Timothy Webb – författare

The Autobiography of Leigh Hunt has been taken at face-value by generations of readers and social historians. It is justly celebrated for its accounts of Hunt's experience as an eighteenth-century pupil at Christ's Hospital (which can be compared to those of Coleridge and Hunt's friend Charles Lamb); the transformation of his prison cell and garden at Horsemonger Lane and, more generally, his experience of imprisonment; Shelley's last days and his cremation on the beach at La Spezia; many memorable theatrical performances; the politically-charged drama of the law courts; the varieties of London (to which, as a proudly defiant 'Cockney', Hunt deliberately arrogated a particular significance); the shifting and sometimes terrifying realities of a sea-voyage; and Hunt's intimate perspectives into the lives of Shelley, Byron, Keats, Lamb, Moore, and many others. Yet, as this edition demonstrates, Hunt's Autobiography is a strategically constructed work which often proceeded through a number of stages before reaching a final equilibrium. For the first time since the book appeared in 1850, this text follows the version of the first edition, by which Hunt was generally known to his contemporaries, rather than the revised version of 1860, which was published after his death.

New editions and facsimiles of Percy Bysshe Shelley's works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb's 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley's oeuvre, including the poet's earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley's collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley's considerable corpus of fragments is well-represented in contributions on the later narrative fiction, 'Athanase'/'Prince Athanase', and the significant group of unfinished poems, including 'Mazenghi', 'Fiordispina', 'Ginevra' and 'The Boat on the Serchio', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet's apparently slighter works are important in their own right and are richly instructive as expressions of Shelley's developing art of composition and the diverse interests he pursued throughout his career.

Stimulated by new editions of Shelley's writings and the evidence of notebooks, the editors have assembled an outstanding group of international Shelley scholars to work through the implications of recent advances in scholarship. With particular attention to texts that have been neglected or underestimated, the contributors consider many important aspects of Shelley's prolific and remarkably diverse output, including the verse letter, plays, prose essays, satire, pamphlets, political verse, romance, prefaces, translations from the Greek, prose style, artistic representations, fragments and early writings. Revaluations of Shelley's youthful works, often criticized for their over-exuberance, pay dividends as they reveal Shelley's early maturation as a writer and also shed light on his later achievement. Taken as a whole, the collection makes evident that Shelley's reputation has been based largely on surprisingly imperfect and incomplete edited publications, driven by Victorian taste and culture. A writer very different from the one we thought we knew emerges from these essays, which are sure to inspire more reappraisals of Shelley's work.

Stimulated by new editions of Shelley's writings and the evidence of notebooks, the editors have assembled an outstanding group of international Shelley scholars to work through the implications of recent advances in scholarship. With particular attention to texts that have been neglected or underestimated, the contributors consider many important aspects of Shelley's prolific and remarkably diverse output, including the verse letter, plays, prose essays, satire, pamphlets, political verse, romance, prefaces, translations from the Greek, prose style, artistic representations, fragments and early writings. Revaluations of Shelley's youthful works, often criticized for their over-exuberance, pay dividends as they reveal Shelley's early maturation as a writer and also shed light on his later achievement. Taken as a whole, the collection makes evident that Shelley's reputation has been based largely on surprisingly imperfect and incomplete edited publications, driven by Victorian taste and culture. A writer very different from the one we thought we knew emerges from these essays, which are sure to inspire more reappraisals of Shelley's work.

New editions and facsimiles of Percy Bysshe Shelley''s works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb''s 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley''s oeuvre, including the poet''s earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley''s collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley''s considerable corpus of fragments is well-represented in contributions on the later narrative fiction, ''Athanase''/''Prince Athanase'', and the significant group of unfinished poems, including ''Mazenghi'', ''Fiordispina'', ''Ginevra'' and ''The Boat on the Serchio'', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet''s apparently slighter works are important in their own right and are richly instructive as expressions of Shelley''s developing art of composition and the diverse interests he pursued throughout his career.

