Timothy Johnson - Böcker

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Word problems? No problem!! Be prepared when you get to the word-problem section of your test with "Schaum's How to Solve Word Problems in Algebra!" With this easy-to-use pocket guide, solving word problems in algebra become almost fun. This anxiety-quelling guide helps you get ready for those daunting word problems, one step at a time. With fully explained examples, it shows you how easy it can be to translate word problems into solvable algebraic formulas - and get the answers right! You get complete directions for solving problems that involve time, money distance, work, and more. There's no algebra word problem too tough for "How to Solve Word Problems in Algebra!"

In 1914, the Ford Motor Company opened its Motion Picture Laboratory, an in-house operation that produced motion pictures to educate its workforce and promote its products. Just six years later, Ford films had found their way into schools and newsreels, travelogues, and even feature films in theaters across the country. It is estimated that by 1961, the company’s movies had captured an audience of sixty-four million people.This study of Ford’s corporate film program traces its growth and rise in prominence in corporate America. Drawing on nearly three hundred hours of material produced between 1914 and 1954, Timothy Johnson chronicles the history of Ford’s filmmaking campaign and analyzes selected films, visual and narrative techniques, and genres. He shows how what began as a narrow educational initiative grew into a global marketing strategy that presented a vision not just of Ford or corporate culture but of American life more broadly. In these films, Johnson uncovers a powerful rhetoric that Ford used to influence American labor, corporate style, production practices, road building, suburbanization, and consumer culture. The company’s early and continued success led other corporations to adopt similar programs.Persuasive and thoroughly researched, Rhetoric, Inc. documents the role that imagery and messaging played in the formation of the modern American corporation and provides a glimpse into the cultural turn to the economy as a source of entertainment, value, and meaning.

In 1914, the Ford Motor Company opened its Motion Picture Laboratory, an in-house operation that produced motion pictures to educate its workforce and promote its products. Just six years later, Ford films had found their way into schools and newsreels, travelogues, and even feature films in theaters across the country. It is estimated that by 1961, the company’s movies had captured an audience of sixty-four million people.This study of Ford’s corporate film program traces its growth and rise in prominence in corporate America. Drawing on nearly three hundred hours of material produced between 1914 and 1954, Timothy Johnson chronicles the history of Ford’s filmmaking campaign and analyzes selected films, visual and narrative techniques, and genres. He shows how what began as a narrow educational initiative grew into a global marketing strategy that presented a vision not just of Ford or corporate culture but of American life more broadly. In these films, Johnson uncovers a powerful rhetoric that Ford used to influence American labor, corporate style, production practices, road building, suburbanization, and consumer culture. The company’s early and continued success led other corporations to adopt similar programs.Persuasive and thoroughly researched, Rhetoric, Inc. documents the role that imagery and messaging played in the formation of the modern American corporation and provides a glimpse into the cultural turn to the economy as a source of entertainment, value, and meaning.

Horace's later lyric poetry, ""Odes IV"", which focuses on praising Augustus, the imperial family, and other political insiders, has often been treated more as propaganda than art. But, the author, here, examines the richly textured ambiguities of ""Odes IV"".

This collection of essays examines the polyvalent concept of "New Worlds" in the context of medieval and early modern sermon studies. While the terms "Old World" and "New World" are commonplace in studies of Europe and the Americas, this volume explores how preaching in the Atlantic world and beyond creatively engaged audiences in addressing new cultural and religious perspectives regardless of their geographical location and time period. The identification of the "other" in sermons is already an implicit recognition of a novel world, which could be equally enticing and intimidating. The scholars represented in this volume examine a wide panorama of medieval and early modern efforts as they identify how sermons, which often served as a highly effective media of mass communication, reflect shifting identities, sometimes contested and sometimes embraced, within long-standing traditional constructs. Particular themes include apocalypticism, art and mission, cultural interaction, multilingualism, forms of religious life, and theological innovation.

How to Rehearse a Scene: Progressive Exercises to Enhance Scene Work provides detailed exercises and assignments that will imaginatively and artistically enhance an actor’s scene process work from start to finish.This book offers original and traditional scene exercises for use in rehearsal and in the classroom. From an actor’s first read-through of the play working alone to rehearsals with a scene partner, the structure of each exercise and assignment becomes “the teacher in the room,” detailing what the actor can do to make specific and personal discoveries that will continually empower them to grow throughout their scene process work. The book is divided into progressive sections with thorough exercise instructions. The book also includes scene partner etiquette, a suggested rehearsal schedule, tips for teaching the material, and reflections highlighting the author’s personal and professional experiences that relate to the exercises and the work of being an artist.This book is written for students in acting courses, professional actors, and teachers of acting. It will also be of interest and assistance to directors.

