Sarah Ruhl – författare

Comedy / Casting: 1m, 4f / Scenery: Int. with inserts This extraordinary new play by an exciting new voice in the American drama was runner-up for the Pulitzer Prize. After its acclaimed run at Yale Repertory Theatre it was done to equal acclaim at several major theatres coast to coast before winding up off Broadway at Lincoln Center, where it had an extended run. The play takes place in what the author describes as "metaphysical Connecticut", mostly in the home of a married couple who are both doctors. They have hired a housekeeper named Matilde, an aspiring comedian from Brazil who's more interested in coming up with the perfect joke than in house-cleaning. Lane, the lady of the house, has an eccentric sister named Virginia who's just nuts about house-cleaning. She and Matilde become fast friends, and Virginia takes over the cleaning while Matilde works on her jokes. Trouble comes when Lane's husband Charles reveals that he has found his soul mate, or "bashert" in a cancer patient named Anna, on whom he has operated.The actors who play Charles and Anna also play Matilde's parents in a series of dream-like memories, as we learn the story about how they literally killed each other with laughter, giving new meaning to the phrase, "I almost died laughing". This theatrical and wildly funny play is a whimsical and poignant look at class, comedy and the true nature of love. "Fresh, funny ...a memorable play, imbued with a melancholy but somehow comforting philosophy: that the messes and disappointments of life are as much a part of its beauty as romantic love and chocolate ice cream, and a perfect punch line can be as sublime as the most wrenchingly lovely aria." - NY Times. "A rich work about big themes from a young playwright with an original and audacious voice." - Variety.

Dramatic Comedy / 5m, 2f / Unit Set In Eurydice, Sarah Ruhl reimagines the classic myth of Orpheus through the eyes of its heroine. Dying too young on her wedding day, Eurydice must journey to the underworld, where she reunites with her father and struggles to remember her lost love. With contemporary characters, ingenious plot twists, and breathtaking visual effects, the play is a fresh look at a timeless love story. "RHAPSODICALLY BEAUTIFUL. A weird and wonderful new play - an inexpressibly moving theatrical fable about love, loss and the pleasures and pains of memory." - The New York Times "EXHILARATING!! A luminous retelling of the Orpheus myth, lush and limpid as a dream where both author and audience swim in the magical, sometimes menacing, and always thrilling flow of the unconscious." - The New Yorker "Exquisitely staged by Les Waters and an inventive design team...Ruhl's wild flights of imagination, some deeply affecting passages and beautiful imagery provide transporting pleasures. They conspire to create original, at times breathtaking, stage pictures." - Variety

Dramatic Comedy / 2m, 4f / Unit Set An incessantly ringing cell phone in a quiet cafe. A stranger at the next table who has had enough. And a dead man-with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by MacArthur "Genius" Grant recipient and Pulitzer Prize finalist, Sarah Ruhl, author of The Clean House and Eurydice. A work about how we memorialize the dead-and how that remembering changes us-it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world. "Satire is her oxygen...In her new oddball comedy, Dead Man's Cell Phone, Sarah Ruhl is forever vital in her lyrical and biting takes on how we behave." - The Washington Post "Ruhl's zany probe of the razor-thin line between life and death delivers a fresh and humorous look at the times we live in." - Variety "[Ruhl] tackles big ideas with a voice that entertains" - NPR "...beguiling new comedy...Ms. Ruhl's work blends the mundane and the metaphysical, the blunt and the obscure, the patently bizarre and the bizarrely moving." - New York Times

