information on pre-sensitizing carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-color carbon prints. Carbon Transfer Printing is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints.Topics that the book covers are: Key events in carbon’s history How to organize the carbon workplace Sections on necessary supplies and equipment A step-by-step digital method of making high quality digital negatives Simple and advanced methods of carbon printing How to make carbon tissue, including several methods of pre-sensitizing How to choose UV light sources for printing in carbon Step-by-step processing directions How to prepare final support papers Troubleshooting carbon Multi-layer printing to add tone, or make a full color carbon print Finishing and final presentation of carbon prints A gallery of images and advice from contemporary carbon printersCarbon Transfer Printing is designed for both the beginning carbon enthusiast as well as for the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to present day, and the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.

Reflections from the Heart is a compilation of poems and songs written by Sandy King. Some will make you smile, many will make you think, but all should encourage a thankfulness for life and a desire to walk closer to our creator, God. All of the photographs in the book were taken by friends and family members, and many are from Alaskan locations.

As the Cold War widened in the 1950s, military hero George Kutter and his family trained to be legacy survivors in the event of an atomic exchange with the Soviet Union. Prepared to wait out the aftermath of nuclear war, they were subjected to myriad simulations, scenarios and stresses in hopes of helping salvage something of their family, their country and humanity from the ashes of a conflict with the Russians that never happened. But when a group of hunting buddies stumble upon an old fallout shelter buried in the present-day Pennsylvania wilderness and end up locked inside, they quickly learn that “truth” is just a matter of conditioning, while a crash course in paranoia, propaganda and control awaits.What was the nature of the secret Archonite initiative? What lengths did the United States go to in order to prepare for all-out war and its aftermath? What did the Kutter Family endure in perpetration for their duty? And if World War III never broke out… why are they still down there?

After the death of her mother, a young girl moves away to the country with her father. Angry and grief-stricken, Monica Bleue must find a new life away from her friends, her school and everything that was familiar to her. Though she’s not speaking to her dad, she begins to find her way out of her heartache from the country serenity around them. But while out wandering the forests near their home, she comes face to face with a hidden horror that changes their lives forever. Monica and her father search for answers to her newly transformed state, and together they bond as she learns to harness the monstrous powers she now possesses. But there’s a sinister evil lying low in their small country town… and the number of missing children is climbing. Monica may be the only one with the power to uncover the secret, but as she begins to unravel the mystery, finding a savage killer only puts her and her father deeper in danger.

Humanity has moved on after the Benson Disaster. In the decades following the loss of the space station along with almost its entire crew a new kind of life has been forged out even further into the Veil Nebula aboard a new type of habitat: The Barringer. But a connection back to Jake Dixon, the man who sacrificed everything to stop a nameless horror reaching Earth, now pulls back those few survivors and an all-new crew to face fresh monsters and familiar terror. From Earth to the cold vacuum of space light years away, from the fragile artificial environment of space stations to the frozen terror of a dead planet… brace yourself. Mankind believes it has tamed the organism freed from the dark years ago. Survivors believe they have seen the last of that horror and those that died stopping it. What they don’t know is that they’re in John Carpenter’s universe and all bets are off.The tendrils are back! The heroics are bigger! The monsters are nastier! And the ride is far from over as the VORTEX reopens.

Dana, a young woman who used to help the police find dead bodies, is driven off a jogging path by a vision of a demonic scarecrow and caught in raging floodwaters. Lightning rips a tree out of a pond and tears a hole in the earth, and Dana is swept down into a massive cavern. When the firefighters pull her out, she tells them astounding news. There’s a house down there. A big one: the House of Usher, described as fiction by Edgar Allan Poe. The house is enormous, ripped into two separate wings (“like the Titanic”) and covered over by a freak layer of ash and lava. And it’s structurally sound, explorable. “It's the 19th century down there.” As the only person who has been down and come out alive, Dana is recruited by government agent Bernice to join an expedition down into the insane wreck of a mansion. The house, like the Titanic, lies in two great pieces, one dry and one flooded. But soon the explorers learn that the house is haunted not just by ghosts, but by time itself, and sometimes the shape of the house alters with sudden violence. And the most dangerous spirit in the House of Usher is intent on using the expeditioners to unlock a powerful secret. Fans of LOCKE AND KEY and HOUSE OF MYSTERY can’t miss this brand-new haunted exploration.

