Sukanta Chaudhuri – författare

The Arden Shakespeare is the established edition of Shakespeare's work. Justly celebrated for its authoritative scholarship and invaluable commentary, Arden editions guide you to a richer understanding and appreciation of Shakespeare's plays. This edition of A Midsummer Night's Dream provides a clear and authoritative text, detailed notes and commentary on the same page as the text and a full introduction discussing the critical and historical background to the play. The editor brings fresh perspectives on global productions and adaptations of this most-loved of Shakespeare's comedies.

The Oxford India Illustrated Children's Tagore is an illustrated selection of poems and short stories for children from a previously published book from the Tagore Translations series, Selected Writings for Children. It is a treasure trove of funny, colourful writing with numerous illustrations - doodles, sketches, and paintings.

This volume is part of 'The Oxford Tagore Translations' series, a prestigious project undertaken by Oxford University Press in collaboration with Visva-Bharati to publish English translations of a wide range of Tagore's writings including his poetry, non-fiction prose, and fiction. The 150 poems in this volume, including many new translations, cover the entire span of Tagore's life and illustrate his work in many significant genres and forms. Within the covers of a single volume, they offer a more representative range than ever before in English of Tagore's output in the field of poetry, which was a primary marker of his identity. The volume also includes a detailed introduction and extensive notes.

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

The advances of book history and editorial theory remind us that it is vital to look behind the text we read. In this book Sukanta Chaudhuri explores, at a very fundamental level, how texts are constituted and how they work. He applies insights from many lines of study not brought together so closely before: theories of language, signification and reception alongside bibliography, textual criticism, editorial theory and book history. Blending case studies with general observation and theory, he considers the implications of the physical form of the text; the relation between oral and written language, and between language and other media; the new territory opened up by electronic texts; and special categories like play-books and translations. Drawing on an exceptionally wide range of material, both Western literature and Indian works from Sanskrit aesthetics to the poetry of Rabindranath Tagore, Chaudhuri sets a new agenda for the study of texts.

Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical implications of the genre. This is by far the biggest ever anthology of English Renaissance pastoral poetry, with 277 pieces spanning two centuries. Spenser, Sidney, Jonson and Drayton are amply represented alongside their many contemporaries. There is a wide range of pastoral lyrics, weightier allusive pieces, and translations from classical and vernacular pastoral poetry; also, more unusually, pastoral ballads and poems set in all kinds of prose works. Each piece has been freshly edited from the original sources, with full apparatus and commentary. This book will be complemented by a second volume, to be published in 2017, which includes a book-length introduction, textual notes and analytic indices.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

Machiavelli''s ideas are as important in our time as in his own. His insights and prescriptions help us make sense of today''s political upheavals and natural calamities and reduce them to a working order. The chapters in Machiavelli Then and Now explore Machiavelli''s central concerns: statecraft and order, liberty and citizenship, diplomacy and leadership, modes of strategization, the quest for empire - all set against the basic contention between autarchy, oligarchy and democracy. They also address the ethical and behaviourial factors behind political practice, such as force, suasion, ambition, corruption and vigilance in public discourse. The contributors consider the role of language, text and the imagination in Machiavelli, and they also bring the Machiavellian discourse closer to our own times, in relation to Gandhi, Gramsci and Althusser. The book will interest historians, political scientists and students of public policy; philosophers, rhetoricians and literary critics; and no less institution builders, diplomats and, administrators.

The advances of book history and editorial theory remind us that it is vital to look behind the text we read. In this book Sukanta Chaudhuri explores, at a very fundamental level, how texts are constituted and how they work. He applies insights from many lines of study not brought together so closely before: theories of language, signification and reception alongside bibliography, textual criticism, editorial theory and book history. Blending case studies with general observation and theory, he considers the implications of the physical form of the text; the relation between oral and written language, and between language and other media; the new territory opened up by electronic texts; and special categories like play-books and translations. Drawing on an exceptionally wide range of material, both Western literature and Indian works from Sanskrit aesthetics to the poetry of Rabindranath Tagore, Chaudhuri sets a new agenda for the study of texts.

This is the first one-volume guide in English, or indeed in Bengali, to the full spectrum of Tagore's multi-faceted genius. It has two parts: (a) critical surveys of the chief sectors of his artistic output and its reception; (b) specialized studies of particular topics. The authors are among the leading Tagore experts from India and abroad. They have drawn upon all relevant material in Bengali, English, and other languages, including the entire body of untranslated Bengali works that comprise the greater part of Tagore's oeuvre. They have also considered the historical and cultural context of his time. The book includes an index of all primary works cited, with full details of their complex history of transmission, and a reading list for Tagore studies in English. It will be an indispensable guide for all scholars, students and informed general readers, even those who can access Tagore in Bengali.

