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51 produkter
51 produkter
Häftad, Engelska, 2026
177 kr
Skickas inom 5-8 vardagar
The bloodiest and brashest of Shakespeare’s plays, this revenge tragedy begins with war and ends in mutilation and cannibalism. Acts of war and sexual violence across borders and within families highlight the importance of empire, Blackness and gender, alongside the familial and literal blood which characterise early modern and contemporary performance.The Arden Shakespeare Fourth Series Titus Andronicus provides:- A critical introduction to the textual, cultural and performance history- An edition that is rooted in a Jacobean revival performance of the play- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes - Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker or performer of Shakespeare’s works today.
E-bok
PDF, Engelska, 2007437 kr
Läs direkt efter köp
A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare''s drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor''s part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had tofurnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. It demanded the most sensitive attention to the opportunitiesinscribed in the script, and to the ongoing dramatic moment. Here is where the young actor Shakespeare learnt his trade; here is where his imagination, verbal and technical, learnt to roam.This is the story of Shakespeare in Parts. As Shakespeare developed his playwriting, the apparent limitations of the medium get transformed into expressive opportunities. Both cue and speech become promise-crammed repositories of meaning and movement, and of individually discoverable space and time. Writing always for the same core group of players, Shakespeare could take - and insist upon - unprecedented risks. The result is onstage drama of astonishing immediacy.Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern''s mould-altering work of historical and imaginative recovery provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-ridden actor, but a new Shakespeare.
E-bok
Engelska, 2007437 kr
Läs direkt efter köp
A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare''s drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor''s part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had tofurnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. It demanded the most sensitive attention to the opportunitiesinscribed in the script, and to the ongoing dramatic moment. Here is where the young actor Shakespeare learnt his trade; here is where his imagination, verbal and technical, learnt to roam.This is the story of Shakespeare in Parts. As Shakespeare developed his playwriting, the apparent limitations of the medium get transformed into expressive opportunities. Both cue and speech become promise-crammed repositories of meaning and movement, and of individually discoverable space and time. Writing always for the same core group of players, Shakespeare could take - and insist upon - unprecedented risks. The result is onstage drama of astonishing immediacy.Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern''s mould-altering work of historical and imaginative recovery provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-ridden actor, but a new Shakespeare.
Inbunden, Engelska, 2000
2 985 kr
Skickas inom 5-8 vardagar
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected the creation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
Häftad, Engelska, 2007
688 kr
Skickas inom 5-8 vardagar
Attention is often given to the performance of a text, but not to the shaping process behind that performance. The question of rehearsal is seldom confronted directly, though important textual moments - like revision - are often attributed to it. Whatismore, up until now, facts about theatrical rehearsal have been considered irrecoverable. In this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected the creation and revision of plays. This is the first history of the subject, from the sixteenth century to the eighteenth. It examines the nature and changing content of rehearsal, drawing on a mass of autobiographical, textual, and journalistic sources, and in so doing throws new light on textual revision and transforms accepted notions of Renaissance, Restoration, and eighteenth-century theatrical practice. Plotting theatrical change over time, this book will revolutionize the fields of textual and theatre history alike.
Inbunden, Engelska, 2007
907 kr
Skickas inom 5-8 vardagar
A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor's part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had to furnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. It demanded the most sensitive attention to the opportunities inscribed in the script, and to the ongoing dramatic moment. Here is where the young actor Shakespeare learnt his trade; here is where his imagination, verbal and technical, learnt to roam. This is the story of Shakespeare in Parts. As Shakespeare developed his playwriting, the apparent limitations of the medium get transformed into expressive opportunities. Both cue and speech become promise-crammed repositories of meaning and movement, and of individually discoverable space and time. Writing always for the same core group of players, Shakespeare could take - and insist upon - unprecedented risks. The result is onstage drama of astonishing immediacy. Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern's mould-altering work of historical and imaginative recovery provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-ridden actor, but a new Shakespeare.
