Sarah Langan – författare

'Trad Wife is terrifying . . . a surreal and slick feminist feast'– Sarah Pinborough, bestselling author of Behind Her Eyes'A darker, even more horrifying Yesteryear . . . you won’t be able to put it down'– StylistEvery day, millions watch Mia Wright, the "trad wife" queen, on her idyllic 300-acre farm. With her handsome husband, seven perfect children, and a life of from-scratch meals, she's an icon of modern femininity. But behind every perfect image is a lie.Desperate to save her tarnished career, journalist Jenny Kaplan arrives at Black Swan Farm to profile Mia. Jenny is ready to write a scathing exposé, determined to uncover the deception behind Mia's curated life.But there's something wrong at the farmhouse.It slithers through Jenny's dreams when the children sing strange nursery rhymes at night. She's losing time. She's losing her hair. She starts to worry that she's losing her mind.There is a horror at the heart of Black Swan, and it's waiting just for Jenny.‘Glorious, unhinged and utterly irresistible’– Catriona Ward, bestselling author of The Last House on Needless Street'Gripping, unsettling, enthrallingly layered and utterly laced with doom'– Olivie Blake, bestselling author of Girl Dinner‘Menacing, claustrophobic, and wholly unexpected’– Mariana Enriquez, author of Our Share of Night

'Trad Wife is terrifying . . . a surreal and slick feminist feast'– Sarah Pinborough, bestselling author of Behind Her Eyes'A darker, even more horrifying Yesteryear . . . you won’t be able to put it down'– StylistEvery day, millions watch Mia Wright, the "trad wife" queen, on her idyllic 300-acre farm. With her handsome husband, seven perfect children, and a life of from-scratch meals, she's an icon of modern femininity. But behind every perfect image is a lie.Desperate to save her tarnished career, journalist Jenny Kaplan arrives at Black Swan Farm to profile Mia. Jenny is ready to write a scathing exposé, determined to uncover the deception behind Mia's curated life.But there's something wrong at the farmhouse.It slithers through Jenny's dreams when the children sing strange nursery rhymes at night. She's losing time. She's losing her hair. She starts to worry that she's losing her mind.There is a horror at the heart of Black Swan, and it's waiting just for Jenny.‘Glorious, unhinged and utterly irresistible’– Catriona Ward, bestselling author of The Last House on Needless Street'Gripping, unsettling, enthrallingly layered and utterly laced with doom'– Olivie Blake, bestselling author of Girl Dinner‘Menacing, claustrophobic, and wholly unexpected’– Mariana Enriquez, author of Our Share of Night

'Trad Wife is terrifying . . . a surreal and slick feminist feast'– Sarah Pinborough, bestselling author of Behind Her EyesYour favourite influencer is about to be exposed . . . . . . for fans of a much darker, more horrifying YesteryearEvery day, millions watch Mia Wright, the "trad wife" queen, on her idyllic 300-acre farm. With her handsome husband, seven perfect children, and a life of from-scratch meals, she's an icon of modern femininity. But behind every perfect image is a lie.Desperate to save her tarnished career, journalist Jenny Kaplan arrives at Black Swan Farm to profile Mia. Jenny is ready to write a scathing exposé, determined to uncover the deception behind Mia's curated life.But there's something wrong at the farmhouse.It slithers through Jenny's dreams when the children sing strange nursery rhymes at night. She's losing time. She's losing her hair. She starts to worry that she's losing her mind.There is a horror at the heart of Black Swan, and it's waiting just for Jenny.‘Glorious, unhinged and utterly irresistible’– Catriona Ward, bestselling author of The Last House on Needless Street'Gripping, unsettling, enthrallingly layered and utterly laced with doom'- Olivie Blake, bestselling author of Girl Dinner

