Vivien Jones – författare

One of the BBC's '100 Novels That Shaped Our World''The best-loved book by our best-loved novelist' IndependentWith its 'light and bright and sparkling' dialogue, its romantic denouement and its lively heroine, Pride and Prejudice is Jane Austen's most perennially popular novel. The love story of Elizabeth Bennet and Fitzwilliam Darcy, who misjudge, then challenge and change each other, is also a novel about the search for happiness and self- knowledge in a world of strict social rules, where a woman must marry well to survive.Edited with an introduction and notes by VIVIEN JONES

One of the BBC's '100 Novels That Shaped Our World'Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited; he is indifferent to her good looks and lively mind. When she later discovers that Darcy has involved himself in the troubled relationship between his friend Bingley and her beloved sister Jane, she is determined to dislike him more than ever. In the sparkling comedy of manners that follows, Jane Austen shows the folly of judging by first impressions and superbly evokes the friendships,gossip and snobberies of provincial middle-class life.

'Little Matters they are to be sure, but highly important.'Letter-writing was something of an addiction for young women of Jane Austen's time and social position, and Austen's letters have a freedom and familiarity that only intimate writing can convey. Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of 'Little Matters', of the emotional and material details of individual lives shared with friends and family through the medium of the letter. Ironic, acerbic, always entertaining, Jane Austen's letters are a fascinating record not only of her own day-to-day existence, but of the pleasures and frustrations experienced by women of her social class which are so central to her novels.Vivien Jones's selection includes very nearly two-thirds of Austen's surviving correspondence, and her lively introduction and notes set the novelist's most private writings in their wider cultural context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

However much students enjoy their reading of a Jane Austen novel, many find it difficult to know how to organise their critical responses. This book shows students how to develop a firm grasp of Jane Austen's characters, themes and techniques, as well as such central topics as the use of irony in the novels, and their style and moral patterning. In the newly revised and expanded edition of this successful book, Vivien Jones looks at all of Jane Austen's novels, and demonstrates how to analyse both their overall structure and concerns as well as individual passages. A completely new chapter looks at current critical debates about Austen's achievement and the final chapter gives practical advice on writing an essay.

This anthology gathers together various texts by and about women, ranging from `conduct' manuals to pamphlets on prostitution, from medical texts to critical definitions of women's writing, from anti-female satires to appeals for female equality. By making this material more widely available, Women in the Eighteenth Century complements the current upsurge in feminist writing on eighteenth-century literary history and offers students the opportunity to make their own rereadings of literary texts and their ideological contexts.

This collection of essays, first published in 2000, brings together feminist critics, cultural historians and historians of publishing to provide a unique and up-to-date introduction to women's writing and its contexts in the eighteenth century. It was during this period that women began to contribute in significantly large numbers to a rapidly-expanding print culture. This volume documents the range and diversity of that contribution. It analyses the social, legal and ideological constructions of women which female writers had to negotiate, and it explores women's writing across a wide spectrum of genres - from fiction to broadside ballads, meditative poetry to confessional memoirs - as well as women's involvement as printers, sellers and purchasers of printed texts. An invaluable overview of women and literary culture in the period, Women and Literature in Britain, 1700-1800 is also an important contribution to our understanding of women's roles in the emergent public sphere of print.

This collection of essays, first published in 2000, brings together feminist critics, cultural historians and historians of publishing to provide a unique and up-to-date introduction to women's writing and its contexts in the eighteenth century. It was during this period that women began to contribute in significantly large numbers to a rapidly-expanding print culture. This volume documents the range and diversity of that contribution. It analyses the social, legal and ideological constructions of women which female writers had to negotiate, and it explores women's writing across a wide spectrum of genres - from fiction to broadside ballads, meditative poetry to confessional memoirs - as well as women's involvement as printers, sellers and purchasers of printed texts. An invaluable overview of women and literary culture in the period, Women and Literature in Britain, 1700-1800 is also an important contribution to our understanding of women's roles in the emergent public sphere of print.

Mr. and Mrs. Peachum are horrified when they learn of their daughter Polly's secret marriage to the rebellious and notorious highwayman, Macheath. However, their fear is soon mitigated when they decide to kill him for his money. When Macheath is in the tavern, surrounded by women of 'ill repute', he discovers that he has been rumbled: two of these women are in cahoots with the Peachums and plan to kill him. He finds himself in Newgate and, worse than that, in the company of the jailer's daughter, Lucy, to whom he is also betrothed. Although Macheath is captured and destined to be hanged, Gay's action-packed and entertaining play subverts audience expectations by letting Macheath off the hook and not punishing its villains. John Gay's satirical opera, written in 1728, was revolutionary because it took poverty and corruption as its subject, and paupers and villains as its characters. The lyrics were set to famous songs of the day making it hugely popular with audiences and a radical departure from traditional opera. The introduction puts the play in its historical and theatrical contexts and details its stage history in modern times too.David Lindley is an expert on theatrical music and the new dramatic form of ballad opera this play created. The music for the songs is included in the text, making this an edition to be used for performance as well as for study.

This anthology gathers together various texts by and about women, ranging from `conduct' manuals to pamphlets on prostitution, from medical texts to critical definitions of women's writing, from anti-female satires to appeals for female equality. By making this material more widely available, Women in the Eighteenth Century complements the current upsurge in feminist writing on eighteenth-century literary history and offers students the opportunity to make their own rereadings of literary texts and their ideological contexts.