This eighth volume of The Shakespearean International Yearbook presents a special section on ''European Shakespeares'', proceeding from the claim that Shakespeare''s literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of ''Shakespeare'' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

This eighth volume of The Shakespearean International Yearbook presents a special section on ''European Shakespeares'', proceeding from the claim that Shakespeare''s literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of ''Shakespeare'' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

The Arden Shakespeare is the established edition of Shakespeare''s work. Justly celebrated for its authoritative scholarship and invaluable commentary, Arden editions guide you to a richer understanding and appreciation of Shakespeare''s plays. This edition of A Midsummer Night''s Dream provides a clear and authoritative text, detailed notes and commentary on the same page as the text and a full introduction discussing the critical and historical background to the play. The editor brings fresh perspectives on global productions and adaptations of this most-loved of Shakespeare''s comedies.

The Arden Shakespeare is the established edition of Shakespeare''s work. Justly celebrated for its authoritative scholarship and invaluable commentary, Arden editions guide you to a richer understanding and appreciation of Shakespeare''s plays. This edition of A Midsummer Night''s Dream provides a clear and authoritative text, detailed notes and commentary on the same page as the text and a full introduction discussing the critical and historical background to the play. The editor brings fresh perspectives on global productions and adaptations of this most-loved of Shakespeare''s comedies.

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

A necessary volume of essays working to decolonize the digital humanities  Often conceived of as an all-inclusive “big tent,” digital humanities has in fact been troubled by a lack of perspectives beyond Westernized and Anglophone contexts and assumptions. This latest collection in the Debates in the Digital Humanities series seeks to address this deficit in the field. Focused on thought and work that has been underappreciated for linguistic, cultural, or geopolitical reasons, contributors showcase alternative histories and perspectives that detail the rise of the digital humanities in the Global South and other “invisible” contexts and explore the implications of a globally diverse digital humanities.Advancing a vision of the digital humanities as a space where we can reimagine basic questions about our cultural and historical development, this volume challenges the field to undertake innovation and reform. Contributors: Maria JosÉ Afanador-Llach, U de los Andes, BogotÁ; Maira E. Álvarez, U of Houston; Purbasha Auddy, Jadavpur U; Diana Barreto Ávila, U of British Columbia; Deepti Bharthur, IT for Change; Sayan Bhattacharyya, Singapore U of Technology and Design; Anastasia Bonch-Osmolovskaya, National Research U Higher School of Economics; Jing Chen, Nanjing U; Carlton Clark, Kazimieras Simonavičius U, Vilnius; Carolina Dalla Chiesa, Erasmus U, Rotterdam; Gimena del Rio Riande, Institute of Bibliographic Research and Textual Criticism; Leonardo Foletto, U of SÃo Paulo; Rahul K. Gairola, Murdoch U; Sofia Gavrilova, Leibniz Institute for Regional Geography; Andre Goodrich, North-West U; Anita Gurumurthy, IT for Change; Aliz Horvath, EÖtvÖs LorÁnd U; Igor Kim, Russian Academy of Sciences; Inna Kizhner, Siberian Federal U; CÉdric Leterme, Tricontinental Center; Andres Lombana-Bermudez, Pontificia, U Javeriana, BogotÁ; Lev Manovich, City U of New York; Itay Marienberg-Milikowsky, Ben-Gurion U of the Negev; Maciej Maryl, Polish Academy of Sciences; Nirmala Menon, Indian Institute of Technology, Indore; Boris Orekhov, National Research U Higher School of Economics; Ernesto Priego, U of London; Sylvia FernÁndez Quintanilla, U of Kansas; Nuria RodrÍguez-Ortega, U of MÁlaga; Steffen Roth, U of Turku; Dibyadyuti Roy, Indian Institute of Technology, Jodhpur; Maxim Rumyantsev, Siberian Federal U; Puthiya Purayil Sneha, Centre for Internet and Society, Bengaluru; Juan Steyn, South African Centre for Digital Language Resources; Melissa Terras, U of Edinburgh; Ernesto Miranda Trigueros, U of the Cloister of Sor Juana; Lik Hang Tsui, City U of Hong Kong; Tim Unwin, U of London; Lei Zhang, U of Wisconsin–La Crosse.