Häftad, Engelska, 2010
571 kr
Skickas inom 7-10 vardagar
A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor's part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had to furnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. It demanded the most sensitive attention to the opportunities inscribed in the script, and to the ongoing dramatic moment. Here is where the young actor Shakespeare learnt his trade; here is where his imagination, verbal and technical, learnt to roam. This is the story of Shakespeare in Parts. As Shakespeare developed his playwriting, the apparent limitations of the medium get transformed into expressive opportunities. Both cue and speech become promise-crammed repositories of meaning and movement, and of individually discoverable space and time. Writing always for the same core group of players, Shakespeare could take - and insist upon - unprecedented risks. The result is onstage drama of astonishing immediacy. Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern's mould-altering work of historical and imaginative recovery provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-ridden actor, but a new Shakespeare.
Häftad, Engelska, 2024
918 kr
Kommande
A sweeping revision that speaks to how English literature is taught today.From the Middle Ages to the twenty-first century, The Norton Anthology of English Literature, Eleventh Edition, showcases exciting new authors, works, and textual clusters that demonstrate the relevance of literature to contemporary students and trace the creative arc that has yielded the ever-changing and ever-fascinating body of material called English literature. This anthology offers the experience of literature as part of the world—not apart from it. It is also now available in ebook format for the complete anthology. The Norton Ebook Reader platform provides an active reading environment that equips students with tools for placing works within their social and historical contexts.
Inbunden, Engelska, 2004
2 798 kr
Skickas inom 10-15 vardagar
Making Shakespeare is a lively introduction to the major issues of the stage and print history, whilst also raising questions about what a Shakespeare play actually is. Tiffany Stern reveals how London, the theatre, the actors and the way in which the plays were written and printed all affect the 'Shakespeare' that we now read. Concentrating on the instability and fluidity of Shakespeare's texts, her book discusses what happened to a manuscript between its first composition, its performance on stage and its printing, and identifies traces of the production system in the plays we read. She argues that the versions of Shakespeare that have come down to us have inevitably been formed by the contexts from which they emerged; being shaped by, for example, the way actors received and responded to their lines, the props and music used in the theatre, or the continual revision of plays by the playhouses and printers. Allowing a fuller understanding of the texts we read and perform, Making Shakespeare is the perfect introduction to issues of stage and page. A refreshingly clear, accessible read, this book will allow even those with no expert knowledge to begin to contextualize Shakespeare's plays for themselves, in ways both old and new.
Häftad, Engelska, 2004
722 kr
Skickas inom 10-15 vardagar
Making Shakespeare is a lively introduction to the major issues of the stage and print history, whilst also raising questions about what a Shakespeare play actually is. Tiffany Stern reveals how London, the theatre, the actors and the way in which the plays were written and printed all affect the 'Shakespeare' that we now read. Concentrating on the instability and fluidity of Shakespeare's texts, her book discusses what happened to a manuscript between its first composition, its performance on stage and its printing, and identifies traces of the production system in the plays we read. She argues that the versions of Shakespeare that have come down to us have inevitably been formed by the contexts from which they emerged; being shaped by, for example, the way actors received and responded to their lines, the props and music used in the theatre, or the continual revision of plays by the playhouses and printers. Allowing a fuller understanding of the texts we read and perform, Making Shakespeare is the perfect introduction to issues of stage and page. A refreshingly clear, accessible read, this book will allow even those with no expert knowledge to begin to contextualize Shakespeare's plays for themselves, in ways both old and new.
Inbunden, Engelska, 2009
1 802 kr
Skickas inom 7-10 vardagar
As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance in Early Modern England brings a wholly new reading to printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.