'Trad Wife is terrifying . . . a surreal and slick feminist feast'– Sarah Pinborough, bestselling author of Behind Her Eyes'A darker, even more horrifying Yesteryear . . . you won’t be able to put it down'– StylistEvery day, millions watch Mia Wright, the "trad wife" queen, on her idyllic 300-acre farm. With her handsome husband, seven perfect children, and a life of from-scratch meals, she's an icon of modern femininity. But behind every perfect image is a lie.Desperate to save her tarnished career, journalist Jenny Kaplan arrives at Black Swan Farm to profile Mia. Jenny is ready to write a scathing exposé, determined to uncover the deception behind Mia's curated life.But there's something wrong at the farmhouse.It slithers through Jenny's dreams when the children sing strange nursery rhymes at night. She's losing time. She's losing her hair. She starts to worry that she's losing her mind.There is a horror at the heart of Black Swan, and it's waiting just for Jenny.‘Glorious, unhinged and utterly irresistible’– Catriona Ward, bestselling author of The Last House on Needless Street'Gripping, unsettling, enthrallingly layered and utterly laced with doom'– Olivie Blake, bestselling author of Girl Dinner‘Menacing, claustrophobic, and wholly unexpected’– Mariana Enriquez, author of Our Share of Night

'Trad Wife is terrifying . . . a surreal and slick feminist feast'– Sarah Pinborough, bestselling author of Behind Her Eyes'A darker, even more horrifying Yesteryear . . . you won’t be able to put it down'– StylistEvery day, millions watch Mia Wright, the "trad wife" queen, on her idyllic 300-acre farm. With her handsome husband, seven perfect children, and a life of from-scratch meals, she's an icon of modern femininity. But behind every perfect image is a lie.Desperate to save her tarnished career, journalist Jenny Kaplan arrives at Black Swan Farm to profile Mia. Jenny is ready to write a scathing exposé, determined to uncover the deception behind Mia's curated life.But there's something wrong at the farmhouse.It slithers through Jenny's dreams when the children sing strange nursery rhymes at night. She's losing time. She's losing her hair. She starts to worry that she's losing her mind.There is a horror at the heart of Black Swan, and it's waiting just for Jenny.‘Glorious, unhinged and utterly irresistible’– Catriona Ward, bestselling author of The Last House on Needless Street'Gripping, unsettling, enthrallingly layered and utterly laced with doom'– Olivie Blake, bestselling author of Girl Dinner‘Menacing, claustrophobic, and wholly unexpected’– Mariana Enriquez, author of Our Share of Night

Climate change can be terrifying as we navigate through climate action— haunted by our past which dictates our future. In this anthology— Revelations: Horror Writers for Climate Action— twenty-one legendary horror authors bring both dark tales and awareness to our worldview. Apocalyptic futures, dire warnings, things unleashed from icy tombs... this collection gets under your skin and gives readers a peek into worldswhere prophecy and nihilism reign. Herein are stories FROM authors such as Nuzo Onoh, Clive Barker, Stephen King, Gwendolyn Kiste, Paul Tremblay, and many others— all brought together to give us fiction that redefines the realities of global warming and climate change.Proceeds from this anthology benefit Climate Outreach— the leading experts in climate change communications. The organization helps people understand the complexities of the issue in ways that resonates with their identity, values and worldview. Informed consent and support from people across society and around the world creates what CLIMATE OUTREACH calls a social mandate for climate action— and they believe it'' s how real change happens.May Revelations: Horror Writers for Climate Action resonate with you.

"Insanely creepy, wildly entertaining and razor-sharp" Gillian Flynn, author of Gone Girl"I loved [Good Neighbours] so much, every word, every page, every painful surprise. I've been screaming the title to all who will listen."- Sarah Jessica ParkerA sudden tragedy pits neighbour against neighbour and puts one family in terrible danger.Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. But when the Wilde family moves in, they trigger their neighbours' worst fears. Arlo and Gertie and their weird kids don't fit with the way Maple Street sees itself. As tensions mount, a sinkhole opens in a nearby park, and neighbourhood Queen Bee Rhea's daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes. Suddenly, it is one mother's word against the other's in a court of public opinion that can end only in blood.A riveting and ruthless portrayal of suburbia, Good Neighbours excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