Characters: 3m, 4f / Interior In the Next Room or the vibrator play is a comedy about marriage, intimacy, and electricity. Set in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat 'hysterical' women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household. In a seemingly perfect, well-to-do Victorian home, proper gentleman and scientist Dr. Givings has innocently invented an extraordinary new device for treating "hysteria" in women (and occasionally men): the vibrator. Adjacent to the doctor's laboratory, his young and energetic wife tries to tend to their newborn daughter-and wonders exactly what is going on in the next room. When a new "hysterical" patient and her husband bring a wet nurse and their own complicated relationship into the doctor's home, Dr. and Mrs. Givings must examine the nature of their own marriage, and what it truly means to love someone. This laugh out loud, provocative and touching play premiered at Berkely Rep and subsequently marked Sarah Ruhl's Broadway debut opening at the Lyceum Theatre on November 19th, 2009. Winner!2010 Will Glickman Award for Best New Play to Premiere in the Bay Area! "Insightful, fresh and funny, the play is as rich in thought as it is in feeling...one of the most gifted and adventurous American playwrights to emerge in recent years...In the Next Room is a true novelty: a sex comedy designed not for sniggering teenage boys - or grown men who wish they were still sniggering teenage boys - but for adults with open hearts and minds." -New York Times "A play that's smart, delicate and very, very funny!" -New York Post "If Henrik Ibsen and Oscar Wilde had decided to collaborate on a post-modern drawing-room comedy, the hotsy-totsy twosome surely would have turned out something very much like Sarah Ruhl's genuinely hysterical new work" -Theatremania "Sarah Ruhl, whose previous work I execrated, has written a smart, charming, iridescently funny-serious jewel...As Ruhl traces it with wit and insight, and without the slightest prurience, the birth of this new era gives rise to colorful events, astute psychological revelations and endearingly apt dialogue." -Bloomberg "The playwright mines her subject for suitably bawdy humor without resorting to vulgarity.But what really gives the work its distinction is its sensitive exploration of the physical and emotional repression suffered by the women of the era, which has yet to disappear entirely...The play beautifully balances its humor and pathos." -Hollywood Reporter

Dramatic Comedy Characters: 8 male, 3 female (with doubling) Hailed by the New Yorker's John Lahr as "extraordinary", "bold", and "inventive", Sarah Ruhl's Passion Play takes us behind the scenes of three communities attempting to stage the death and resurrection of Christ. From Queen Elizabeth's England to Hitler's Germany to Reagan's America, Ruhl's exploration of devotion takes us on a humorous yet unsettling journey filled with lust, whimsy, and a lot of fish. This intimate epic occurs at the timely intersection of politics and religion. Ruhl dramatizes a community of players rehearsing their annual staging of the Easter Passion in three different eras: 1575 northern England, just before Queen Elizabeth outlaws the ritual; 1934 Oberammergua, Bavaria, as Hitler is rising to power; and Spearfish, South Dakota, from the time of Vietnam through Reagan's presidency. In each period, the players grapple in different ways with the transformative nature of art, and politics are never far in the background, as Queen Elizabeth, Hitler, and Reagan each appear, played by a single commanding actor.Named one of the "Ten Best Plays of 2008" by The New Yorker "Her [Ruhl's] unmistakable voice - poetic and quirky, underpinned with serious feeling and even more serious intelligence - trumpets forth in brash, impressive form in this ambitious and frisky if sometimes unruly play." -New York Times. "Ruhl's voice seems to retreat beyond the sphere of the play, performing that special vanishment that good writers-and good gods-know best how to do...Critic's Pick!" -Time Out NY "Let's just get the superlatives out of the way. Sarah Ruhl's Passion Play is the most exciting, stimulating, and thrilling piece of theater to hit New York since Angels in America." -Backstage

This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention. Mary always late and always married meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Mary's husband Crick buys a painting with the last of their savings. Mary and Crick have a baby but they can't decide on the baby's name or the baby's gender. A story of one woman's education and her search to find true love outside the box.

In this chamber musical version of Sarah Ruhl's Melancholy Play Tilly's melancholy is of an exquisite quality. She turns her melancholy into a sexy thing and every stranger she meets falls in love with her. One day inexplicably Tilly becomes happy and wreaks havoc on the lives of her paramours. Frances Tilly's hairdresser becomes so melancholy that she turns into an almond. It is up to Tilly to get her back.

Tilly's melancholy is of an exquisite quality. She turns her melancholy into a sexy thing and every stranger she meets falls in love with her. One day inexplicably Tilly becomes happy and wreaks havoc on the lives of her paramours. Frances Tilly's hairdresser becomes so melancholy that she turns into an almond. It is up to Tilly to get her back.

