Ulrike Hascher-Burger – författare

This volume deals with the music of the Devotio moderna, an influential religious movement in Northern Europe during the late Middle Ages. As its point of departure it takes a unique source from the second half of the fifteenth century, manuscript 16 H 34 (olim B 113) from the University library of Utrecht, which was hitherto largely unknown.Five studies deal with the codicological construction, the systems of notation, the function, liturgical and paraliturgical aspects and the polyphonic arrangements of the songs.The multi-disciplinary approach of this research makes the volume a valuable source for anyone interested in the Devotio moderna movement, especially musicologists, codicologists and (church-)historians. This volume is illustrated with many facsimiles from the manuscript and contains an edition of all the music of MS.16 H34.

This volume concerns a music manuscript written at the end of the fifteenth century and associated with the Brethren of the Common Life at Zwolle. The manuscript is bound together with an incunable containing one of the most influential theological treatises of the Devotio moderna: the De spiritualibus ascensionibus of Gerard Zerbolt of Zutphen. The music manuscript contains 25 one-part hymns and two text excerpts on the Four Last Things (death, judgement, heaven, and hell), the core theme of the Brethren’s penitential meditation. The book deals with the codicological construction of the book, the transmission, and the function of the songs in their context of the practice of pentitential meditation. The multidisciplinary study makes an important contribution to research on hymns in the late Middle Ages as well as on the music and spirituality of the Devotio moderna.

For centuries, the relation between lay piety and academic theology has determined the faith of lay people as well as developments in theology, and influenced daily life as well as scholarly discussions. In this book an international and multidisciplinary panel of specialists, covering the fields of church history, history of literature, music history, book history, and art history reflects on a broad range of research topics, providing a fascinating and refreshing view on what this relation has been throughout the centuries.Christoph Burger has given a major impulse to the research into the history of theology, notably the issue of adapting academic theology for lay people. The contributions to this Festschrift reflect this broad spectrum of correlations between learned theology and lay piety from the Early Church period until modern times. The book contains contributions to the research on lay piety as well as academic theology in the Middle Ages, Reformation, and the modern period, as well as their representations in such media as printed books and woodcuts. The result is a truly epoch-transcending and interdisciplinary volume.