Stephanie Schwerter – författare

Belfast, Beirut and Berlin are notorious for their internal boundaries and borders. As symbols for political disunion, the three cities have inspired scriptwriters and directors from diverse cultural backgrounds. Despite their different histories, they share a wide range of features central to divided cities. In each city, particular territories take on specific symbolic and psychological meanings. Following a comparative approach, this book concentrates on the cinematographic representations of Belfast, Beirut and Berlin. Filmmakers are in constant search of new ways in order to engage with urban division. Making use of a variety of genres reaching from thriller to comedy, they explore the three cities’ internal and external borders, as well as the psychological boundaries existing between citizens belonging to different communities. Among the characters featuring in films set in Belfast, Berlin and Beirut, we may count dangerous gunmen, prisoners’ wives, soldiers and snipers, but also comic Stasi-members, punk aficionados and fake nuns. The various characters contribute to the creation of a multifaceted image of city limits in troubled times.

Belfast, Beirut and Berlin are notorious for their internal boundaries and borders. As symbols for political disunion, the three cities have inspired scriptwriters and directors from diverse cultural backgrounds. Despite their different histories, they share a wide range of features central to divided cities. In each city, particular territories take on specific symbolic and psychological meanings. Following a comparative approach, this book concentrates on the cinematographic representations of Belfast, Beirut and Berlin. Filmmakers are in constant search of new ways in order to engage with urban division. Making use of a variety of genres reaching from thriller to comedy, they explore the three cities' internal and external borders, as well as the psychological boundaries existing between citizens belonging to different communities. Among the characters featuring in films set in Belfast, Berlin and Beirut, we may count dangerous gunmen, prisoners' wives, soldiers and snipers, but also comic Stasi-members, punk aficionados and fake nuns. The various characters contribute to the creation of a multifaceted image of city limits in troubled times.

Belfast, Beirut and Berlin are notorious for their internal boundaries and borders. As symbols for political disunion, the three cities have inspired scriptwriters and directors from diverse cultural backgrounds. Despite their different histories, they share a wide range of features central to divided cities. In each city, particular territories take on specific symbolic and psychological meanings. Following a comparative approach, this book concentrates on the cinematographic representations of Belfast, Beirut and Berlin. Filmmakers are in constant search of new ways in order to engage with urban division. Making use of a variety of genres reaching from thriller to comedy, they explore the three cities' internal and external borders, as well as the psychological boundaries existing between citizens belonging to different communities. Among the characters featuring in films set in Belfast, Berlin and Beirut, we may count dangerous gunmen, prisoners' wives, soldiers and snipers, but also comic Stasi-members, punk aficionados and fake nuns. The various characters contribute to the creation of a multifaceted image of city limits in troubled times.

Belfast, Beirut and Berlin are notorious for their internal boundaries and borders. As symbols for political disunion, the three cities have inspired scriptwriters and directors from diverse cultural backgrounds. Despite their different histories, they share a wide range of features central to divided cities. In each city, particular territories take on specific symbolic and psychological meanings. Following a comparative approach, this book concentrates on the cinematographic representations of Belfast, Beirut and Berlin. Filmmakers are in constant search of new ways in order to engage with urban division. Making use of a variety of genres reaching from thriller to comedy, they explore the three cities’ internal and external borders, as well as the psychological boundaries existing between citizens belonging to different communities. Among the characters featuring in films set in Belfast, Berlin and Beirut, we may count dangerous gunmen, prisoners’ wives, soldiers and snipers, but also comic Stasi-members, punk aficionados and fake nuns. The various characters contribute to the creation of a multifaceted image of city limits in troubled times.

La médiation interculturelle cherche à établir des liens de sociabilité entre des individus issus de diverses cultures, tout en prenant en compte leurs traditions et leurs identités nationales différentes. Cet ouvrage invite à une réflexion sur la diversité culturelle, sur le plurilinguisme, sur la transculturalité ainsi que sur les enjeux scientifiques, politiques, artistiques, historiques et économiques de la médiation interculturelle. Le volume aborde cette thématique dans une perspective plurilingue et transdisciplinaire. Nous mobilisons quatre disciplines : la linguistique, la traductologie, l’histoire et la littérature, ce qui permet de réunir une pluralité de méthodes et d’approches théoriques et appliquées. C’est dans cette interdisciplinarité que réside le caractère novateur de ce volume.

This book brings together monumental voices in the social sciences -- such as Jean-René Ladmiral from Paris and Peter Caws from Washington DC -- to begin to address the Humanities' specific issues with and debt to translation. Calling for a re-examination of how translations are read, critiqued, and taught in Philosophy, History, Political Science and Sociology departments, this book provides tools for reflection, bases for reconsideration of given translations, and historical observations on how thought has been shaped across national borders. The volume ends with four case studies -- examples from auto-translation in postcolonial literature, cultural issues of translation in Chinese-language cinema, negotiating meaning between linguistically and culturally different audiences in the United States and Lebanon, to verbal-visual questions of translation in marketing to German and French clients. All in all, this book is a comprehensive, compact survey of the cultural and linguistic translation and transmission issues in the social sciences today. The book is illuminating and informative. A great tool for study or debate.

This collection is a multi-author volume of essays examining the work of over twenty poets from South Western Ireland, who write in both English and Irish. Offering overviews of each of the poets’ work, the chapters also focus on significant features of their respective oeuvres. Among the poets studied are Eiléan Ní Chuilleanáin, Seán Ó Tuama, John Montague, Gerry Murphy, Thomas McCarthy, Trevor Joyce, and Doireann Ní Ghríofa.The multifaceted volume addresses the different currents that are significant in the work of these poets, from the Modernism of MacGreevy to the politico-historical approach adopted by Thomas McCarthy. It places poetry in English and Irish side by side and creates a system of echoes that become apparent when the poets’ work is read in conjunction with that of their fellow writers. The contributors to the volume come from Ireland, the US, and Europe and include confirmed and emerging academics."The volume greatly enhances our knowledge of Irish poetry. It offers a comprehensive vision of poetic writing from the South-West of Ireland, both in Irish and in English."—Munira Hamud Mutran, professor of Irish Studies, University of São Paulo, Brazil“The south of Ireland has been blessed with several excellent, albeit underestimated poets. While readers who are aware of the accomplishments with figures such as John Montague, Elaine Ní Chuillianáin, Thomas McGreevy, and Seán Dunne will welcome Poets of Munster with pleasure, readers unfamiliar with these writers will be grateful to learn of the hidden riches revealed in this book.“—Charles Armstrong, professor of English literature, University of Agder, Norway

This volume’s aim is to shed new light on cultural misunderstanding, examining both the obstacles and outcomes it can entail. In the field of literary and song translation in particular, cultural misunderstanding can engender compound and wide-ranging effects. Occurrences can lead to ambiguity, the distortion of source texts or the spread of false or potentially harmful cultural images. Still, these misunderstandings can also be fruitful, dynamic phenomena with highly creative potential. Following an interdisciplinary approach, the volume’s chapters navigate thorny yet fertile instances of cultural misunderstanding, including song translation for Polish national television, the “exportation” of anglophone pop songs to Germany and France, Bob Dylan in French, Spanish, or Portuguese, Rimbaud’s poems translated into Norwegian, American Broadway musicals staged in Chinese, or the translation of Iranian novels into French. The volume’s contributors approach their subject matter from different academic backgrounds in music, literature, translation studies and linguistics.