Stephen Jukes - Böcker

This book explores the role of international news agencies and investigates whether they have been able to adapt to the contemporary media landscape following the disruption wrought by fake news, social media and an increasingly polarised public discourse.News Agencies addresses the key players in the industry, beginning with the ‘big three’ (Reuters, The Associated Press and Agence France-Presse) and then moving on to the newest global player, Bloomberg. It also explores the role of alternative providers of international news which are seeking to challenge the Western-centric perspective of the agencies. Drawing on interviews with senior editors, Jukes investigates the challenges agencies face in terms of their editorial strategy and business models in today’s social media context. At a time when there is widespread distrust in the media and agencies are relying increasingly on user-generated content as a source for news, Jukes critically explores the role of these agencies in the debate over fake news and policies on objectivity, impartiality and verification.Shedding light on a sector of the news industry that has steadfastly remained out of the public spotlight, this book will be of interest to students and academics in the fields of journalism and media studies.

This book explores the role of international news agencies and investigates whether they have been able to adapt to the contemporary media landscape following the disruption wrought by fake news, social media and an increasingly polarised public discourse.News Agencies addresses the key players in the industry, beginning with the ‘big three’ (Reuters, The Associated Press and Agence France-Presse) and then moving on to the newest global player, Bloomberg. It also explores the role of alternative providers of international news which are seeking to challenge the Western-centric perspective of the agencies. Drawing on interviews with senior editors, Jukes investigates the challenges agencies face in terms of their editorial strategy and business models in today’s social media context. At a time when there is widespread distrust in the media and agencies are relying increasingly on user-generated content as a source for news, Jukes critically explores the role of these agencies in the debate over fake news and policies on objectivity, impartiality and verification.Shedding light on a sector of the news industry that has steadfastly remained out of the public spotlight, this book will be of interest to students and academics in the fields of journalism and media studies.

Understanding Broadcast Journalism presents an insightful exploration of broadcast journalism today; its characteristics, motivations, methods and paradigms. The authors balance discussions of industry practice with critical examinations of content, across television, radio and associated multiplatform journalism. They highlight key issues including ownership and shifting regulatory environments, the revolutionary role of user-generated-content and digital convergence, and coverage of global issues by rolling news services. Chapters include:• a brief history of broadcasting;• an overview of recent commercial challenges in the news industry and the impact on television news;• current trends in the running of local radio stations, with particular focus on the rise of ‘hubbing’;• the ethics of broadcast journalism;• the significance of international broadcasters including the BBC, CNN and Al-Jazeera.The book identifies how the dissemination of broadcast journalism is evolving, whilst also arguing for the continued resilience of this industry now and in the future, making the case that journalistic storytelling remains at its most effective in broadcast environments. Professional journalists and students of media studies and journalism will find this a timely and thought-provoking intervention, which will help to inform their professional practice and research.

Understanding Broadcast Journalism presents an insightful exploration of broadcast journalism today; its characteristics, motivations, methods and paradigms. The authors balance discussions of industry practice with critical examinations of content, across television, radio and associated multiplatform journalism. They highlight key issues including ownership and shifting regulatory environments, the revolutionary role of user-generated-content and digital convergence, and coverage of global issues by rolling news services. Chapters include:• a brief history of broadcasting;• an overview of recent commercial challenges in the news industry and the impact on television news;• current trends in the running of local radio stations, with particular focus on the rise of ‘hubbing’;• the ethics of broadcast journalism;• the significance of international broadcasters including the BBC, CNN and Al-Jazeera.The book identifies how the dissemination of broadcast journalism is evolving, whilst also arguing for the continued resilience of this industry now and in the future, making the case that journalistic storytelling remains at its most effective in broadcast environments. Professional journalists and students of media studies and journalism will find this a timely and thought-provoking intervention, which will help to inform their professional practice and research.

In this current period of uncertainty and introspection in the media, New Journalisms not only focuses on new challenges facing journalism, but also seeks to capture a wide range of new practices that are being employed across a diversity of media. This edited collection explores how these new practices can lead to a reimagining of journalism in terms of practice, theory, and pedagogy, bringing together high-profile academics, emerging researchers, and well-known journalism practitioners. The book’s opening chapters assess the challenges of loss of trust and connectivity, shifting professional identity, and the demise of local journalism. A section on new practices evaluates algorithms, online participatory news websites, and verification. Finally, the collection explores whether new pedagogies offer potential routes to new journalisms. Representing a timely intervention in the debate and providing sustainable impact through its forward-looking focus, New Journalisms is essential reading for students of journalism and media studies.

In this current period of uncertainty and introspection in the media, New Journalisms not only focuses on new challenges facing journalism, but also seeks to capture a wide range of new practices that are being employed across a diversity of media. This edited collection explores how these new practices can lead to a reimagining of journalism in terms of practice, theory, and pedagogy, bringing together high-profile academics, emerging researchers, and well-known journalism practitioners. The book’s opening chapters assess the challenges of loss of trust and connectivity, shifting professional identity, and the demise of local journalism. A section on new practices evaluates algorithms, online participatory news websites, and verification. Finally, the collection explores whether new pedagogies offer potential routes to new journalisms. Representing a timely intervention in the debate and providing sustainable impact through its forward-looking focus, New Journalisms is essential reading for students of journalism and media studies.

"Indispensable.... for anyone who cares about journalism." - Professor Karin Wahl-Jorgensen How can we understand the complex relationship between journalism and emotion? In a world of live-streamed terror, polarised political debates and fake news, emotion has become central to our understanding of contemporary journalism.  Including interviews with leading journalists throughout, Journalism and Emotion critically explores the impact of this new affective media environment, not just on the practice of journalism, but also the lived experience of journalists themselves.  Bringing together theory and practice, Stephen Jukes explores:

The history of objectivity and emotion in journalism, from pre-internet to digital. The ‘emotionalisation’ of culture in today’s populist media landscape. The blurring of boundaries between journalism and social media content. The professional practices of journalists working with emotive material. The mental health risks to journalists covering traumatic stories. The impact on journalists handling graphic user-generated content.

In today’s interactive, interconnected and participatory media environment, there is more emotive content being produced and shared than ever before. Journalism and Emotion helps you make sense of this, explaining how emotion is mobilised to influence public opinion, and how journalists themselves work with and through emotional material. 

"Indispensable.... for anyone who cares about journalism." - Professor Karin Wahl-Jorgensen How can we understand the complex relationship between journalism and emotion? In a world of live-streamed terror, polarised political debates and fake news, emotion has become central to our understanding of contemporary journalism.  Including interviews with leading journalists throughout, Journalism and Emotion critically explores the impact of this new affective media environment, not just on the practice of journalism, but also the lived experience of journalists themselves.  Bringing together theory and practice, Stephen Jukes explores:

The history of objectivity and emotion in journalism, from pre-internet to digital. The ‘emotionalisation’ of culture in today’s populist media landscape. The blurring of boundaries between journalism and social media content. The professional practices of journalists working with emotive material. The mental health risks to journalists covering traumatic stories. The impact on journalists handling graphic user-generated content.

In today’s interactive, interconnected and participatory media environment, there is more emotive content being produced and shared than ever before. Journalism and Emotion helps you make sense of this, explaining how emotion is mobilised to influence public opinion, and how journalists themselves work with and through emotional material.