Häftad, Engelska, 2004
181 kr
Skickas inom 5-8 vardagar
Both Sheridan and Goldsmith lamented the popularity of sentimental comedy in the later eighteenth century and wrote their witty and satirical plays (though never lascivious in the manner of Restoration comedies) to counteract the sentimental mode. The Rivals (1775) was a qualified success: the suave young officer who is 'forced' by his father to marry the very girl to whom he is secretly engaged must always please; but first audiences were as uncertain as later critics about how to evaluate his neurotic friend Faulkland, who invents a series of caveats for his marriage to the earnest Julia. A country squire who becomes alarmingly foppish in town, an impetuous Irishman and the linguistically challenged Mrs Malaprop complete the cast. This edition includes the original preface and several prologues; in an appendix it lists all the fashionable books and songs to which the characters allude.
Häftad, Engelska, 2011
215 kr
Skickas
This completely new edition of The Recruiting Officer contains a freshly-edited play text, with new annotations, in modern spelling. Tiffany Stern's comprehensive and engaging introduction discusses the author's career and gives a history of the play including its staging, critical interpretation, date and sources, putting it its context of the late Restoration and illuminating its theatrical vivacity.Farquhar's The Recruiting Officer is set in Shrewsbury in 1704 and describes what happens in a country town when the army come to stay. With cross-dressing and confusion in plenty, this is a comedy exploring the timeless themes of love and war. One of Farquhar's last two plays, The Recruiting Officer is both entertaining and touching. It has a light, humane touch and its original depiction of a real-life provincial town comically explores the impact that ongoing warfare had on its civilian society.
Häftad, Engelska, 2002
859 kr
Skickas inom 3-6 vardagar
E-bok
Engelska, 2023328 kr
Läs direkt efter köp
In 1778 Edmond Malone published his first contribution to Shakespeare scholarship, An Attempt to Ascertain the Order in which the Plays Attributed to Shakspeare were Written. He revised and republished it in 1790 and began a further revision of it which was printed posthumously in 1821. This Element will be on the three versions of Malone''s Attempt and the way they created, shaped, focused, directed, and misdirected, our idea of the chronology and sequence of Shakespeare''s plays. By showing Malone''s impressive, fallible choices, adopted or adapted by later editors, it reveals how current Shakespeare editions are, in good and bad ways, Malonian at heart.
E-bok
PDF, Engelska, 2023328 kr
Läs direkt efter köp
In 1778 Edmond Malone published his first contribution to Shakespeare scholarship, An Attempt to Ascertain the Order in which the Plays Attributed to Shakspeare were Written. He revised and republished it in 1790 and began a further revision of it which was printed posthumously in 1821. This Element will be on the three versions of Malone''s Attempt and the way they created, shaped, focused, directed, and misdirected, our idea of the chronology and sequence of Shakespeare''s plays. By showing Malone''s impressive, fallible choices, adopted or adapted by later editors, it reveals how current Shakespeare editions are, in good and bad ways, Malonian at heart.
Häftad, Engelska, 2023
265 kr
Skickas inom 7-10 vardagar
In 1778 Edmond Malone published his first contribution to Shakespeare scholarship, An Attempt to Ascertain the Order in which the Plays Attributed to Shakspeare were Written. He revised and republished it in 1790 and began a further revision of it which was printed posthumously in 1821. This Element will be on the three versions of Malone's Attempt and the way they created, shaped, focused, directed, and misdirected, our idea of the chronology and sequence of Shakespeare's plays. By showing Malone's impressive, fallible choices, adopted or adapted by later editors, it reveals how current Shakespeare editions are, in good and bad ways, Malonian at heart.
Inbunden, Engelska, 2026
1 709 kr
Skickas inom 7-10 vardagar
Playwrights, including Shakespeare, often started out as song writers and regularly product-placed ballads within their dramas. In this enlightening study, Tiffany Stern asks who wrote, financed, published and marketed theatrical broadsheet ballads and investigates the migrants, women, and individuals with disabilities who sung and sold them outside playhouses - in striking contrast to the white, able-bodied and male actors who performed inside. With case-studies ranging from ballads in plays by Shakespeare and Jonson, sung after plays as jigs or 'themes' by the clowns Tarlton, Kemp and Armin, and performed about the plays of Marlowe, Kyd, Shakespeare and others, Ballad Business argues that broadsheet ballads were often the first and sometimes only parts of the performance to be published. Advertisements and souvenirs, ballads constituted a crucial though now forgotten form of theatrical merchandise and musical paratext.