A necessary volume of essays working to decolonize the digital humanities  Often conceived of as an all-inclusive “big tent,” digital humanities has in fact been troubled by a lack of perspectives beyond Westernized and Anglophone contexts and assumptions. This latest collection in the Debates in the Digital Humanities series seeks to address this deficit in the field. Focused on thought and work that has been underappreciated for linguistic, cultural, or geopolitical reasons, contributors showcase alternative histories and perspectives that detail the rise of the digital humanities in the Global South and other “invisible” contexts and explore the implications of a globally diverse digital humanities.Advancing a vision of the digital humanities as a space where we can reimagine basic questions about our cultural and historical development, this volume challenges the field to undertake innovation and reform. Contributors: Maria JosÉ Afanador-Llach, U de los Andes, BogotÁ; Maira E. Álvarez, U of Houston; Purbasha Auddy, Jadavpur U; Diana Barreto Ávila, U of British Columbia; Deepti Bharthur, IT for Change; Sayan Bhattacharyya, Singapore U of Technology and Design; Anastasia Bonch-Osmolovskaya, National Research U Higher School of Economics; Jing Chen, Nanjing U; Carlton Clark, Kazimieras Simonavičius U, Vilnius; Carolina Dalla Chiesa, Erasmus U, Rotterdam; Gimena del Rio Riande, Institute of Bibliographic Research and Textual Criticism; Leonardo Foletto, U of SÃo Paulo; Rahul K. Gairola, Murdoch U; Sofia Gavrilova, Leibniz Institute for Regional Geography; Andre Goodrich, North-West U; Anita Gurumurthy, IT for Change; Aliz Horvath, EÖtvÖs LorÁnd U; Igor Kim, Russian Academy of Sciences; Inna Kizhner, Siberian Federal U; CÉdric Leterme, Tricontinental Center; Andres Lombana-Bermudez, Pontificia, U Javeriana, BogotÁ; Lev Manovich, City U of New York; Itay Marienberg-Milikowsky, Ben-Gurion U of the Negev; Maciej Maryl, Polish Academy of Sciences; Nirmala Menon, Indian Institute of Technology, Indore; Boris Orekhov, National Research U Higher School of Economics; Ernesto Priego, U of London; Sylvia FernÁndez Quintanilla, U of Kansas; Nuria RodrÍguez-Ortega, U of MÁlaga; Steffen Roth, U of Turku; Dibyadyuti Roy, Indian Institute of Technology, Jodhpur; Maxim Rumyantsev, Siberian Federal U; Puthiya Purayil Sneha, Centre for Internet and Society, Bengaluru; Juan Steyn, South African Centre for Digital Language Resources; Melissa Terras, U of Edinburgh; Ernesto Miranda Trigueros, U of the Cloister of Sor Juana; Lik Hang Tsui, City U of Hong Kong; Tim Unwin, U of London; Lei Zhang, U of Wisconsin–La Crosse.

This volume is an essential supplement to Pastoral poetry of the English Renaissance: An anthology (2016). The full-length Introduction examines English Renaissance pastoral against the history of the mode from antiquity to the present, with its multifarious themes and social affinities. The study covers many genres – eclogue, lyric, georgic, country-house poem, ballad, romantic epic, prose romance – and major practitioners – Theocritus, Virgil, Sidney, Spenser, Drayton and Milton. It also charts the circulation of pastoral texts, with implications for all early modern poetry. All poems in the Anthology were edited from the original texts; the Companion documents the sources and variant readings in unprecedented detail for a cross-section of early modern poetry. Includes notes on the poets and analytical indices. The Companion is indispensable not only to users of the Anthology but to all students and advanced scholars of Renaissance poetry.

This book documents the creation of the Bichitra Online Tagore Variorum, a publicly accessible database of Rabindranath Tagore's complete works in Bengali and English totaling some 140,000 pages of primary material. Chapters cover innovative aspects of the site, all replicable in other projects: a hyperbibliography; a search engine and hyperconcordance working across the database; and a unique collation program comparing variant texts at three levels. There are also chapters on the special problems of processing manuscripts, and on planning the website. Early chapters take readers through the history of the project, an overview of Tagore’s works, and the Bengali writing system with the challenges of adapting it to electronic form. The name Bichitra, meaning "various" in Bengali, alludes both to the great variety of Tagore’s works and to their various stages of composition. Beyond their literary excellence, they are notable for their sheer quantity, the number of variant forms of a great many items, and their afterlife in translation, often the poet’s own. Seldom if ever has the same writer revised his material and recast it across genres on such a scale.​​ Tagore won the Nobel Prize in 1913. By its value-added presentation of this range of material, Bichitra can be a model for future databases covering an author’s complete works or other major corpus of texts. It offers  vastly expanded access to Tagore’s writings, and enables new kinds of research including computational text analysis. The “book of the website” shows in technical and human terms how researchers with interests in art, literature and technology can collaborate on cultural informatics projects.

This book documents the creation of the Bichitra Online Tagore Variorum, a publicly accessible database of Rabindranath Tagore's complete works in Bengali and English totaling some 140,000 pages of primary material. Chapters cover innovative aspects of the site, all replicable in other projects: a hyperbibliography; a search engine and hyperconcordance working across the database; and a unique collation program comparing variant texts at three levels. There are also chapters on the special problems of processing manuscripts, and on planning the website. Early chapters take readers through the history of the project, an overview of Tagore’s works, and the Bengali writing system with the challenges of adapting it to electronic form. The name Bichitra, meaning "various" in Bengali, alludes both to the great variety of Tagore’s works and to their various stages of composition. Beyond their literary excellence, they are notable for their sheer quantity, the number of variant forms of a great many items, and their afterlife in translation, often the poet’s own. Seldom if ever has the same writer revised his material and recast it across genres on such a scale.​​ Tagore won the Nobel Prize in 1913. By its value-added presentation of this range of material, Bichitra can be a model for future databases covering an author’s complete works or other major corpus of texts. It offers  vastly expanded access to Tagore’s writings, and enables new kinds of research including computational text analysis. The “book of the website” shows in technical and human terms how researchers with interests in art, literature and technology can collaborate on cultural informatics projects.