William Poole – författare

Francis Lodwick FRS (1619-94) was a prosperous merchant, bibliophile, writer, thinker, and member of the Royal Society. He wrote extensively on language, religion, and experimental philosophy, most of it too controversial to be safely published during his lifetime. This edition includes the first publication of his unorthodox religious works alongside groundbreaking writings on language. Following an extensive introduction by the editors the book is divided into three parts. Part One includes A Common Writing (1647), the first English attempt at an artificial language, and the equally pioneering phonetic alphabet set out in An Essay Towards an Universal Alphabet (1686). Part Two contains a series of linked short treatises on the nature of religion and divine revelation, including ''Of the Word of God'' and ''Of the Use of Reason in Religion'', in which Lodwick argues for a new understanding of the Bible, advocates a rational approach to divine worship, and seeks to reinterpret received religion for an age of reason. The final part of the book contains his unpublished utopian fiction, A Country Not Named: here he creates a world to express his most firmly-held opinions on language and religion, and in which his utopians found a church that bans the Bible. The book gives new insights into the religious aspects of the scientific revolution and throws fresh light on the early modern frame of mind. It is aimed at intellectual and cultural historians, historians of science and linguistics, and literary scholars - indeed, at all those interested in the interplay of ideas, language, and religion in seventeenth-century England

Francis Lodwick FRS (1619-94) was a prosperous merchant, bibliophile, writer, thinker, and member of the Royal Society. He wrote extensively on language, religion, and experimental philosophy, most of it too controversial to be safely published during his lifetime. This edition includes the first publication of his unorthodox religious works alongside groundbreaking writings on language. Following an extensive introduction by the editors the book is divided into three parts. Part One includes A Common Writing (1647), the first English attempt at an artificial language, and the equally pioneering phonetic alphabet set out in An Essay Towards an Universal Alphabet (1686). Part Two contains a series of linked short treatises on the nature of religion and divine revelation, including 'Of the Word of God' and 'Of the Use of Reason in Religion', in which Lodwick argues for a new understanding of the Bible, advocates a rational approach to divine worship, and seeks to reinterpret received religion for an age of reason. The final part of the book contains his unpublished utopian fiction, A Country Not Named: here he creates a world to express his most firmly-held opinions on language and religion, and in which his utopians found a church that bans the Bible. The book gives new insights into the religious aspects of the scientific revolution and throws fresh light on the early modern frame of mind. It is aimed at intellectual and cultural historians, historians of science and linguistics, and literary scholars - indeed, at all those interested in the interplay of ideas, language, and religion in seventeenth-century England

This is the first edition to collect together Milton's non-poetic manuscript writings. It is also the first edition of Milton's Commonplace Book manuscript to provide both the original text and a full translation and commentary. Additional sections furnish editions of Milton's draft ideas for dramas from the Trinity College manuscript, as well as his surviving presentation inscriptions. Full biobibliographies and indexes are also provided. This edition is an essential resource for any scholar wishing to understand the development of Milton's thought as assisted by or reflected in his reading.

In Paradise Lost (1667), Milton produced the most magnificent poetic account ever written of the biblical Fall of man. In this wide-ranging study, William Poole presents a comprehensive analysis of the origin, evolution, and contemporary discussion of the Fall, and the way seventeenth-century authors, particularly Milton, represented it. Poole first examines the range and depth of early modern thought on the subject, then explains and evaluates the basis of the idea and the intellectual and theological controversies it inspired from early Christian times to Milton's own century. The second part of the book delves deeper into the development of Milton's own thought on the Fall, from the earliest of his poems, through his prose, to his mature epic. Poole distinguishes clearly for the first time the range and complexity of contemporary debates on the Fall of man, and offers many insights into the originality and sophistication of Milton's work.

In Paradise Lost (1667), Milton produced the most magnificent poetic account ever written of the biblical Fall of man. In this wide-ranging study, William Poole presents a comprehensive analysis of the origin, evolution, and contemporary discussion of the Fall, and the way seventeenth-century authors, particularly Milton, represented it. Poole first examines the range and depth of early modern thought on the subject, then explains and evaluates the basis of the idea and the intellectual and theological controversies it inspired from early Christian times to Milton's own century. The second part of the book delves deeper into the development of Milton's own thought on the Fall, from the earliest of his poems, through his prose, to his mature epic. Poole distinguishes clearly for the first time the range and complexity of contemporary debates on the Fall of man, and offers many insights into the originality and sophistication of Milton's work.