Häftad, Engelska, 2012
766 kr
Skickas inom 7-10 vardagar
As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance in Early Modern England brings a wholly new reading to printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.
E-bok
Engelska, 2004812 kr
Läs direkt efter köp
Making Shakespeare is a lively introduction to the major issues of the stage and print history, whilst also raising questions about what a Shakespeare play actually is. Tiffany Stern reveals how London, the theatre, the actors and the way in which the plays were written and printed all affect the ''Shakespeare'' that we now read. Concentrating on the instability and fluidity of Shakespeare''s texts, her book discusses what happened to a manuscript between its first composition, its performance on stage and its printing, and identifies traces of the production system in the plays we read. She argues that the versions of Shakespeare that have come down to us have inevitably been formed by the contexts from which they emerged; being shaped by, for example, the way actors received and responded to their lines, the props and music used in the theatre, or the continual revision of plays by the playhouses and printers. Allowing a fuller understanding of the texts we read and perform, Making Shakespeare is the perfect introduction to issues of stage and page. A refreshingly clear, accessible read, this book will allow even those with no expert knowledge to begin to contextualize Shakespeare''s plays for themselves, in ways both old and new.
E-bok
PDF, Engelska, 2004812 kr
Läs direkt efter köp
Making Shakespeare is a lively introduction to the major issues of the stage and print history, whilst also raising questions about what a Shakespeare play actually is. Tiffany Stern reveals how London, the theatre, the actors and the way in which the plays were written and printed all affect the ''Shakespeare'' that we now read. Concentrating on the instability and fluidity of Shakespeare''s texts, her book discusses what happened to a manuscript between its first composition, its performance on stage and its printing, and identifies traces of the production system in the plays we read. She argues that the versions of Shakespeare that have come down to us have inevitably been formed by the contexts from which they emerged; being shaped by, for example, the way actors received and responded to their lines, the props and music used in the theatre, or the continual revision of plays by the playhouses and printers. Allowing a fuller understanding of the texts we read and perform, Making Shakespeare is the perfect introduction to issues of stage and page. A refreshingly clear, accessible read, this book will allow even those with no expert knowledge to begin to contextualize Shakespeare''s plays for themselves, in ways both old and new.
E-bok
PDF, Engelska, 2012710 kr
Läs direkt efter köp
Performed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first time this fascinating work is published in a single-play edition
E-bok
Engelska, 2012710 kr
Läs direkt efter köp
Performed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first time this fascinating work is published in a single-play edition
Inbunden, Engelska, 2017
2 915 kr
Skickas inom 10-15 vardagar
Performed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first time this fascinating work is published in a single-play edition.
629 kr
Skickas inom 5-8 vardagar
A sweeping revision that speaks to how English literature is taught today.From the Middle Ages to the twenty-first century, The Norton Anthology of English Literature, Eleventh Edition, showcases exciting new authors, works, and textual clusters that demonstrate the relevance of literature to contemporary students and trace the creative arc that has yielded the ever-changing and ever-fascinating body of material called English literature. This anthology offers the experience of literature as part of the world—not apart from it. It is also now available in ebook format for the complete anthology. The Norton Ebook Reader platform provides an active reading environment that equips students with tools for placing works within their social and historical contexts.
1 169 kr
Skickas inom 5-8 vardagar
From the Middle Ages to the twenty-first century, The Norton Anthology of English Literature, Shorter Eleventh Edition, showcases exciting new authors, works, and textual clusters that demonstrate the relevance of literature to contemporary students and trace the creative arc that has yielded the ever-changing and ever-fascinating body of material called English literature. This anthology offers the experience of literature as part of the world—not apart from it. It is also now available in ebook format for the complete anthology. The Norton Ebook Reader platform provides an active reading environment that equips students with tools for placing works within their social and historical contexts.