Detective Sonia Maza is investigating what appears to be a series of cartel-related murders. But as the corpses keep piling up in bizarrely gruesome and intimate ways, Maza soon realizes this is the work of a serial killer—with deeply personal motives. And more dangerously, a vigilante who has mastered hiding in plain sight, taking on the identities of those we most often overlook in society in order to achieve brutal-and permanent “justice.” Detective Maza pursues the killer at the expense of her own personal life and finds herself on a gruesome journey that will ultimately lead her to question her own feelings about justice and what it means to be “good” or “evil.”

From the mind of John Carpenter, the man who brought you the classic horror film Halloween and all of the scares beyond, and the heart of writer, editor, and producer Sandy King, comes a dozen brand new twisted tales of terror, tricks, and treats. In volume 9 of the award-winning graphic novel series, Carpenter and King bring together the best storytellers from movies, novels, and comics for another spine-tingling collection of stories that will haunt you. Each story is a standalone surprise that captures the essence of the best night of the year. We dare you to read it all the way to the end. If you get too scared, remember, it's only a comic. It's only a comic... or is it? Happy Halloween!With creators John Carpenter, Sandy King, Jaime Carrillo, Elena Carrillo, Luis Guaragna, Sian Mandrake, Alec Worley, Kealan Patrick Burke, Sean Sobczak, Conor Boyle, Neo Edmund, Amanda Deibert, Cat Staggs, David J. Schow, Mike Sizemore, Dave Kennedy, Pete Kennedy, Jason Felix, Jennie Wood, Richard P. Clark, Duane Swierczynski, Nick Percival, and Tim Bradstreet.

Fact: there are over 700 missing people along America’s interstate highways, hunted, taken, and killed by more than 300 active serial killers. When Sarah Blake went missing on her way to work, it was too much for her sickly father to handle. His passing, coupled with Sarah’s disappearance, left her older brothers Danny and Carl filled with rage and loss. With nothing and no one left to lose, the two men decide to spend whatever time they have left hunting down long haul serial killers, uncovering the truth about Sarah, and taking the murderers out in brutal fashion.During their mission for revenge, they learn about a convoy of sociopathic killers known only as The Nine. One of them stole Sarah from beside her broken down car, and the Blake brothers must violently work their way through the Nine and their protectors until they come to the member who took her.

William is a book dealer from Greenwich Village. Lydia is an agent for an otherworldly organization. Together they must match wits and do battle with sinister forces seeking to destroy …The God List, an inventory of secret masterpieces created by geniuses the world over in celebration of the creative Spirit. It doesn’t help that scholars disagree on the List’s origins, or even if it exists at all. Lydia and William travel to Europe to find the worlds greatest expert on the subject and, with his help, defend and protect what some believe to be the cradle of human creativity.

Theo, a 500 year old Vampire, has made a new home in a small town in Western Massachusetts, stalking it’s residents in search of the perfect humans to spirit away to replace her lost brood. After all, a home is nothing without a family…Best friends, Ed and Liam, are spending a long weekend together only to find themselves victims of a violent attack. They quickly come to find out their assailant is an unhinged elderly Vampire named Theo. Before the night is over, the two find themselves not only abducted, but locked away behind the walls of Theo’s rotting home as unwilling members of her new brood. More hellish still, they’ve become undead themselves.Each passing night plunges the two friends deeper into Theo’s putrefying nightmare of a world. It doesn’t take them long to understand running isn’t an option.  After all, when you’ve become one of the undead yourself where can you call home except with the creature who made you?Ed and Liam must learn to navigate Theo’s world if they want to survive it.

