Tim Rood – författare

'Men, the enemy troops you can see are all that stands between us and the place we have for so long been determined to reach. We must find a way to eat them alive!'The Expedition of Cyrus tells the story of the march of the Ten Thousand. The exploits of this famous army of Greek mercenaries in modern-day Turkey, Syria, and Iraq were described by one of their leaders, the Athenian historian and philosopher Xenophon. They were recruited at the end of the fifth century BC by a young Persian prince, Cyrus, who rose in revolt against his brother, the king of Persia. After Cyrus' death, the army was left stranded in the desert of Mesopotamia, a thousand miles from home. Their long march, across mountains and plateaux to the sight of 'The sea! The sea!', and back to the fringes of the Greek world, is the most exciting adventure story to survive from the ancient world.Xenophon's gripping narrative offers a unique insight into the character of a Greek army struggling to survive in an alien world. It is also the most sustained eyewitness account of the landscape of the vast and wealthy Persian empire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''Men, the enemy troops you can see are all that stands between us and the place we have for so long been determined to reach. We must find a way to eat them alive!''The Expedition of Cyrus tells the story of the march of the Ten Thousand. The exploits of this famous army of Greek mercenaries in modern-day Turkey, Syria, and Iraq were described by one of their leaders, the Athenian historian and philosopher Xenophon. They were recruited at the end of the fifth century BC by a young Persian prince, Cyrus, who rose in revolt against his brother, the king of Persia. After Cyrus'' death, the army was left stranded in the desert of Mesopotamia, athousand miles from home. Their long march, across mountains and plateaux to the sight of ''The sea! The sea!'', and back to the fringes of the Greek world, is the most exciting adventure story to survive from the ancient world.Xenophon''s gripping narrative offers a unique insight into the character of a Greek army struggling to survive in an alien world. It is also the most sustained eyewitness account of the landscape of the vast and wealthy Persian empire.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

''Men, the enemy troops you can see are all that stands between us and the place we have for so long been determined to reach. We must find a way to eat them alive!''The Expedition of Cyrus tells the story of the march of the Ten Thousand. The exploits of this famous army of Greek mercenaries in modern-day Turkey, Syria, and Iraq were described by one of their leaders, the Athenian historian and philosopher Xenophon. They were recruited at the end of the fifth century BC by a young Persian prince, Cyrus, who rose in revolt against his brother, the king of Persia. After Cyrus'' death, the army was left stranded in the desert of Mesopotamia, athousand miles from home. Their long march, across mountains and plateaux to the sight of ''The sea! The sea!'', and back to the fringes of the Greek world, is the most exciting adventure story to survive from the ancient world.Xenophon''s gripping narrative offers a unique insight into the character of a Greek army struggling to survive in an alien world. It is also the most sustained eyewitness account of the landscape of the vast and wealthy Persian empire.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"War is a harsh teacher" wrote Thucydides in the fifth century BC. Rood analyses the techniques through which Thucydides' narrative explains the origin and course of the Peloponnesian War and exposes harsh truths about how individuals and states behave. Rood concentrates on how the use of techniques, such as selectivity, interaction of speech and narrative, and manipulation of time and perspective, points at one level to general human constraints, at another to the self-destructiveness of Athen's imperial power. The book explores some techniques that have received little attention and offers new ways of reading others; it gives new insight into Thucydides' sophistication and the way he relates to his predecessors. It is also important for its attempts to refute views that Thucydides' History is made up of different compositional strata or inspired by pro-Athenian bias. And it addresses directly the way modern historians use Thucydides,, contributes to the contemporary debate over narrative history, and shows the value of applying some of the concepts of recent narrative theory to historical texts.