729 kr
Skickas inom 5-8 vardagar
A sweeping revision that speaks to how English literature is taught today.From the Middle Ages to the twenty-first century, The Norton Anthology of English Literature, Shorter Eleventh Edition, showcases exciting new authors, works, and textual clusters that demonstrate the relevance of literature to contemporary students and trace the creative arc that has yielded the ever-changing and ever-fascinating body of material called English literature. This anthology offers the experience of literature as part of the world—not apart from it. It is also now available in ebook format for the complete anthology. The Norton Ebook Reader platform provides an active reading environment that equips students with tools for placing works within their social and historical contexts.
Häftad, Engelska, 2024
873 kr
Skickas inom 5-8 vardagar
From the Middle Ages to the twenty-first century, The Norton Anthology of English Literature, Eleventh Edition, showcases exciting new authors, works, and textual clusters that demonstrate the relevance of literature to contemporary students and trace the creative arc that has yielded the ever-changing and ever-fascinating body of material called English literature. This anthology offers the experience of literature as part of the world—not apart from it. It is also now available in ebook format for the complete anthology. The Norton Ebook Reader platform provides an active reading environment that equips students with tools for placing works within their social and historical contexts.
Inbunden, Engelska, 2026
1 408 kr
Kommande
King Richard III provides a portrait of Shakespeare’s most enduring arch-villain, a man who plots against his brothers, nephews, friends and the powerful women in his life, including Lady Anne, Queen Margaret and Queen Elizabeth. This influential history play almost displaces the original historical figure it represents as it traces Richard’s rise to the throne in 15th century England. Disability and masculine villainy characterise nearly all performances of Richard III, spotlighting early modern and contemporary prejudice about their equivalence. This edition challenges the centrality of Richard as absolute villain who casts all others in his shadow, making space for the formidable women who oppose him.Exploring overlooked sources of influence, from Tacitus to St Paul, witchcraft to racialisation, and the possibility of Queen Elizabeth I watching a courtly performance of Richard III, this edition highlights what endures and what transforms in a play about the ruthlessness of narcissistic despotism.The Arden Shakespeare Fourth Series King Richard III provides:- A critical introduction to the play's textual, cultural and performance history- An edition that reassesses the complex textual history of the Quarto and Folio texts- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes- Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker and performer of Shakespeare’s works today.
Häftad, Engelska, 2026
167 kr
Kommande
King Richard III provides a portrait of Shakespeare’s most enduring arch-villain, a man who plots against his brothers, nephews, friends and the powerful women in his life, including Lady Anne, Queen Margaret and Queen Elizabeth. This influential history play almost displaces the original historical figure it represents as it traces Richard’s rise to the throne in 15th century England. Disability and masculine villainy characterise nearly all performances of Richard III, spotlighting early modern and contemporary prejudice about their equivalence. This edition challenges the centrality of Richard as absolute villain who casts all others in his shadow, making space for the formidable women who oppose him.Exploring overlooked sources of influence, from Tacitus to St Paul, witchcraft to racialisation, and the possibility of Queen Elizabeth I watching a courtly performance of Richard III, this edition highlights what endures and what transforms in a play about the ruthlessness of narcissistic despotism.The Arden Shakespeare Fourth Series King Richard III provides:- A critical introduction to the play's textual, cultural and performance history- An edition that reassesses the complex textual history of the Quarto and Folio texts- Detailed on-the-page notes explaining language, character and performance- A clear page layout with an easy-to-read font and single-column notes- Images of relevant productions, paintings and textsThe Arden Shakespeare Fourth Series includes a new edition of every Shakespeare play, the poems and sonnets. Each volume is edited afresh by a leading scholar specialising in cutting-edge research on performance, gender, sexuality and race. These editions cover everything you need to know as a student, teacher, researcher, theatre-maker and performer of Shakespeare’s works today.