Velcheru Narayana Rao – författare

The devotional poems of Annamayya (15th century) are perhaps the most accessible and universal achievement of classical Telugu literature, one of the major literatures of pre-modern India. Annamayya effectively created and popularized a new genre, the short padam song, which spread throughout the Telugu and Tamil regions and would become an important vehicle for the composition of Carnatic music - the classical music of South India. In this book, Velcheru Narayana Rao and David Shulman offer translations of nearly 100 of Annamayya''s poems. All of them are addressed to the god associated with the famous temple city of Tirupati -- Annamayya''s home. This deity is sometimes referred to as "god on the hill" or "lord of the seven hills." The poems are couched in a simple and approachable language invented by Annamayya for this purpose and fall into two major categories, the erotic and the metaphysical. The erotic poems, usually in the female voice, sing of the complexities of the god''s love life. The metaphysical poems are sung in the poet''s own voice and explore the relationship between the poet and his god. Though a small sample of Annamayya''s surviving corpus, the selection in this volume suggests the scope of both genres. Rao and Shulman''s elegant and lyrical modern translations of these beautiful and moving verses are wonderfully readable as poetry in their own right. The Afterword enriches the reader''s understanding, providing historical context and returning us to the poems themselves with a deeper appreciation.

The devotional poems of Annamaya (15th century) are perhaps the most accessible and universal achievement of classical Telugu literature, one of the major literatures of pre-modern India. Annamaya effectively created and popularized a new genre, the short padam song, which spread throughout the Telugu and Tamil regions and would become an important vehicle for the composition of Carnatic music - the classical music of South India. In this book, Rao and Shulman offer translations of 150 of Annamaya's poems, which are wonderfully readable as poetry in their own right.

The devotional poems of Annamayya (15th century) are perhaps the most accessible and universal achievement of classical Telugu literature, one of the major literatures of pre-modern India. Annamayya effectively created and popularized a new genre, the short padam song, which spread throughout the Telugu and Tamil regions and would become an important vehicle for the composition of Carnatic music - the classical music of South India. In this book, Velcheru Narayana Rao and David Shulman offer translations of nearly 100 of Annamayya''s poems. All of them are addressed to the god associated with the famous temple city of Tirupati -- Annamayya''s home. This deity is sometimes referred to as "god on the hill" or "lord of the seven hills." The poems are couched in a simple and approachable language invented by Annamayya for this purpose and fall into two major categories, the erotic and the metaphysical. The erotic poems, usually in the female voice, sing of the complexities of the god''s love life. The metaphysical poems are sung in the poet''s own voice and explore the relationship between the poet and his god. Though a small sample of Annamayya''s surviving corpus, the selection in this volume suggests the scope of both genres. Rao and Shulman''s elegant and lyrical modern translations of these beautiful and moving verses are wonderfully readable as poetry in their own right. The Afterword enriches the reader''s understanding, providing historical context and returning us to the poems themselves with a deeper appreciation.

David Shulman and Velcheru Narayana Rao offer a groundbreaking cultural biography of Srinatha, arguably the most creative figure in the thousand-year history of Telugu literature. This fourteenth- and fifteenth-century poet revolutionized the classical tradition and effectively created the classical genre of sustained, thematically focused, coherent large-scale compositions. Some of his works are proto-novellas: self-consciously fictional, focused on the development of characters, and endowed with compelling, fast-paced plots. Though entirely rooted in the cultural world of medieval south India, Srinatha is a poet of universal resonance and relevance. Srinatha: The Poet who Made Gods and Kings provides extended translations of Srinatha's major works and shows how the poet bridged gaps between oral (improvised) poetry and fixed literary works; between Telugu and the classical, pan-Indian language of Sanskrit; and between local and trans-local cultural contexts. Srinatha is a protean figure whose biography served the later literary tradition as a model and emblem for primary themes of Telugu culture, including the complex relations between sensual and erotic excess and passionate devotion to the temple god. He established himself as an ''Emperor of Poets'' who could make or break a great king and who, by encompassing the entire, vast geographical range of Andhra and Telugu speech, invented the idea of a comprehensive south Indian political empire (realized after his death by the Vijayanagara kings). In this wide-ranging and perceptive study, Shulman and Rao show Srinatha's place in a great classical tradition in a moment of profound cultural transformation.