Milton and the Making of Paradise Lost tells the story of John Milton's life as England’s self-elected national poet and explains how the single greatest poem of the English language came to be written.In early 1642 Milton—an obscure private schoolmaster—promised English readers a work of literature so great that “they should not willingly let it die.” Twenty-five years later, toward the end of 1667, the work he had pledged appeared in print: the epic poem Paradise Lost. In the interim, however, the poet had gone totally blind and had also become a controversial public figure—a man who had argued for the abolition of bishops, freedom of the press, the right to divorce, and the prerogative of a nation to depose and put to death an unsatisfactory ruler. These views had rendered him an outcast.William Poole devotes particular attention to Milton’s personal situation: his reading and education, his ambitions and anxieties, and the way he presented himself to the world. Although always a poet first, Milton was also a theologian and civil servant, vocations that informed the composition of his masterpiece. At the emotional center of this narrative is the astounding fact that Milton lost his sight in 1652. How did a blind man compose this staggeringly complex, intensely visual work? Poole opens up the epic worlds and sweeping vistas of Milton’s masterpiece to modern readers, first by exploring Milton’s life and intellectual preoccupations and then by explaining the poem itself—its structure, content, and meaning.

John Milton was celebrated and denounced in his own time both as a poet and as a polemicist. Today he is remembered first and foremost for his poetry, but his great epic Paradise Lost was published very late in his life, in 1667, and in his own time most readers more readily recognised Milton as a writer of prose. This superbly annotated new book is an authoritative edition of Milton's major prose works, including Of Education, The Tenure of Kings and Magistrates and the Divorce tracts, as well as the famous 1644 polemical tract on the opposing licensing and censorship, Areopagitica.

Reconstructs the life of Peter Goldman and presents a full edition and translation of his surviving poems and letters.The Dundonian physician Peter Goldman, one of an immigrant family of merchants, was the first Scot to take a medical degree from Leiden; he then undertook research in Oxford, London, and Paris, before resettling in Dundee. An important figure in contemporary Scottish literary culture, he maintained a wide correspondence with significant intellectual figures and influenced two landmark Scottish publishing projects: the Delitiae poetarum Scotorum (1637) and the Blaeu Atlas of Scotland (1654). However, his major literary achievement was his Latin poetry, which establishes him as a unique voice of his time. His longest and most prominent work is an elegy on the deaths of four of his brothers, strikingly narrated in the voice of their lamenting mother. This book reconstructs and provides a study of Goldman's life, career and writing. It also offers a full edition and translation of his surviving poems and letters, with accompanying commentary. Appendices provide an edited list of his remarkable library and a transcript of his testament.

John Aubrey (1626–97) was one of the best-connected scholars and antiquaries in the great decades of the British scientific revolution. Immersed in the intellectual fervour of the era, he is best remembered today for his Brief Lives, a collection of compelling portraits of a generation of eminent thinkers.While Aubrey gained a reputation in his own time as a pioneer antiquary and archaeologist, his full intellectual range was much broader. Sociable by nature, he was one of the Founding Fellows of the Royal Society of London and acquainted with all the leading scientists of the generation of Robert Hooke and Isaac Newton. Aubrey championed Hooke’s radical ideas on geology and the origin of fossils, and with Hooke he also worked on the construction of a workable artificial language. A pioneer archaeologist too, Aubrey produced the most profound analysis of ancient megaliths undertaken at that time. In addition, Aubrey was an early donor of books, manuscripts, and many other items to both the Bodleian Library and the recently opened Ashmolean Museum.John Aubrey and the Advancement of Learning presents all of Aubrey’s varied interests and pursuits within the intellectual context of his times. Published to celebrate the 350th anniversary of the Royal Society, this is the first accessible and illustrated guide to Aubrey’s many diverse achievements as a biographer, antiquary, mathematician, ‘natural philosopher’ and all-round virtuoso.

When educated men in the seventeenth century thought about the Earth on which they stood, they might ask themselves the following questions. When was the world created? Why? How? Out of what? Where did people come from? Do we all share the same origin? How were other living things generated? Can species vary at all? What are fossils? The common answers to these questions were rooted in the Bible. The world was made around the year 4000 BC by the direct command of God; people all come from Adam and Eve; species do not vary and fossils are inorganic in origin. Most people assumed that the teachings of theology and of natural philosophy (what we would later term ‘science’) were both continuous and harmonious. But there were radical new answers to these questions of origin too. This is the story of how the emerging discipline of experimental philosophy reacted to the opening chapters of the book of Genesis to interpret the physical origin, present status, and final destination of the Earth. The Royal Society of London, created in 1660 ‘for the improving of natural knowledge’, was where these bold new answers to old questions were formulated, discussed, contested, and modified, by men such as Isaac Newton, Robert Hooke, Edmond Halley, and Thomas Burnet.