`War is a harsh teache' wrote Thucydides in the fifth-century BC. Rood analyses the techniques through which Thucydides' narrative explains the origin and course of the Peloponnesian War and exposes harsh truths about how individuals and states behave. Rood concentrates on how the use of techniques, such as selectivity, interaction of speech and narrative, and manipulation of time and perspective, points at one level to general human constraints, at another to the self-destructiveness of Athens' imperial power. The book explores some techniques that have received little attention and offers new ways of reading others; it gives new insight into Thucydides' sophistication and the way he relates to his predecessors. It is also important for its attempts to refute views that Thucydides' History is made up of different compositional strata or inspired by pro-Athenian bias. And it addresses directly the way modern historians use Thucydides, contributes to the contemporary debate over narrative history, and shows the value of applying some of the concepts of recent narrative theory to historical texts.

The Marines' march up to Baghdad; Sherman's trail of destruction in Georgia; an army of Missouri volunteers trekking across the Great Plains to Mexico - this wide-ranging and imaginative book tells for the first time the story of how American armies from the sands of Iraq to the halls of the Montezumas have followed figuratively in the footsteps of the original "Anabasis", the famous Greek march into the interior of Asia made by Xenophon and the Ten Thousand in 400 BC. Starting with the Iraq War, Tim Rood turns back to the conquest of the American West and to the Civil War, showing how one of the most famous episodes in classical antiquity was first appropriated in the name of military expansion, and then used to express conficting responses to the most controversial campaign of the Civil War. Allusions to Xenophon in speeches, newspapers reports, and military memoirs are throughout read against Xenophon's own story. Taking in American culture from the fiction of Thomas Wolfe to the drawings of Cy Twombly, "American Anabasis" will be of interest to anyone who wants to discover why Xenophon's classical story has proved so rich a symbol for the American journey.

In this volume an international group of scholars revisits the themes of John Marincola's ground-breaking Authority and Tradition in Ancient Historiography. The nineteen chapters offer a series of case studies that explore how ancient historians' approaches to their projects were informed both by the pull of tradition and by the ambition to innovate. The key themes explored are the relation of historiography to myth and poetry; the narrative authority exemplified by Herodotus, the 'father' of history; the use of 'fictional' literary devices in historiography; narratorial self-presentation; and self-conscious attempts to shape the historiographical tradition in new and bold ways. The volume presents a holistic vision of the development of Greco-Roman historiography and the historian's dynamic position within this practice.

In this volume an international group of scholars revisits the themes of John Marincola's ground-breaking Authority and Tradition in Ancient Historiography. The nineteen chapters offer a series of case studies that explore how ancient historians' approaches to their projects were informed both by the pull of tradition and by the ambition to innovate. The key themes explored are the relation of historiography to myth and poetry; the narrative authority exemplified by Herodotus, the 'father' of history; the use of 'fictional' literary devices in historiography; narratorial self-presentation; and self-conscious attempts to shape the historiographical tradition in new and bold ways. The volume presents a holistic vision of the development of Greco-Roman historiography and the historian's dynamic position within this practice.

In this volume an international group of scholars revisits the themes of John Marincola''s ground-breaking Authority and Tradition in Ancient Historiography. The nineteen chapters offer a series of case studies that explore how ancient historians'' approaches to their projects were informed both by the pull of tradition and by the ambition to innovate. The key themes explored are the relation of historiography to myth and poetry; the narrative authority exemplified by Herodotus, the ''father'' of history; the use of ''fictional'' literary devices in historiography; narratorial self-presentation; and self-conscious attempts to shape the historiographical tradition in new and bold ways. The volume presents a holistic vision of the development of Greco-Roman historiography and the historian''s dynamic position within this practice.

In this volume an international group of scholars revisits the themes of John Marincola''s ground-breaking Authority and Tradition in Ancient Historiography. The nineteen chapters offer a series of case studies that explore how ancient historians'' approaches to their projects were informed both by the pull of tradition and by the ambition to innovate. The key themes explored are the relation of historiography to myth and poetry; the narrative authority exemplified by Herodotus, the ''father'' of history; the use of ''fictional'' literary devices in historiography; narratorial self-presentation; and self-conscious attempts to shape the historiographical tradition in new and bold ways. The volume presents a holistic vision of the development of Greco-Roman historiography and the historian''s dynamic position within this practice.