David Shulman and Velcheru Narayana Rao offer a groundbreaking cultural biography of Srinatha, arguably the most creative figure in the thousand-year history of Telugu literature. Their study, which includes extensive translations of Srinatha''s major works, shows the poet''s place in a great classical tradition in a moment of profound cultural transformation.

David Shulman and Velcheru Narayana Rao offer a groundbreaking cultural biography of Srinatha, arguably the most creative figure in the thousand-year history of Telugu literature. This fourteenth- and fifteenth-century poet revolutionized the classical tradition and effectively created the classical genre of sustained, thematically focused, coherent large-scale compositions. Some of his works are proto-novellas: self-consciously fictional, focused on the development of characters, and endowed with compelling, fast-paced plots. Though entirely rooted in the cultural world of medieval south India, Srinatha is a poet of universal resonance and relevance. Srinatha: The Poet who Made Gods and Kings provides extended translations of Srinatha's major works and shows how the poet bridged gaps between oral (improvised) poetry and fixed literary works; between Telugu and the classical, pan-Indian language of Sanskrit; and between local and trans-local cultural contexts. Srinatha is a protean figure whose biography served the later literary tradition as a model and emblem for primary themes of Telugu culture, including the complex relations between sensual and erotic excess and passionate devotion to the temple god. He established himself as an ''Emperor of Poets'' who could make or break a great king and who, by encompassing the entire, vast geographical range of Andhra and Telugu speech, invented the idea of a comprehensive south Indian political empire (realized after his death by the Vijayanagara kings). In this wide-ranging and perceptive study, Shulman and Rao show Srinatha's place in a great classical tradition in a moment of profound cultural transformation.

First staged in 1892, the South Indian play Girls for Sale (Kanyasulkam) is considered the greatest modern work of Telugu literature and the first major drama written in an Indian language that critiqued British colonialism's effects on Indian society. Filled with humor, biting social commentary, parody, and masquerade, the plot revolves around a clever courtesan, a young widow, and a very old man who wants to buy as his wife a very young girl. Velcheru Narayana Rao has prepared the first idiomatic English translation, with notes and a critical essay. Itself a masterpiece of Indian literature in translation, this edition makes Apparao's work available to new audiences.

How is it that this woman's breasts glimmer so clearly through her saree? Can't you guess, my friends? What are they but rays from the crescents left by the nails of her lover pressing her in his passion, rays now luminous as the moonlight of a summer night? These South Indian devotional poems show the dramatic use of erotic language to express a religious vision. Written by men during the fifteenth to eighteenth century, the poems adopt a female voice, the voice of a courtesan addressing her customer. That customer, it turns out, is the deity, whom the courtesan teases for his infidelities and cajoles into paying her more money. Brazen, autonomous, fully at home in her body, she merges her worldly knowledge with the deity's transcendent power in the act of making love. This volume is the first substantial collection in English of these Telugu writings, which are still part of the standard repertoire of songs used by classical South Indian dancers. A foreword provides context for the poems, investigating their religious, cultural, and historical significance. Explored, too, are the attempts to contain their explicit eroticism by various apologetic and rationalizing devices.The translators, who are poets as well as highly respected scholars, render the poems with intelligence and tenderness. Unusual for their combination of overt eroticism and devotion to God, these poems are a delight to read.

