Stanley Corngold – författare

The first complete account of the ideas and writings of a major figure in twentieth-century intellectual lifeWalter Kaufmann (1921–1980) was a charismatic philosopher, critic, translator, and poet who fled Nazi Germany at the age of eighteen, emigrating alone to the United States. He was astonishingly prolific until his untimely death at age fifty-nine, writing some dozen major books, all marked by breathtaking erudition and a provocative essayistic style. He single-handedly rehabilitated Nietzsche’s reputation after World War II and was enormously influential in introducing postwar American readers to existentialism. Until now, no book has examined his intellectual legacy.Stanley Corngold provides the first in-depth study of Kaufmann’s thought, covering all his major works. He shows how Kaufmann speaks to many issues that concern us today, such as the good of philosophy, the effects of religion, the persistence of tragedy, and the crisis of the humanities in an age of technology. Few scholars in modern times can match Kaufmann’s range of interests, from philosophy and literature to intellectual history and comparative religion, from psychology and photography to art and architecture. Corngold provides a heartfelt portrait of a man who, to an extraordinary extent, transfigured his personal experience in the pages of his books.This original study, both appreciative and critical, is the definitive intellectual life of one of the twentieth century’s most engaging yet neglected thinkers. It will introduce Kaufmann to a new generation of readers and serves as a fitting tribute to a scholar’s incomparable libido sciendi, or lust for knowledge.

Franz Kafka: The Office Writings brings together, for the first time in English, Kafka''s most interesting professional writings, composed during his years as a high-ranking lawyer with the largest Workmen''s Accident Insurance Institute in the Czech Lands of the Austro-Hungarian Empire. Franz Kafka (1883-1924) is commonly recognized as the greatest German prose writer of the twentieth century. It is less well known that he had an established legal career. Kafka''s briefs reveal him to be a canny bureaucrat, sharp litigator, and innovative thinker on the social, political, and legal issues of his time. His official preoccupations inspired many of the themes and strategies of the novels and stories he wrote at night.These documents include articles on workmen''s compensation and workplace safety; appeals for the founding of a psychiatric hospital for shell-shocked veterans; and letters arguing relentlessly for a salary adequate to his merit. In adjudicating disputes, promoting legislative programs, and investigating workplace sites, Kafka''s writings teem with details about the bureaucracy and technology of his day, such as spa elevators in Marienbad, the challenge of the automobile, and the perils of excavating in quarries while drunk. Beautifully translated, with valuable commentary by two of the world''s leading Kafka scholars and one of America''s most eminent civil rights lawyers, the documents cast rich light on the man and the writer and offer new insights to lovers of Kafka''s novels and stories.

A unique look at Thomas Mann’s intellectual and political transformation during the crucial years of his exile in the United StatesIn September 1938, Thomas Mann, the Nobel Prize–winning author of Death in Venice and The Magic Mountain, fled Nazi Germany for the United States. Heralded as “the greatest living man of letters,” Mann settled in Princeton, New Jersey, where, for nearly three years, he was stunningly productive as a novelist, university lecturer, and public intellectual. In The Mind in Exile, Stanley Corngold portrays in vivid detail this crucial station in Mann’s journey from arch-European conservative to liberal conservative to ardent social democrat.On the knife-edge of an exile that would last fully fourteen years, Mann declared, “Where I am, there is Germany. I carry my German culture in me.” At Princeton, Mann nourished an authentic German culture that he furiously observed was “going to the dogs” under Hitler. Here, he wrote great chunks of his brilliant novel Lotte in Weimar (The Beloved Returns); the witty novella The Transposed Heads; and the first chapters of Joseph the Provider, which contain intimations of his beloved President Roosevelt’s economic policies. Each of Mann’s university lectures—on Goethe, Freud, Wagner—attracted nearly 1,000 auditors, among them the baseball catcher, linguist, and O.S.S. spy Moe Berg. Meanwhile, Mann had the determination to travel throughout the United States, where he delivered countless speeches in defense of democratic values.In Princeton, Mann exercised his “stupendous capacity for work” in a circle of friends, all highly accomplished exiles, including Hermann Broch, Albert Einstein, and Erich Kahler. The Mind in Exile portrays this luminous constellation of intellectuals at an extraordinary time and place.

On the night of September 22, 1912, Franz Kafka wrote his story "The Judgment," which came out of him "like a regular birth." This act of creation struck him as an unmistakable sign of his literary destiny. Thereafter, the search of many of his characters for the Law, for a home, for artistic fulfillment can be understood as a figure for Kafka''s own search to reproduce the ecstasy of a single night. In Lambent Traces: Franz Kafka, the preeminent American critic and translator of Franz Kafka traces the implications of Kafka''s literary breakthrough. Kafka''s first concern was not his responsibility to his culture but to his fate as literature, which he pursued by exploring "the limits of the human." At the same time, he kept his transcendental longings sober by noting--with incomparable irony--their virtual impossibility. At times Kafka''s passion for personal transcendence as a writer entered into a torturous and witty conflict with his desire for another sort of transcendence, one driven by a modern Gnosticism. This struggle prompted him continually to scrutinize different kinds of mediation, such as confessional writing, the dream, the media, the idea of marriage, skepticism, asceticism, and the imitation of death. Lambent Traces: Franz Kafka concludes with a reconstruction and critique of the approaches to Kafka by such major critics as Adorno, Gilman, and Deleuze and Guattari..