This is the first comprehensive commentary on a section of Xenophon's Anabasis in English for almost a century. It provides up-to-date guidance on literary, historical and cultural aspects of the Anabasis and will help undergraduate students to read Greek better. It also incorporates recent advances in Xenophontic scholarship and Greek linguistics, showcasing in particular Xenophon's linguistic innovations and varied style. Advanced students and professional scholars will also profit from the sustained attention which this commentary devotes to Xenophon's varied narrative strategies and to the reception of episodes from Anabasis III in antiquity. The introduction and commentary show that Xenophon is just as important (if not more so) to the development of Greek historiography, and of Greek prose in general, as Herodotus and Thucydides.

This is the first comprehensive commentary on a section of Xenophon's Anabasis in English for almost a century. It provides up-to-date guidance on literary, historical and cultural aspects of the Anabasis and will help undergraduate students to read Greek better. It also incorporates recent advances in Xenophontic scholarship and Greek linguistics, showcasing in particular Xenophon's linguistic innovations and varied style. Advanced students and professional scholars will also profit from the sustained attention which this commentary devotes to Xenophon's varied narrative strategies and to the reception of episodes from Anabasis III in antiquity. The introduction and commentary show that Xenophon is just as important (if not more so) to the development of Greek historiography, and of Greek prose in general, as Herodotus and Thucydides.

This is the first comprehensive commentary on a section of Xenophon''s Anabasis in English for almost a century. It provides up-to-date guidance on literary, historical and cultural aspects of the Anabasis and will help undergraduate students to read Greek better. It also incorporates recent advances in Xenophontic scholarship and Greek linguistics, showcasing in particular Xenophon''s linguistic innovations and varied style. Advanced students and professional scholars will also profit from the sustained attention which this commentary devotes to Xenophon''s varied narrative strategies and to the reception of episodes from Anabasis III in antiquity. The introduction and commentary show that Xenophon is just as important (if not more so) to the development of Greek historiography, and of Greek prose in general, as Herodotus and Thucydides.

This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term ‘anachronism’ as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book’s ambition is to offer a new conceptual map of antiquity through the notion of anachronism.

This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term ‘anachronism’ as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book’s ambition is to offer a new conceptual map of antiquity through the notion of anachronism.

This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term ''anachronism'' as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book''s ambition is to offer a new conceptual map of antiquity through the notion of anachronism.

This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term ''anachronism'' as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book''s ambition is to offer a new conceptual map of antiquity through the notion of anachronism.

Historical Consciousness and the Use of the Past in the Ancient World offers linked essays on uses of the past in prominent and diverse cultures in ancient civilizations across the world. The contributors are leading experts in Ancient Near Eastern Studies, Sinology, Biblical Studies, Classics, and Maya Studies. This volume addresses crucial questions in current scholarship on historical consciousness and historiography. These questions include the formation of different traditions and the manifold uses of the past in particular socio-political contexts or circumstances; the ways in which these traditions and these types of cultural memory informed or contributed to the rise of more formal modes of historiography; interactions between formal modes of historiography and other traditions of historical consciousness during their transmission; and the implications of such interactions for cultural heritage, collective memory, and later understandings of history. By taking an interdisciplinary approach, this volume situates the rise of formal modes of historiography within a larger context of developments in historical consciousness and a wider web of intercommunicating discourses. It also uncovers intellectual processes, literary mechanisms, and social institutions involved in the construction of history. During the construction of ancient historiographies, while many local traditions persisted, some ancients gradually went beyond the temporal and spatial limitations of their local traditions, arriving at a more extended and unified timespan, a wider geographical region, and a common origin.