Praised by Sarah Jessica Parker and described as "wildly entertaining" by Gillian Flynn, a dark and sharp-as-a-knife suburban thriller for readers of Liane Moriarty, Celeste Ng, Sarah Pinborough and Christos Tsiolkas"Insanely creepy, wildly entertaining and razor-sharp" Gillian Flynn, author of Gone Girl"I loved [Good Neighbours] so much, every word, every page, every painful surprise. I've been screaming the title to all who will listen."- Sarah Jessica ParkerA sudden tragedy pits neighbour against neighbour and puts one family in terrible danger.Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. But when the Wilde family moves in, they trigger their neighbours' worst fears. Arlo and Gertie and their weird kids don't fit with the way Maple Street sees itself. As tensions mount, a sinkhole opens in a nearby park, and neighbourhood Queen Bee Rhea's daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes. Suddenly, it is one mother's word against the other's in a court of public opinion that can end only in blood.A riveting and ruthless portrayal of suburbia, Good Neighbours excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

Celeste Ng and Liane Moriarty’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this “wickedly funny, unnerving puzzle box of a novel” (Dan Chaon, author of Ill Will) about the downward spiral of a Long Island community after a tragedy exposes its residents’ depths of deception.Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. But menace skulks among this exclusive enclave. When the Wilde family arrive, they trigger their neighbors’ worst fears. Dad Arlo’s a gruff has-been rock star with track marks. Mom Gertie’s got a thick Brooklyn accent, with high heels and tube tops to match. Their weird kids cuss like sailors. They don’t fit with the way Maple Street sees itself. Maple Street’s Queen Bee, Rhea Schroeder—a lonely professor repressing a dark past—initially welcomed Gertie, but relations plummeted during one summer evening, when the new best friends shared too much, too soon. By the time the story opens, the Wildes are outcasts. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. Riveting and ruthless, Good Neighbors is “a chilling, compulsively readable novel that looks toward the future in order to help us understand how we live now” (Kevin Wilson, author of Nothing to See Here).

For fans of Nightbitch and While No One Is Watching, comes “one of the best books this year, or any year” (Paul Tremblay, author of The Cabin at the End of the World)—a disturbing dystopian thrillfest about a woman moving to a glittering town of the future, whose investigation of a local tragedy puts a target on her back.You’ll be safe here. That’s what the tour guide promises Dr. Linda Farmer and her family when they move to Plymouth Valley. Sure, the locals are privileged hot house flowers who observe a weird religion Hollow, but the schools are blue ribbon, the air’s clean, the food’s fantastic, and Linda’s out of options. With the outside world in shambles, this move is her family’s last chance. Linda, her husband, and their teen twins work hard to fit in, accommodating their square peg personalities into rounded holes. It works at first—the family rise up, gaining acceptance from the powerful elite. Then Linda encounters Gal Parker, a hot mess of a woman, whose wife has abandoned her and whose kids are sick. One terrible night, Gal commits an unthinkable act. All of Plymouth Valley turns on Gal, refusing to speak her name. But Linda can’t stop wondering: what would drive a woman to do something so awful? The more she learns, the more frightened she becomes. A clock is ticking, too—before the Plymouth Valley Winter Festival, Linda’s got to figure out: should she and her family be fighting to stay, or fighting their way out? A heart-poundingly ruthless dissection of wealth, power, and privilege, A Better World is “more terrifying with every turn of the page” (Booklist, starred review) from a writer who “never ceases to amaze” (Gillian Flynn).

She lives in their dreams. They die in hers.Nothing good can grow in the forgotten town of Bedford. After the closure of the paper mill, the town has become a wasteland. A decade of layoffs has caused a collective bitterness, leading many inhabitants to alcoholism, crime and abuse. The worst symptom, however, is the nightmare they all share every single night.Susan Marley haunts their dreams. The object of derision, lust and fear, she wanders the town barefoot, never saying a word. But when she dies, betrayed by life one final time, Bedford begins to suffer horrors far more terrifying than any vision.What dark secrets has Susan Marley been keeping?And why has she come back?For fans of A. M. Shine and Rebecca Netley, The Keeper is a chilling small-town horror from Bram Stoker Award winner Sarah Langan.'Inhabits the mind like a dark, lingering smoke' Jack Ketchum, author of Offspring'Sarah Langan combines a genuinely poetic sensibility with a taste for horror's most bravura excesses' Peter Straub, author of Ghost Story