A Poem at the Right Moment collects, and preserves, poems—called catus—that have circulated orally for centuries in South India. The poems are remarkable for their wit and precision, their lyrical insight on the commonplace, their fascination with sensual experience, and their exploration of the connection between language and desire. Taken together the catus offer a penetrating critical vision and an understanding of the classical traditions of Telugu, Tamil, and Sanskrit.Each poem is presented in a contemporary English translation along with the Indian-language original. An introduction and a concluding essay explore in detail the stories and texts that comprise the catu system.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

For the Lord of the Animals: Poems from the Telugu offers an insightful translation of The Kalahastisvara Satakamu by the 16th-century poet Dhurjati, a prominent figure in the devotional poetry tradition of Andhra Pradesh. Set in the sacred temple town of Kalahasti, dedicated to the god Shiva, the work showcases Dhurjati's emotional devotion to Srikajahastisvara, the Lord of Kalahasti. Drawing from rich Shaivite legends, including the stories of a spider, snake, and elephant each offering their unique devotion to Shiva, the poems reveal deep philosophical reflections, personal meditations on life, sensuality, death, and divine intervention. The poet’s raw emotions, social commentary, and critique of authority, particularly kings and gurus, make the Satakamu a significant piece of Telugu literature that transcends mere religious worship and becomes a reflection of human struggle and self-examination.The translation captures the essence of these devotional poems, often written in ornate, classical meters, by focusing on the meaning and emotional flow rather than rigid adherence to formal metrical patterns. By balancing Sanskrit and Telugu elements, the poems convey an interplay of elevated spiritual language and colloquial expressions, giving them a layered depth. Through these carefully crafted verses, Dhurjati’s poems not only offer praise to the god of Kalahasti but also engage in profound reflections on existence, societal structures, and the relationship between man and divinity. With this work, the reader is introduced to a unique blend of personal lyricism and devotional fervor, inviting both spiritual insight and a deeper understanding of the human condition.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

For the Lord of the Animals: Poems from the Telugu offers an insightful translation of The Kalahastisvara Satakamu by the 16th-century poet Dhurjati, a prominent figure in the devotional poetry tradition of Andhra Pradesh. Set in the sacred temple town of Kalahasti, dedicated to the god Shiva, the work showcases Dhurjati's emotional devotion to Srikajahastisvara, the Lord of Kalahasti. Drawing from rich Shaivite legends, including the stories of a spider, snake, and elephant each offering their unique devotion to Shiva, the poems reveal deep philosophical reflections, personal meditations on life, sensuality, death, and divine intervention. The poet’s raw emotions, social commentary, and critique of authority, particularly kings and gurus, make the Satakamu a significant piece of Telugu literature that transcends mere religious worship and becomes a reflection of human struggle and self-examination. The translation captures the essence of these devotional poems, often written in ornate, classical meters, by focusing on the meaning and emotional flow rather than rigid adherence to formal metrical patterns. By balancing Sanskrit and Telugu elements, the poems convey an interplay of elevated spiritual language and colloquial expressions, giving them a layered depth. Through these carefully crafted verses, Dhurjati’s poems not only offer praise to the god of Kalahasti but also engage in profound reflections on existence, societal structures, and the relationship between man and divinity. With this work, the reader is introduced to a unique blend of personal lyricism and devotional fervor, inviting both spiritual insight and a deeper understanding of the human condition. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

A Poem at the Right Moment collects, and preserves, poems—called catus—that have circulated orally for centuries in South India. The poems are remarkable for their wit and precision, their lyrical insight on the commonplace, their fascination with sensual experience, and their exploration of the connection between language and desire. Taken together the catus offer a penetrating critical vision and an understanding of the classical traditions of Telugu, Tamil, and Sanskrit.Each poem is presented in a contemporary English translation along with the Indian-language original. An introduction and a concluding essay explore in detail the stories and texts that comprise the catu system.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

