Sylvie Patry – författare

A wide-ranging exploration of the birth of impressionism centered around the landmark exhibition in Paris in 1874  “The catalogue, in unusual tall format, is particularly attractive and vivacious, full of fresh material and images, expanding the Impressionist cast of characters, exploring Paris as their tumultuous inspiration.”—Jackie Wullschläger, Financial Times, “Best Books of 2024: Art, Design and Fashion”  Discover the origins of impressionism in this revelatory look at the context for the radical 1874 exhibition that is considered the birth of the French art movement. Featuring works by not only Cézanne, Degas, Monet, Morisot, Pissarro, Renoir, and Sisley, but also many other lesser-known participants and those who exhibited at the official Salon that year, this book explores how artists of the time responded to the shifting social and political currents during this singular moment in history, as well as the norms that these artists rebelled against in their new approach to art. This is a milestone reunion of many of the show’s artworks, which include paintings, works on paper, prints, and sculptures, that made the exhibition held by the société anonyme 150 years ago an event of international and lasting significance.  Paris 1874 draws on new scholarship to offer a multidisciplinary approach to impressionism. It explores the important role played by the contemporary press and also contextualizes the movement in relation to the devastation of the Franco-Prussian War and the Commune, as well as the subsequent process of reconstruction. Above all, it challenges established narratives surrounding the origins of impressionism itself by reexamining its position within the larger artistic landscape, particularly in relation to the Salon—which exhibited works strikingly similar to those included in société anonyme’s exhibition. With an engaging design that uses motifs from archival materials to suggest the look of Parisian publications of the 1870s, this book is a handsome and compelling addition to our understanding of the dawn of impressionism and why it is considered a pivotal moment in the history of Western art. Distributed for the National Gallery of Art, Washington Exhibition Schedule:Musée d’Orsay, Paris(March 25–July 14, 2024)National Gallery of Art, Washington, DC(September 8, 2024–January 19, 2025)

The first major English-language publication dedicated to Monet’s letters, expertly selected and richly illustrated with his paintings. Claude Monet’s letters – to his friends, family, fellow artists, patrons and gallerists – offer an unmatched glimpse into the artist’s life, revealing his passions, anxieties and frank opinions, and expanding our view of his working life and practice. From his formative years to fame at the end of his life, this selection of letters is accompanied by profiles of his correspondents, expert introductions and comprehensive annotations. Illustrated with some of Monet’s best-known paintings, contemporary photographs and reproductions of some of the letters themselves, his world is revealed in words and images as never before. Published to mark the centenary of the artist’s death, this is a fresh opportunity to explore the life and letters of the ‘father of Impressionism’ in his own words.

This is the exhibition catalogue of the Fondation Louis Vuitton's exhibition starting September 2026 dedicated to Gustave Fayet as an artist and a collector. This book focuses on his collection: he bought works to resell them at a profit, allowing him to acquire new, even more remarkable pieces. His collection included over 200 works by Gauguin and the 'Gauguin Room' in his Parisian apartment was legendary among the Parisian elite of the time. He was also a very close friend of Odilon Redon, and he acquired works by famous artists such as Matisse, Bonnard, Degas, Monet, Matisse, Renoir, Cézanne, Rodin and Van Gogh among others. Following his death in 1925, the collection was sold by his family. However, these works can now be found in the world’s most prestigious museums, and are reunited during the exhibition.