Victoria Durrer – författare

Cultural policy intersects with political, economic, and socio-cultural dynamics at all levels of society, placing high and often contradictory expectations on the capabilities and capacities of the media, the fine, performing, and folk arts, and cultural heritage. These expectations are articulated, mobilised and contested at – and across – a global scale. As a result, the study of cultural policy has firmly established itself as a field that cuts across a range of academic disciplines, including sociology, cultural and media studies, economics, anthropology, area studies, languages, geography, and law. This Routledge Handbook of Global Cultural Policy sets out to broaden the field’s consideration to recognise the necessity for international and global perspectives.The book explores how cultural policy has become a global phenomenon. It brings together a diverse range of researchers whose work reveals how cultural policy expresses and realises common global concerns, dominant narratives, and geopolitical economic and social inequalities. The sections of the book address cultural policy’s relation to core academic disciplines and core questions, of regulations, rights, development, practice, and global issues. With a cross-section of country-by-country case studies, this comprehensive volume is a map for academics and students seeking to become more globally orientated cultural policy scholars.

Cultural Policy: Perspectives on the Island of Ireland draws together a wide range of academic perspectives and disciplines that relate to cultural policy in the context of the island of Ireland (Ireland and Northern Ireland).Through the study of the unique context of this intertwined two-polity island, the collection aims to further the examination of the “situated” nature of cultural policy amongst people and place. Contributions from media, European integration, festivals, arts and education, sustainable development, and cultural participation and work bring attention to the interdisciplinary dialogue on cultural policy studies on, of, and for the island and beyond. By way of its particular environment, the collection also serves as a call for greater recognition and reflexivity in cultural policy studies regarding how people and place define what we think we know about cultural policy. The collection situates a range of industries, practices, and sectors in shared, local, complex, and international contexts and frames, revealing the multi-level operation of policy governances from the domestic to the global. The findings from the specific context of the island of Ireland thus have relevance for other nation-states and regions with similar intertwined jurisdictions and resulting tensions. More generally, this body of multi- and interdisciplinary academic research on and of Ireland deepens our understanding of locally situated, but globally connected, cross-border and transnational cultural policy studies.This book will be of interest to local and international policy and cultural policy scholars as well as practitioners in policy, arts, culture, and creativity. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Creative Commons Attribution-No Derivatives (CC-BY-ND) 4.0 license.Chapter 4 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non-Commercial-No Derivative Licence (CC-BY-NC-ND) 4.0 license.

Cultural policy intersects with political, economic, and socio-cultural dynamics at all levels of society, placing high and often contradictory expectations on the capabilities and capacities of the media, the fine, performing, and folk arts, and cultural heritage. These expectations are articulated, mobilised and contested at – and across – a global scale. As a result, the study of cultural policy has firmly established itself as a field that cuts across a range of academic disciplines, including sociology, cultural and media studies, economics, anthropology, area studies, languages, geography, and law. This Routledge Handbook of Global Cultural Policy sets out to broaden the field’s consideration to recognise the necessity for international and global perspectives.The book explores how cultural policy has become a global phenomenon. It brings together a diverse range of researchers whose work reveals how cultural policy expresses and realises common global concerns, dominant narratives, and geopolitical economic and social inequalities. The sections of the book address cultural policy’s relation to core academic disciplines and core questions, of regulations, rights, development, practice, and global issues. With a cross-section of country-by-country case studies, this comprehensive volume is a map for academics and students seeking to become more globally orientated cultural policy scholars.

This book provides new insights into the relationship of the field of arts and cultural management and cultural rights on a global scale. Globalisation and internationalisation have facilitated new forms for exchange between individuals, professions, groups, localities and nations in arts and cultural management.

This book provides new insights into the relationship of the field of arts and cultural management and cultural rights on a global scale. Globalisation and internationalisation have facilitated new forms for exchange between individuals, professions, groups, localities and nations in arts and cultural management.