For the Lord of the Animals: Poems from the Telugu offers an insightful translation of The Kalahastisvara Satakamu by the 16th-century poet Dhurjati, a prominent figure in the devotional poetry tradition of Andhra Pradesh. Set in the sacred temple town of Kalahasti, dedicated to the god Shiva, the work showcases Dhurjati's emotional devotion to Srikajahastisvara, the Lord of Kalahasti. Drawing from rich Shaivite legends, including the stories of a spider, snake, and elephant each offering their unique devotion to Shiva, the poems reveal deep philosophical reflections, personal meditations on life, sensuality, death, and divine intervention. The poet’s raw emotions, social commentary, and critique of authority, particularly kings and gurus, make the Satakamu a significant piece of Telugu literature that transcends mere religious worship and becomes a reflection of human struggle and self-examination.The translation captures the essence of these devotional poems, often written in ornate, classical meters, by focusing on the meaning and emotional flow rather than rigid adherence to formal metrical patterns. By balancing Sanskrit and Telugu elements, the poems convey an interplay of elevated spiritual language and colloquial expressions, giving them a layered depth. Through these carefully crafted verses, Dhurjati’s poems not only offer praise to the god of Kalahasti but also engage in profound reflections on existence, societal structures, and the relationship between man and divinity. With this work, the reader is introduced to a unique blend of personal lyricism and devotional fervor, inviting both spiritual insight and a deeper understanding of the human condition.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

Essays on Telugu and South Indian literature and culture by distinguished Telugu scholar Narayana Rao.Velcheru Narayana Rao's contribution to understanding Indian cultural history, literary production, and intellectual life-specifically from the vantage of the Andhra region-has few parallels. He is one of the very rare scholars to be able to reflect magisterially on the precolonial and colonial periods. He moves easily between Sanskrit and the vernacular traditions, and between the worlds of orality and script. This is because of his mastery of the "classical" Telugu tradition. As Sanjay Subrahmanyam puts it in his Introduction, "To command nearly a thousand years of a literary tradition is no small feat, but more important still is VNR's ability constantly to offer fresh readings and provocative frameworks for interpretation."The essays and reflections in Text and Tradition in South India bring together the diverse and foundational contributions made by Narayana Rao to the rewriting of India's cultural and literary history. The book is for anyone interested in the history of Indian ideas, the social and cultural history of South India, and the massive intellectual traditions of the subcontinent.

The book looks at the three major Nayaka states--ruled from Senji, Tanjavur and Madurai, Tiruccirappalli--as well as at minor states located at their periphery. While these states had differing life-spans, developmental patterns, geo-ecological environments, and distinct forms of historical experience, they also shared salient structural and cultural features. At their height, in the early seventeenth century, they encompassed the greater part of the Tamil country. Early chapters set out the fundamental tensions of the period: the social flux caused by the resurgence of certain groups, which had either intruded into the area from the Telugu country, or entered the mainstream of Nayaka society from a marginal position. Related to this is the central paradox of Nayaka kingship-- the tension between inflated claims and the limited scale of kingship. Later sections set out these themes in some detail, and also delineate how such states were founded, what their resource base was, and how this base was portrayed and managed. The book's ambit extends considerably beyond the economic and political, to consider how the social flux of the epoch also found its counterpart in the central themes of Nayaka literature. Specifically, there is a focus on perceptions of the body and bodily mutilation and regeneration (here termed Nayaka anthropology), and on the parodic dialectic that underpins the rhetoric of kingship. Other chapters deal with contestation and war. The final chapter looks to the post-Nayaka transition, focusing once again on the kingdom that appears most of all to epitomize the Nayaka spirit: Tanjavur. What is distinctive about the Nayakas? How do they fit into the wider realities of their time? From what do they derive? How can we understand the emergence of new institutional patterns, of the striking artistic and especially literary creations at the Nayaka courts, of a novel historiography and culture? Supplementing standard sources by an imaginative use of Dutch, Portuguese, Tamil, Sanskrit, and Telugu sources, the authors show how the Nayakas witnessed, and partly produced, a profound shift in the conceptual and institutional bases of South Indian civilization.