Daniel is the new kid in town, having moved with his parents from bustling Boston to a quaint house in Washington State. He’s navigating a new school, settling into a fresh bedroom, and exploring a huge backyard—all with his two loyal cats by his side.But this isn't just any house. Unbeknownst to Daniel, their new home is a portal between this world and the next, and his cats are its mystical guardians, tasked with guiding wayward spirits. When one particularly stubborn spirit refuses to move on, the cats reveal their secret world to Daniel, enlisting him as their chief helper in this otherworldly mission.As Daniel delves deeper into this magical realm, he encounters various spirits, each with their own stories and lessons. These encounters help him discover more about himself, forging new friendships and finding his place in this new town. Through it all, he realizes that the most special thing of all is his loving family.

William Lincoln, an impatient businessman in his 20s, casually asks a small-town coffee shop barista about a carousel horse atop its roof. Within earshot, an elderly man asks William if he would like to learn about the history of the sprawling amusement park that once stood on that spot, the carousel horse the final reminder of its existence. They settle into a conversation that immediately disturbs young William. It is the story of an elderly man hoping to experience the amusement park one last time to recapture childhood memories, to relish the rapidly fleeting remaining moments.Instead of pleasant memories, each attraction becomes a surreal microcosm of aging and its inherent challenges as bodies and minds begin to break down. The elderly man is abused, pushed in a seemingly endless throng of elderly people through attractions that mimic the final stages of life. Finally, he winds up right back where he started, battered both mentally and physically. Instead of being able to leave the park, he realizes he is trapped in a loop, forced to relive the harrowing experience over and over. At the end of the elderly man’s tale, William is puzzled, concerned, and annoyed, irritated to have had his time wasted on such a story.William quickly realizes that not everything in the coffee shop is as it seems. The elderly man with whom young William has been conversing shares his name. It is William Lincoln. Perplexed and scared now, young William attempts to leave, fleeing through the coffee shop’s front door. When the door closes behind him, William is back in the amusement park, transformed again into his elderly self, still trapped in the loop, forced to reconcile the reality of aging and ultimately, his own mortality.

In the hills of Los Angeles, a chilling mystery unfolds as an unknown serial killer targets the 20-something children of the Hollywood elite. No nepo-baby influencer is safe. The pressure rises when two young women are kidnapped and detectives scramble to piece together clues before time runs out.After a fatal mistake, it becomes clear there is only one person who can get inside the head of murderer on a mission and disappear into the world of socialites in plain sight: the notorious serial killer known to most of the world only as “DEATH MASK.”An uneasy, and possibly unholy, alliance must be made before there are more funerals to livestream. Death Mask Volume 2: Ichor Azure explores intertwined fates and the complexities of survival, culminating in a tense race against time. Can an unrepentant killer save the day, or will the body count grow higher than the victims’ follower count?

Four months to the day he first encountered the boy at Walmart, the last of Phil Pendelton's teeth fell out.At first glance, Phil Pendleton and his son Adam are just an ordinary father and son, no different from any other. Some might say the father is a little too accommodating given the lack of discipline when the child loses his temper in public. Some might say he spoils his son by allowing him to set his own bedtimes and eat candy whenever he wants. Some might say that such leniency is starting to take its toll on the father, given how his health has declined.What no one knows is that Phil is a prisoner, and that up until a few weeks ago and a chance encounter at a grocery store, he had never seen the child before. But now Adam is in his life, altering and controlling it, and it will take a particular kind of horror to get him out. Because there is nothing ordinary about Adam, or the monsters that come when he calls.

Danni is twelve years old and struggling to get over the loss of her dog, Pirate, when a new teacher and an old school book reveal to her the world of Greek mythology. Danni stumbles across an illustration that looks familiar enough for her to leave the house in the dead of night and seek out what she thinks could be the gate to Hades, the Greek Underworld, and perhaps a way to bring her dog back to the land of the living. What she didn’t expect was her younger brother, Sammy, to tag along or that once in the Underworld she’d need a guide… and two 21st century kids on a quest to save their dead dog was the last thing Odysseus was expecting. Adventuring in the Underworld since the fall of Troy he’s the last of his kind - a true Hero - but with enemies leaping on them at every turn and monsters and gods to overcome this may be his toughest odyssey yet!