Sarah Wobick-Segev – författare

How did Jews go from lives organized by synagogues, shul, and mikvehs to lives that—if explicitly Jewish at all—were conducted in Hillel houses, JCCs, Katz's, and even Chabad? In pre-emancipation Europe, most Jews followed Jewish law most of the time, but by the turn of the twentieth century, a new secular Jewish identity had begun to take shape.Homes Away From Home tells the story of Ashkenazi Jews as they made their way in European society in the late nineteenth and twentieth centuries, focusing on the Jewish communities of Paris, Berlin, and St. Petersburg. At a time of growing political enfranchisement for Jews within European nations, membership in the official Jewish community became increasingly optional, and Jews in turn created spaces and programs to meet new social needs. The contexts of Jewish life expanded beyond the confines of "traditional" Jewish spaces into sites of consumption and leisure, sometimes to the consternation of Jewish authorities. Sarah Wobick-Segev argues that the social practices that developed between 1890 and the 1930s—such as celebrating holydays at hotels and restaurants, or sending children to summer camp—fundamentally reshaped Jewish community, redefining and extending the boundaries of where Jewishness happened.

How German Jews used photographs to document their experiences in the face of National Socialism Still Lives is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews' reactions to the changing landscapes of post-1933 Germany. Here, the authors claim that these reactions complement, complicate, and, sometimes, undermine the contents of contemporaneous written sources.Still Lives develops a new methodology for historians to use while reading and analyzing photographs, and shows how one can highlight an image's role in a narrative that comments on, and assigns meaning to, the reality it documents. In times of radical uncertainty, numerous German Jews used photography to communicate their intricate, confused, and conflicting expectations, fears, and beliefs. Through careful analysis of these photographs, this book lays the foundations for a new history of the German-Jewish experience during the National Socialist years.

Jewish historiography tends to stress the religious, cultural, and political aspects of the past. By contrast the “economy” has been pushed to the margins of the Jewish discourse and scholarship since the end of the Second World War. This volume takes a fresh look at Jews and the economy, arguing that a broader, cultural approach is needed to understand the central importance of the economy. The very dynamics of economy and its ability to function depend on the ability of individuals to interact, and on the shared values and norms that are fostered within ethnic communities. Thus this volume sheds new light on the interrelationship between religion, ethnicity, culture, and the economy, revealing the potential of an “economic turn” in the study of history.

Homeland, Exile, Imagined Homelands are features of the modern experience and relate to the cultural and historical dilemmas of loss, nostalgia, utopia, travel, longing, and are central for Jews and others. This book is an exploration into a world of boundary crossings and of desired places and alternate identities, into a world of adopted kin and invented allegiances.