There are some nightmares from which we do not wakeThe affluent community in Corpus Christi is unaffected by the bizarre environmental disaster that completely destroyed Bedford, a neighbouring town, only a few miles away.However, when third-grade schoolteacher Lois Larkin takes the children on a field trip to the site of the disaster, everything changes. There, in the abandoned woods, a small boy unearths a horror unlike any other.The long, dark night is just beginning. A malevolent contagion starts to spread, and will not rest until it has devoured every living soul in Corpus Christi... and beyond.The apocalypse approaches in this Bram Stoker Award winning horror by Sarah Langan. Perfect for fans of A. M. Shine and Rebecca Netley.Langan has a sharp eye for the small, vivid details of American life, and her characters are utterly believable. Reminiscent of early Stephen King, this is not for the squeamish.' The Times

From the author of Good Neighbours, described by Gillian Flynn as ‘wildly entertaining’. An absorbing and astute satirical thriller about a family’s odyssey into an exclusive enclave for the wealthy that might not be as ideal as it seems.As the outside world literally falls apart, Linda and Russell Farmer-Bowen and their teenage twins are offered the chance to relocate to Plymouth Valley, a walled-off company town with clean air, pantries that never go empty, and blue-ribbon schools. The family jumps at the opportunity. They’d be crazy not to take it. This might be their last chance at survival.But fitting in takes work. And the strange residents fervently adhere to a group of customs and beliefs called Hollow... but what exactly is Hollow? Finally, thanks to Linda’s medical skills they begin to find acceptance, and everything seems fine. Sure, Russell starts hyperventilating through a paper bag in the middle of the night, and the kids have drifted like bridgeless islands, but at least they’ll survive. But something isn’t right. The more Linda learns, the more frightened she becomes. Should the Farmer-Bowens be fighting to stay, or fighting to get out?

Celeste Ng and Liane Moriarty’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this “wickedly funny, unnerving puzzle box of a novel” (Dan Chaon, author of Ill Will) about the downward spiral of a Long Island community after a tragedy exposes its residents’ depths of deception.Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. But menace skulks among this exclusive enclave. When the Wilde family arrive, they trigger their neighbors’ worst fears. Dad Arlo’s a gruff has-been rock star with track marks. Mom Gertie’s got a thick Brooklyn accent, with high heels and tube tops to match. Their weird kids cuss like sailors. They don’t fit with the way Maple Street sees itself. Maple Street’s Queen Bee, Rhea Schroeder—a lonely professor repressing a dark past—initially welcomed Gertie, but relations plummeted during one summer evening, when the new best friends shared too much, too soon. By the time the story opens, the Wildes are outcasts. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. Riveting and ruthless, Good Neighbors is “a chilling, compulsively readable novel that looks toward the future in order to help us understand how we live now” (Kevin Wilson, author of Nothing to See Here).

One of NPR’s Best Books of 2024 For fans of Nightbitch and While No One Is Watching, comes “one of the best books this year, or any year” (Paul Tremblay, author of The Cabin at the End of the World)—a disturbing dystopian thrillfest about a woman moving to a glittering town of the future, whose investigation of a local tragedy puts a target on her back.You’ll be safe here. That’s what the tour guide promises Dr. Linda Farmer and her family when they move to Plymouth Valley. Sure, the locals are privileged hot house flowers who observe a weird religion Hollow, but the schools are blue ribbon, the air’s clean, the food’s fantastic, and Linda’s out of options. With the outside world in shambles, this move is her family’s last chance. Linda, her husband, and their teen twins work hard to fit in, accommodating their square peg personalities into rounded holes. It works at first—the family rise up, gaining acceptance from the powerful elite. Then Linda encounters Gal Parker, a hot mess of a woman, whose wife has abandoned her and whose kids are sick. One terrible night, Gal commits an unthinkable act. All of Plymouth Valley turns on Gal, refusing to speak her name. But Linda can’t stop wondering: what would drive a woman to do something so awful? The more she learns, the more frightened she becomes. A clock is ticking, too—before the Plymouth Valley Winter Festival, Linda’s got to figure out: should she and her family be fighting to stay, or fighting their way out? A heart-poundingly ruthless dissection of wealth, power, and privilege, A Better World is “more terrifying with every turn of the page” (Booklist, starred review) from a writer who “never ceases to amaze” (Gillian Flynn).