New editions and facsimiles of Percy Bysshe Shelley''s works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb''s 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley''s oeuvre, including the poet''s earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley''s collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley''s considerable corpus of fragments is well-represented in contributions on the later narrative fiction, ''Athanase''/''Prince Athanase'', and the significant group of unfinished poems, including ''Mazenghi'', ''Fiordispina'', ''Ginevra'' and ''The Boat on the Serchio'', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet''s apparently slighter works are important in their own right and are richly instructive as expressions of Shelley''s developing art of composition and the diverse interests he pursued throughout his career.

First published in 1997. This is noted as Volume XIX of the Bodleian Shelley Manuscripts and included drafts of ''Scences from the Faust of Goethe'', ''Ginevra'', ''Scenes for the Magico Prodigioso of Calderon'' and more. This volume also includes commentaries and annotations combining wide-range scholarship, encompassing a large portion of the best that has been known and thought about Shelley and his writing from his day to ours, with speculations and re-evaluations of the accepted truths of Shelley studies.

Stimulated by new editions of Shelley''s writings and the evidence of notebooks, the editors have assembled an outstanding group of international Shelley scholars to work through the implications of recent advances in scholarship. With particular attention to texts that have been neglected or underestimated, the contributors consider many important aspects of Shelley''s prolific and remarkably diverse output, including the verse letter, plays, prose essays, satire, pamphlets, political verse, romance, prefaces, translations from the Greek, prose style, artistic representations, fragments and early writings. Revaluations of Shelley''s youthful works, often criticized for their over-exuberance, pay dividends as they reveal Shelley''s early maturation as a writer and also shed light on his later achievement. Taken as a whole, the collection makes evident that Shelley''s reputation has been based largely on surprisingly imperfect and incomplete edited publications, driven by Victorian taste and culture. A writer very different from the one we thought we knew emerges from these essays, which are sure to inspire more reappraisals of Shelley''s work.

Stimulated by new editions of Shelley''s writings and the evidence of notebooks, the editors have assembled an outstanding group of international Shelley scholars to work through the implications of recent advances in scholarship. With particular attention to texts that have been neglected or underestimated, the contributors consider many important aspects of Shelley''s prolific and remarkably diverse output, including the verse letter, plays, prose essays, satire, pamphlets, political verse, romance, prefaces, translations from the Greek, prose style, artistic representations, fragments and early writings. Revaluations of Shelley''s youthful works, often criticized for their over-exuberance, pay dividends as they reveal Shelley''s early maturation as a writer and also shed light on his later achievement. Taken as a whole, the collection makes evident that Shelley''s reputation has been based largely on surprisingly imperfect and incomplete edited publications, driven by Victorian taste and culture. A writer very different from the one we thought we knew emerges from these essays, which are sure to inspire more reappraisals of Shelley''s work.

New editions and facsimiles of Percy Bysshe Shelley's works are changing the landscape of Shelley studies by making complete compositions and fragments that have received only limited critical attention readily available to scholars. Building on the work begun in Weinberg and Webb's 2009 volume, The Unfamiliar Shelley, The Neglected Shelley sheds light on the breadth and depth of Shelley's oeuvre, including the poet's earliest work, written when he was not yet twenty and was experimenting with gothic romances, and other striking forms of literary expression, such as two collections of provocative verse. There are discussions of Shelley's collaboration with Mary Shelley in the composition of Frankenstein, and his skill as a translator of Greek poetry and drama, reflecting his urgent concern with Greek culture. His contributions to prose are the focus of essays on his letters, the subversive notes to Queen Mab, and his complex engagement with Jewish culture. Shelley's considerable corpus of fragments is well-represented in contributions on the later narrative fiction, 'Athanase'/'Prince Athanase', and the significant group of unfinished poems, including 'Mazenghi', 'Fiordispina', 'Ginevra' and 'The Boat on the Serchio', that treat Italian topics. Finally, there are explorations of subtle though neglected or underestimated works such as Rosalind and Helen, The Sensitive-Plant, and the verse-drama Hellas. The Neglected Shelley shows that even the poet's apparently slighter works are important in their own right and are richly instructive as expressions of Shelley's developing art of composition and the diverse interests he pursued throughout his career.