Historical Consciousness and the Use of the Past in the Ancient World offers linked essays on uses of the past in prominent and diverse cultures in ancient civilizations across the world. The contributors are leading experts in Ancient Near Eastern Studies, Sinology, Biblical Studies, Classics, and Maya Studies. This volume addresses crucial questions in current scholarship on historical consciousness and historiography. These questions include the formation of different traditions and the manifold uses of the past in particular socio-political contexts or circumstances; the ways in which these traditions and these types of cultural memory informed or contributed to the rise of more formal modes of historiography; interactions between formal modes of historiography and other traditions of historical consciousness during their transmission; and the implications of such interactions for cultural heritage, collective memory, and later understandings of history. By taking an interdisciplinary approach, this volume situates the rise of formal modes of historiography within a larger context of developments in historical consciousness and a wider web of intercommunicating discourses. It also uncovers intellectual processes, literary mechanisms, and social institutions involved in the construction of history. During the construction of ancient historiographies, while many local traditions persisted, some ancients gradually went beyond the temporal and spatial limitations of their local traditions, arriving at a more extended and unified timespan, a wider geographical region, and a common origin.

This volume constitutes the first large-scale collaborative reflection on Xenophon’s Anabasis, gathering experts on Greek historiography and Xenophon. It is structured in three sections: the first section provides a linear reading of the Anabasis through chapters on select episodes (from Book 1 through Book 7), including the opening, Cyrus’ characterisation, the meeting of Socrates and Xenophon, Xenophon’s leadership, the marches through Armenia and along the Black Sea coast and the service under Seuthes in Thrace.The second section offers an in-depth exploration of hitherto overlooked recurrent themes. Based on new approaches and scholarly trends, it focuses on topics such as the concept of friendship, the speeches of characters other than Xenophon, the suffering of the human body, the role of rumour and misrepresentation, and the depiction of emotions.The third section offers a more thorough investigation of the manifold reception of this work (in Antiquity, Byzantium, Renaissance, modern period, in cinema studies and illustrations).Finally, in acknowledgement of the Anabasis’ long history as a pedagogical text, the volume contains an envoi on the importance and benefits of teaching Xenophon and the Anabasis, more specifically.

This volume constitutes the first large-scale collaborative reflection on Xenophon’s Anabasis, gathering experts on Greek historiography and Xenophon. It is structured in three sections: the first section provides a linear reading of the Anabasis through chapters on select episodes (from Book 1 through Book 7), including the opening, Cyrus’ characterisation, the meeting of Socrates and Xenophon, Xenophon’s leadership, the marches through Armenia and along the Black Sea coast and the service under Seuthes in Thrace.The second section offers an in-depth exploration of hitherto overlooked recurrent themes. Based on new approaches and scholarly trends, it focuses on topics such as the concept of friendship, the speeches of characters other than Xenophon, the suffering of the human body, the role of rumour and misrepresentation, and the depiction of emotions.The third section offers a more thorough investigation of the manifold reception of this work (in Antiquity, Byzantium, Renaissance, modern period, in cinema studies and illustrations).Finally, in acknowledgement of the Anabasis’ long history as a pedagogical text, the volume contains an envoi on the importance and benefits of teaching Xenophon and the Anabasis, more specifically.

This volume constitutes the first large-scale collaborative reflection on Xenophon’s Anabasis, gathering experts on Greek historiography and Xenophon. It is structured in three sections: the first section provides a linear reading of the Anabasis through chapters on select episodes (from Book 1 through Book 7), including the opening, Cyrus’ characterisation, the meeting of Socrates and Xenophon, Xenophon’s leadership, the marches through Armenia and along the Black Sea coast and the service under Seuthes in Thrace.The second section offers an in-depth exploration of hitherto overlooked recurrent themes. Based on new approaches and scholarly trends, it focuses on topics such as the concept of friendship, the speeches of characters other than Xenophon, the suffering of the human body, the role of rumour and misrepresentation, and the depiction of emotions.The third section offers a more thorough investigation of the manifold reception of this work (in Antiquity, Byzantium, Renaissance, modern period, in cinema studies and illustrations).Finally, in acknowledgement of the Anabasis’ long history as a pedagogical text, the volume contains an envoi on the importance and benefits of teaching Xenophon and the Anabasis, more specifically.