Stefan Fischer – författare

In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish painter Hieronymus Bosch (c. 1450–1516) was more than an anomaly. Bosch’s paintings are populated with grotesque scenes of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch’s day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was “skating on ice”—meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator.Bosch—whose real name was Jheronimus van Aken—was widely copied and imitated: the number of surviving works by Bosch’s followers exceeds the master’s own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch’s oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons.Featuring brand new photography of recently restored paintings, this exhaustive book, published in view of the upcoming 500th anniversary of Bosch’s death, covers the artist’s complete works. Discover Bosch’s pictorial inventions in splendid reproductions with copious details and a huge fold-out spread, over 110 cm (43 in.) long, of The Garden of Earthly Delights. Art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.

How come we ought to do things? Current metanormative debates often suffer from the fact that authors implicitly use adequacy conditions not shared by their opponents. This leads to an unsatisfying dialectical gridlock (Chang): One author accuses her opponents of not being able to account for stuff she judges essential, but the opponents do not think this to be a major flaw. In an attempt to meet the problem of gridlock head-on, the current investigation approaches oughtness differently. I start with the introduction of a grounding framework for thinking about oughtness that allows a lucid presentation of the views on the market. It soon becomes clear that one necessary part of any plausible assessment of accounts of oughtness is a discussion of their adequacy conditions. I continue with a detailed evaluation of four different accounts, as presented by Halbig (2007), Schroeder (2007), Stemmer (2006), and Scanlon (2014). My main result is that desire-based or Humean theories of oughtness are more plausible because desire-independent accounts fail to explain something crucial: the for-me character of oughtness. Based on the insights gathered thus far, I then develop a new Humean theory – metaethical conativism – and defend it against some historically influential objections.

Das Hohelied Salomos erzählt eine Liebesgeschichte. Es steht zwischen Poesie und Erzählung. Deshalb bestimmen rezeptionsästhetische und strukturalistische Ansätze die Interpretation. Stefan Fischer bietet eine neue Übersetzung und eine Strukturanalyse, welche zeigt, dass die Vereinigung der Liebenden im Zentrum steht.Die synchrone Textanalyse erfolgt mit literaturwissenschaftlichen Methoden der Erzähltextanalyse. Dazu analysiert der Autor die konstitutiven Elemente der Darstellung im Anschluss an Gérard Genette und bestimmt die Bausteine der Handlung. Somit bietet das Buch eine neue Interpretation als dramatische Form einer weisheitlichen Lehrerzählung und einen exemplarischen Beitrag zur Methodik der Anwendung literaturwissenschaftlicher Ansätze auf das Alte Testament. Es öffnet den Horizont für einen dialogischen Zugang zum Text, der nicht auf autoritative Weisung angelegt ist.

A bird-monster devouring sinners, naked bodies in tantric contortions, a pair of ears brandishing a sharpened blade: with just 20 paintings and nine drawings to his name, Netherlandish visionary Hieronymus Bosch (c. 1450–1516) secured his place as a pillar of art history. To this day, the painter par excellence of hell and its demons continues to puzzle and enthrall scholars, artists, designers, and musicians alike.Based on the best-selling XXL edition, which saw TASCHEN commission new and exclusive photography of details and recently restored works, this large-scale monograph presents Bosch’s complete oeuvre. Texts from art historian and Bosch expert Stefan Fischer dissect the many compelling elements that populate each scene, from hybrid creatures of man and beast to Bosch’s pictorial use of proverbs and idioms. By tying together the elusive threads of his oeuvre into one exhaustive overview, this book reveals just what it was about Bosch and his painting that proved so immensely influential.Features: Impeccable full-page reproductions celebrating the artist’s staggering compositional scope Enlarged details unveiling the most intricate and bizarre scenes as much as the unsuspected technical minutiae, from subtle brush-strokes to the grain of the canvas A fold-out spread drawn from the legendary Last Judgement A special chapter focusing on Bosch’s most famous work, the mesmerizing and terrifying triptych The Garden of Earthly Delights

Only 20 paintings and eight drawings are confidently assigned to Netherlandish painter Hieronymus Bosch (c. 1450–1516) but in their fantastical visions they have secured his place as one of the most cult artists in history. 500 years on from his death, his works continue to inspire scholars, artists, designers, and musicians, death metal band names and designer dresses.This edition offers the complete and haunting Bosch world in one compact format. Through full spreads and carefully curated details, we explore the full reach and compelling inventions of the artist’s genius as well as disturbing imagination. We encounter his hybrid creatures, his nightmarish scenarios, his religious and moral framework, and his pictorial versions of contemporary proverbs and idioms. Along the way, art historian and Bosch expert Stefan Fischer reveals the most important themes and influences in these cryptic, mesmerizing masterpieces.

Only 20 paintings and eight drawings are confidently assigned to Netherlandish painter Hieronymus Bosch (c. 1450–1516) but in their fantastical visions they have secured his place as one of the most cult artists in history. 500 years on from his death, his works continue to inspire scholars, artists, designers, and musicians, death metal band names and designer dresses.This edition offers the complete and haunting Bosch world in one compact format. Through full spreads and carefully curated details, we explore the full reach and compelling inventions of the artist’s genius as well as disturbing imagination. We encounter his hybrid creatures, his nightmarish scenarios, his religious and moral framework, and his pictorial versions of contemporary proverbs and idioms. Along the way, art historian and Bosch expert Stefan Fischer reveals the most important themes and influences in these cryptic, mesmerizing masterpieces.