How to Rehearse a Scene: Progressive Exercises to Enhance Scene Work provides detailed exercises and assignments that will imaginatively and artistically enhance an actor’s scene process work from start to finish.This book offers original and traditional scene exercises for use in rehearsal and in the classroom. From an actor’s first read-through of the play working alone to rehearsals with a scene partner, the structure of each exercise and assignment becomes “the teacher in the room,” detailing what the actor can do to make specific and personal discoveries that will continually empower them to grow throughout their scene process work. The book is divided into progressive sections with thorough exercise instructions. The book also includes scene partner etiquette, a suggested rehearsal schedule, tips for teaching the material, and reflections highlighting the author’s personal and professional experiences that relate to the exercises and the work of being an artist.This book is written for students in acting courses, professional actors, and teachers of acting. It will also be of interest and assistance to directors.

This collection of essays examines the polyvalent concept of "New Worlds" in the context of medieval and early modern sermon studies. While the terms "Old World" and "New World" are commonplace in studies of Europe and the Americas, this volume explores how preaching in the Atlantic world and beyond creatively engaged audiences in addressing new cultural and religious perspectives regardless of their geographical location and time period. The identification of the "other" in sermons is already an implicit recognition of a novel world, which could be equally enticing and intimidating. The scholars represented in this volume examine a wide panorama of medieval and early modern efforts as they identify how sermons, which often served as a highly effective media of mass communication, reflect shifting identities, sometimes contested and sometimes embraced, within long-standing traditional constructs. Particular themes include apocalypticism, art and mission, cultural interaction, multilingualism, forms of religious life, and theological innovation.

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This book presents an ethical theory for financial transactions that underpins the stability of modern economies. It combines elements from history, ethics, economics and mathematics to show how these combined can be used to develop a pragmatic theory of financial markets.Written in three sections; section one examines the co-evolution of finance and mathematics in an ethical context by focusing on three periods: pre-Socratic Greece, Western Europe in the thirteenth century and North-western Europe in the seventeenth century to demonstrate how the historical development of markets and finance were critical in the development of European ideas of science and democracy. Section two interprets the evidence presented in section one to provide examples of the norms reciprocity, sincerity and charity and introduce the pragmatic theory. Section three uses the pragmatic theory to interpret recent financial crises, address emergent phenomena and relate the theory to alternative contemporary theories of markets.Presenting a unique synthesis of mathematical and behavioural approaches to finance this book provides explicit ethical guidance that will be of interest to academics and practitioners alike.

This book presents an ethical theory for financial transactions that underpins the stability of modern economies. It combines elements from history, ethics, economics and mathematics to show how these combined can be used to develop a pragmatic theory of financial markets.Written in three sections; section one examines the co-evolution of finance and mathematics in an ethical context by focusing on three periods: pre-Socratic Greece, Western Europe in the thirteenth century and North-western Europe in the seventeenth century to demonstrate how the historical development of markets and finance were critical in the development of European ideas of science and democracy. Section two interprets the evidence presented in section one to provide examples of the norms reciprocity, sincerity and charity and introduce the pragmatic theory. Section three uses the pragmatic theory to interpret recent financial crises, address emergent phenomena and relate the theory to alternative contemporary theories of markets.Presenting a unique synthesis of mathematical and behavioural approaches to finance this book provides explicit ethical guidance that will be of interest to academics and practitioners alike.

Medieval Franciscans prayed in hermitages and churches, on the road and in the piazza, with song and silence. The unique stories of these men and women, as their engaging texts, stunning architecture and breath-taking artwork suggest, are narratives of souls, enfleshed in their respective worlds of the leprosarium, university, or itinerant preaching. The essays in this book foster a nuanced perspective on Franciscan beliefs and spiritual practices by resisting the temptation to reduce their myriad accounts of prayer to an exclusive, univocal spirituality. By displaying the breadth and depth of these medieval Franciscans at prayer, these essays challenge contemporary readers to look anew at this “cloud of witnesses” from the past, who, both lay and religious, promoted a diversity of spiritual expression that found a familial focus in their mutual passion for the divine and the world they shared.