Yusef Komunyakaa – författare

" . . . in a class by itself . . . sensitive, moving, and powerful jazz imagery . . . the perfect companion to listening to good jazz." —Jazziz Magazine"In the course of the history of jazz, there have been only a few articles that get to the core of the meaning of jazz. These poems hit it right on the head, and the book is certainly essential for anyone who is interested in our music." —Dizzy Gillespie"To those interested in the impact of jazz upon the poetry of our century I recommend this anthology altogether without reservation." —John Lucas, JazzTimes" . . . essential . . . Its virtues are varied and copious, and not the least among them is discovering a writer whose work is new to you." —Los Angeles Reader"What makes this work most enjoyable is knowing the music and musicians and using that knowledge to understand and judge the poets' reactions to the elements in the music that please and inspire us." —MultiCultural Review"Filled with a variety of form, rhythm, and sound, this anthology is an absolute MUST for anyone who is even remotely interested in jazz and modern literature." —David BakerSince the turn of the century, poets have responded to jazz in all its musical and cultural overtones. The poems here cover the range of jazz itself: from early blues to free jazz and experimental music. Among the 132 poets included are James Baldwin, Lawrence Ferlinghetti, Langston Hughes, Jack Kerouac, Mina Loy, Ishmael Reed, and Sonia Sanchez. This anthology represents the broad appreciation for jazz as poetic inspiration, not only from the Beat movement but from writers across the decades and around the world.

With The Jazz Poetry Anthology, this volume offers a comprehensive exploration of the history of jazz poetry. The Second Set gathers many poets omitted from The Jazz Poetry Anthology, including Gwendolyn Brooks, Arthur Brown, Diane di Prima, Henry Dumas, Nikki Giovanni, David Henderson, Anselm Hollo, Haki Madhubuti, Michael McClure, Larry Neal, Dudley Randall, Eugene B. Redmond, Carolyn M. Rodgers, Ntozake Shange, A. B. Spellman, and Jay Wright. The Second Set fills out the history of jazz poetry with poems written before World War II, as well as those from the Black Arts Movement of the 1960s, and includes contemporary writers from a range of cultural backgrounds, including Ai, Rita Dove, Yusef Komunyakaa, Martín Espada, Joy Harjo, Keorapetse Kgositsile, Michael Longley, Mwatabu Okantah, Charles Simic, Lorenzo Thomas, Derek Walcott, Ron Welburn, and Yevgeny Yevtushenko.Embracing a wide variety of poems informed by jazz, The Second Set also includes statements of poetics by many of the poets anthologized.

If I am not Ulysses, l am / his dear, ruthless half-brother." So announces Yusef Komunyakaa early in his lush new collection, The Emperor of Water Clocks. And Ulysses (or his half-brother) is but one of the characters Komunyakaa conjures over the course of this densely lyrical book. Here his speaker observes a doomed court jester; here another recalls Napoleon as the emperor "tells the doctor to cut out his heart / & send it to the empress, Marie-Louise"; and here he is just a man, reflecting on why he'd "rather die a poet / than a warrior." Through these mutations and migrations and permutations and peregrinations, there are constants: Komunyakaa's jazz inflected rhythms, his effortlessly surreal images, his celebration of natural beauty and of love. There is also his insistent inquiry into the structures and struggles of power: not only, say, of king against jester but of man against his own desire, and of the present against the pernicious influence of the past. Another brilliant collection from the man David Wojahn has called one of our "most significant and individual voices," The Emperor of Water Clocks delights, challenges, and satisfies.

A witty and searching collaborative poetic work composed during the pandemic. Let's go back far as we dareto go back to that land bridgemade of untrusting earth & ice,to a boorish faith in our rhythmof footsteps, the fleeting mantraof wordless dreams . . . So begins Trading Riffs to Slay Monsters, the collaborative work of an elder statesman of American poetry and a young emerging poet. In early 2020, Yusef Komunyakaa and Laren McClung began a conversation in verse that carried them through the COVID pandemic. The result is a work that is at once a document of the poets' inner and outer worlds and also a single and singular vision of what it is to live now and to look back on the epic scale of human history and artistic expression that stretches over millennia.

Blue Notes offers an assortment of poet Yusef Komunyakaa's writing on contemporary poetry and music. The book is arranged in four sections. The first gathers essays on the work of poets and blues and jazz musicians influential to Komunyakaa's work, from Langston Hughes and Etheridge Knight to Ma Rainey and Thelonious Monk; the second collects a gallery of Komunyakaa's poems and the poet's commentary about each of them. The third selects interviews that reveal the development of the poet's aesthetic sensibility. The final section consists of four artistic explorations that reflect the poet's current interests. Two of of these texts, "Tenebrae" and "Buddy's Monologue," have been recently performed.As editor Radiclani Clytus makes clear in the volume's introductory essay, although Komunyakaa's poetry has its roots in the stylistic innovations of early twentieth-century American modernists, his writing often reflects his understanding that a "black" experience should not particularize the presentation of one's art. This volume, according to the editor, is an attempt to understand Komunyakaa's critical eclecticism within the context of his own words.Yusef Komunyakaa's books of poetry include I Apologize for the Eyes in My Head, Magic City, Thieves of Paradise, and Neon Vernacular, for which he received the Pulitzer Prize and the Kingsley Tufts Poetry Award in 1994.