A woman moves into a Manhattan apartment with a haunted past—and encounters its ghosts—in this Bram Stoker Award–winning supernatural novel.In 1861, The Breviary opened its doors on New York''s Upper West Side. Designed by an infamous architect in the Chaotic Naturalist style—slanted floors, curved lines, a black church in the parlor—it was uniquely beautiful, and the things that happened inside it were uniquely terrible.150 years later, Audrey Lucus thinks she''s won the lottery when she discovers a cheap room at The Breviary. She''s so delighted by the prospect of more space and a break from her boyfriend that she''s not deterred even when the doorman tries to warn her off—confiding that the previous occupant, an opera singer, murdered her four children there in the bathtub. Audrey is a self-made person who doesn''t believe in ghosts. Besides, this place is comforting—the home she''s always wanted. It calls to her and its voice is sweet.Nightmares. Daymares. She disregards them. But the signs add up. The disheveled old neighbors are strange. They spy. Audrey''s acting differently, losing track of time. Her boyfriend wants her to move back. But she''s remembering things about her past that somehow connect to this place. She''s discovering clues inside the building, about the woman she''s supposed to become. All the while, the building wants something. It demands it:"Build the door . . .""Sarah Langan is an audaciously terrifying storyteller, and Audrey''s Door practically hums with frantic energy and hair-raising tension." —Tess Gerritsen, New York Times–bestselling author"Langan''s idiosyncratic blending of supernatural horror and character-driven, psychological insight proves captivating and pleasurably bone-chilling." —Booklist

A virus infects a small Maine town, unleashing an apocalypse in this Bram Stoker Award-winning horror novel. It is always hungry; it is never satisfied . . . It laid waste to the town of Bedford, Maine. A cocktail of toxic chemicals conjured up by the runoff product of a paper mill. But that was merely one ingredient of the poison that killed Bedford's people, whose lives were haunted by their unforgivable sins. Now, the neighboring community of Corpus Christi is facing its own epidemic. A fourth-grader vanished during a field trip to Bedford's woods. And when he returned, he wasn't alone. Something took possession of him, driving him to hunt and . . . feed. He carries a contagion that spreads with every bite, turning wounded victims into predatory monsters. Town librarian Meg Wintrob has her own problems when the virus comes. Her marriage is hanging by a thread. Her teen daughter wants to run away. It was an ordinary suburb with ordinary problems until it wasn't. As the sick begin to outnumber the healthy, Meg will need to find a way out. Because this virus infects more than the body; it eats the soul. "e;With The Missing, Sarah Langan solidifies her position alongside Joe Hill, Tim Lebbon, Tom Piccirilli, and a handful of others as one of the best dark fiction writers of our generation."e; Brian Keene, Bram Stoker Award winning author"e;The Missing is reminiscent of Stephen King's Salem's Lot with wicked drops of Koontz, Barker and Straub. Sarah Langan is the new jack-o'-lantern on the doorstep. Walk around her cautiously."e; Madison Country Herald

The dreams of a dying rural town are haunted by the town pariah—and soon become waking nightmares—in this novel from the Bram Stoker Award–winning author.The formerly prosperous paper mill town of Bedford, Maine, has fallen on hard times. With the mill closed, nobody''s making ends meet. What''s worse, lately the people are dreaming about Susan Marley, a young woman fallen from grace whom they pity and fear.No one talks about the dreams even though they all share them. It''s a delicate balance. An unspoken devil''s pact. But when Susan mysteriously dies during a weeklong rainstorm, those nightmares start to come true. Only the guilt-riddled people who once loved Susan can guess at what''s happening, or act to stop it."Langan combines a genuinely poetic sensibility with a taste for horror''s most bravura excesses, which gives her book a distinct and juicy flavor all its own." —Peter Straub, New York Times–bestselling author"In vivid, compelling prose, which runs from the wry to the lyrical, Langan here gives us nothing less than a sharply realized portrait of an American town in the death-throes of decay. Susan Marley is a subtle juggernaut of a character—and she inhabits the mind once you''ve finished like a dark, lingering smoke." —Jack Ketchum, author of The Girl Next Door