In this moving exploration of parenthood an American mother and a Tibetan father have a three-year-old son believed to be the reincarnation of a Buddhist lama. When a Tibetan lama and a monk come to their home unexpectedly asking to take their child away for a life of spiritual training in India the parents must make a life-altering choice that will test their strength their marriage and their hearts.The Oldest Boy is a richly emotional journey filled with music dance p

At a dinner party in New Jersey two couples discuss polyamory as brought up by the introduction of a new temp Pip in Jane's office. When they invite Pip and her two male partners discussion turns to action and the exploration of unexplored desire turns animalistic and then Jane's daughter sees it all.How to Transcend a Happy Marriageblurs the lines of monogamy and asks how deeply friends lovers and strangers connect.

Out of work and out of love Becky Nurse is an ordinary but strong-willed grandmother just trying to get by in post-Obama America. She's also the great-great-great-great-granddaughter of Rebecca Nurse who was infamously executed for witchcraft in 1692 - but things have changed for women since then haven't they? Desperate to raise her troubled teenaged granddaughter right and also hook up with an old flame Becky visits a local witch for help. But those spells and potions don't work out exactly as planned.

An adaptation of Sarah Ruhl and Max Ritvo's 2018 epistolary book, Letters from Max: A Poet, a Teacher, a Friendship, this intimate, poetic play explores the relationship between Sarah and her former student, Max. With humor, lyricism and candor, the two friends share letters and poems as Max faces terminal illness and tests poetry's capacity to put to words what otherwise feels ineffable.

An inventive take on the classic myth, Eurydice is by the highly-acclaimed US playwright Sarah Ruhl and includes magical, dreamlike surrealism, lyrical beauty and heart-rending pathos. Eurydice is in love with Orpheus. Her dead father has advice for her wedding but his letters can't get through to the land of the living. At last one does. With her father's words in her hand, she crashes down a flight of stairs and wakes in the underworld, her memory wiped. How will she ever get home? With a style that is light and precise, but also wildly imaginative, this play sees Alice in Wonderland meet Greek myth. Eurydice is a playful and highly original take on a timeless tale of loss, grief and redemption. When she received her MacArthur Foundation 'genius' grant, she was given this verdict: "Sarah Ruhl, 32, playwright, New York City. Playwright creating vivid and adventurous theatrical works that poignantly juxtapose the mundane aspects of daily life with mythic themes of love and war."

'Her story is intimate and revealing about what it is to smile and what it means when you can't' Cynthia NixonThe extraordinary story of one woman's ten-year odyssey that brought her physical, creative, emotional, and spiritual healing.With a play opening on Broadway, and every reason to smile, Sarah Ruhl has just survived a high-risk pregnancy when she discovers the left side of her face is completely paralyzed. She is assured that 90 percent of Bell's palsy patients experience a full recovery, like her own mother. But Sarah is in the unlucky ten percent. And for a woman, wife, mother, and artist working in theatre, the paralysis and the disconnect between the interior and exterior brings significant and specific challenges. So she begins an intense decade-long search for a cure while simultaneously grappling with the reality of her new face - one that, while recognisably her own, is incapable of accurately communicating feelings or intentions.Smile is Ruhl's piercing, witty, lucid chronicle of her journey. She explores the struggle of a body yearning to match its inner landscape, the pain of postpartum depression, the story of a marriage, being a playwright and working mother to three small children, and the desire for a resilient spiritual life in the face of illness.Brimming with insight, humility, warmth and humour, Smile is a triumph: an intimate examination of loss and reconciliation, and above all else, the importance of perseverance and hope in the face of adversity.

A KIRKUS BEST BOOK OF 2018In 2012, Sarah Ruhl was a distinguished author and playwright, twice a finalist for the Pulitzer Prize. Max Ritvo, a student in her playwriting class at Yale University, was an exuberant, opinionated, and highly gifted poet. He was also in remission from pediatric cancer.Over the next four years—in which Ritvo’s illness returned and his health declined, even as his productivity bloomed—the two exchanged letters that spark with urgency, humor, and the desire for connection. Reincarnation, books, the afterlife as an Amtrak quiet car, good soup: in Ruhl and Ritvo’s exchanges, all ideas are fair, nourishing game, shared and debated in a spirit of generosity and love. “We’ll always know one another forever, however long ever is,” Ritvo writes. “And that’s all I want—is to know you forever.”Studded with poems and songs, Letters from Max is a deeply moving portrait of a friendship, and a shimmering exploration of love, art, mortality, and the afterlife.