Condition Red collects writing by one of America’s most gifted and revered poets, Yusef Komunyakaa. While themes from his earlier prose collection, Blue Notes, run through Condition Red, this volume expresses a greater sense of urgency about the human condition and the role of the artist. Condition Red includes his powerful letter to Poetry magazine, asserting that “we writers (artists) cannot forget that we are responsible for what we conjure and embrace through language, whether in essays, novels, plays, poems, or songs.” Also included are essays and interviews on: coming home to Bogalusa, Louisiana; the influence of religion on black poetry; language and eroticism; the visual artist Floyd Tunson; and the poets Robert Hayden, Walt Whitman, Clarence Major, and Etheridge Knight. The book features an extended introduction by editor Radiclani Clytus, who concludes that “Condition Red issues readers much more than a critical warning; it reminds us that our innate cultural capacity for language is, and always has been, the sum total of that which defines us.”

A chapbook of love poems from Pulitzer Prize winner Yusef Komunyakaa/>/>I Said That Love Heals From Inside: Love Poems is a small treasure featuring five decades of love poems by Pulitzer Prize winning poet Yusef Komunyakaa. Komunyakaa is a poet whose work aches with a longing that is rarely easily resolved but rather burns fiercely in each line. Every poem in this collection longs for life, for passion, for a different history, a past long lost, and ultimately to love and to be loved. This selection of poems captures a broad understanding of the love poetry category–there is love and the lack of it everywhere: in the bedroom and on the basketball court in the Jazz club and on the battlefield. As Komunyakaa writes, "Hard love, it's hard love."

Komunyakaa vividly evokes his childhood in Bogalusa, Louisiana, once a center of Klan activity, and later a focus of Civil Rights efforts. He portrays a child's dawning awareness of the natural and social order around him, rhythms of life in the community, the constant struggle for survival in the face of poverty and racism, the adolescent's awakening sexuality, the beginnings of the poet's awareness of his life and community as it exists in the context of history, and his emerging understanding of his own identity.

An award-winning poet's testimony of the war in Vietnam.

"Poetry encourages us to have dialogue through the observed, the felt, and the imaginary," writes editor Yusef Komunyakaa in his thought-provoking introduction to The Best American Poetry 2003. As a black child of the American South and a decorated veteran of the Vietnam War, Komunyakaa brings his singular vision to this outstanding volume. Included here is a diverse mix of senior masters, crowd-pleasing bards, rising stars, and the fresh voices of an emerging generation. With comments from the poets elucidating their work and series editor David Lehman''s eloquent foreword assessing the state of the art, The Best American Poetry 2003 is a must-have for readers of contemporary poetry. Jonathan Aaron • Beth Anderson • Nin Andrews • Wendell Berry • Frank Bidart • Diann Blakely • Bruce Bond • Catherine Bowman • Rosemary Catacalos • Joshua Clover • Billy Collins • Michael S. Collins • Carl Dennis • Susan Dickman • Rita Dove • Stephen Dunn • Stuart Dybek • Charles Fort • James Galvin • Amy Gerstler • Louise Glück • Michael Goldman • Ray Gonzalez • Linda Gregg • Mark Halliday • Michael S. Harper • Matthea Harvey • George Higgins • Edward Hirsch • Tony Hoagland • Richard Howard • Rodney Jones • Joy Katz • Brigit Pegeen Kelly • Galway Kinnell • Carolyn Kizer • Jennifer L. Knox • Kenneth Koch • John Koethe • Ted Kooser • Philip Levine • J. D. McClatchy • W. S. Merwin • Heather Moss • Stanley Moss • Paul Muldoon • Peggy Munson • Marilyn Nelson • Daniel Nester • Naomi Shihab Nye • Ishle Yi Park • Robert Pinsky • Kevin Prufer • Ed Roberson • Vijay Seshadri • Alan Shapiro • Myra Shapiro • Bruce Smith • Charlie Smith • Maura Stanton • Ruth Stone • James Tate • William Tremblay • Natasha Trethewey • David Wagoner • Ronald Wallace • Lewis Warsh • Susan Wheeler • Richard Wilbur • C. K. Williams • Terence Winch • David Wojahn Robert Wrigley • Anna Ziegler • Ahmos Zu-Bolton II

Conversations with Yusef Komunyakaa brings together over two decades of interviews and profiles with one of America's most prolific and acclaimed contemporary poets. Yusef Komunyakaa (b. 1947) describes his work alternately as ""word paintings"" and as ""music,"" and his affinity with the visual and aural arts is amply displayed in these conversations. The volume also addresses the diversity and magnitude of Komunyakaa's literary output. His collaborations with artists in a variety of genres, including music, dance, drama, opera, and painting have produced groundbreaking performance pieces. Throughout the collection, Komunyakaa's interest in finding and creating poetry across the artistic spectrum is made manifest.For his collection Neon Vernacular: New and Selected Poems, 1977-1989, Komunyakaa became the first African American male to win the Pulitzer Prize for poetry. Through his work he provides keen insight into life's mysteries from seemingly inconsequential and insignificant life forms (""Ode to the Maggot"") to some of the most compelling historical and life-altering events of our time, such as the Vietnam War (""Facing It""). Influenced strongly by jazz, blues, and folklore, as well as the classical poetic tradition, his poetry comprises a riveting chronicle of the African American experience.