Stephen Halliwell – författare
1 883 kr
Läs direkt efter köp
1 761 kr
Läs direkt efter köp
783 kr
Läs direkt efter köp
1 672 kr
Läs direkt efter köp
1 720 kr
Läs direkt efter köp
145 kr
Skickas
4 750 kr
Skickas inom 3-6 vardagar
3 087 kr
Skickas inom 5-8 vardagar
1 879 kr
Skickas inom 5-8 vardagar
1 958 kr
Skickas inom 5-8 vardagar
945 kr
Skickas inom 7-10 vardagar
2 268 kr
Skickas inom 5-8 vardagar
335 kr
Skickas inom 5-8 vardagar
589 kr
Skickas inom 7-10 vardagar
1 905 kr
Skickas inom 7-10 vardagar
592 kr
Skickas inom 5-8 vardagar
1 212 kr
Skickas inom 10-15 vardagar
441 kr
Skickas inom 10-15 vardagar
586 kr
Skickas inom 10-15 vardagar
393 kr
Skickas inom 10-15 vardagar
1 193 kr
Skickas inom 10-15 vardagar
418 kr
Läs direkt efter köp
418 kr
Läs direkt efter köp
1 934 kr
Skickas inom 10-15 vardagar
466 kr
Läs direkt efter köp
466 kr
Läs direkt efter köp
437 kr
Skickas inom 10-15 vardagar
803 kr
Läs direkt efter köp
Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.