And Other Stories – förlag

Winner of the 2026 International Booker PrizeWinner of the 2024 National Book Award for Translated LiteratureDisguised as a translation of a rediscovered text by a Japanese writer, Taiwan Travelogue is a bittersweet story of love between two women, nested in an artful exploration of language, history and power. Set in May 1938, the young novelist Aoyama Chizuko sails from Japan to Taiwan where her interpreter proffers tantalising glimpses of island life and helps her to taste as much of cuisine as her larger-than-life appetite can bear.

A man moves from a capital city to a remote town in the border country, where he intends to spend the last years of his life. It is time, he thinks, to review the spoils of a lifetime of seeing, a lifetime of reading. Which sights, people, books, fictional characters, turns of phrase and lines of verse will survive into the twilight? Feeling an increasing urgency to put his mental landscape in order, the man sets to work cataloguing his memories, little knowing what secrets they will yield and where his ‘report’ will lead.Border Districts is a jewel of a farewell from one of the greatest living writers of English prose. Winner of the Australian 2018 Prime Minister’s Literary Award and shortlisted for the 2018 Miles Franklin Award, this is Murnane’s first work to be published in the UK in thirty years.

Inland is a work which gathers in emotional power as it moves across the grasslands of its narrator’s imagination – from Szolnok County on the great plains of Hungary where a man writes in the library of his manor house, to the Institute of Prairie Studies in Tripp County, South Dakota, where the editor of the journal Hinterland receives his writing, to the narrator’s own native district in Melbourne County, between Moonee Ponds and the Merri, where he recalls the constant displacements of his childhood. ‘No thing in the world is one thing,’ he declares; ‘some places are many more than one place.’ These overlapping worlds are bound by recurring motifs – fish pond, fig-tree, child-woman, the colours white, red and green – and by deep feelings of intimacy and betrayal, which are brought to full expression as the book moves to its close.

Selected for the 2012 Man Booker Prize shortlistAs he arrives with his family at the villa in the hills above Nice, Joe sees a body in the swimming pool. But the girl is very much alive. She is Kitty Finch: a self-proclaimed botanist with green-painted fingernails, walking naked out of the water and into the heart of their holiday. Why is she there? What does she want from them all? And why does Joe's enigmatic wife allow her to remain? Profound and thrilling, Swimming Home reveals how the most devastating secrets are the ones we keep from ourselves.

Longlisted for the 2018 Scotiabank Giller Prize - Winner of the 2019 Indigenous Voices Award for Published Prose in EnglishFact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them. An Inuk girl grows up in Nunavut, Canada, in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. When she becomes pregnant, she must navigate all this. In this acclaimed debut novel – haunting, brooding, exhilarating, and tender all at once – Tanya Tagaq explores the grittiest features of a small Arctic town and the electrifying proximity of the worlds of animals and of myth.'One of the Best Things I've Ever Read.' Elliot Page‘Tagaq’s surreal meld of poetry and prose transmutes the Arctic’s boundless beauty, intensity, and desolation into a wrenching contemporary mythology.’ The New Yorker

Winner of the Stella PrizeWinner of the Magarey Medal for BiographyWinner of the Queensland Literary AwardLonglisted for the Women's Prize for Non-Fiction 2025A larger-than-life champion of Aboriginal self-determination, Tracker Tilmouth was whip-smart, irreverent, startling, and deadly serious, famous for rattling the chains of Australian political life wherever he went. One day he asked a novelist-friend for help with his memoirs. Wright agreed, though she knew it would take a whole community to do his life justice. Thousands of interview hours later, the result was Tracker: a groundbreaking piece of creative oral history, a testament to the power of storytelling in contemporary Aboriginal life, and a living monument to a legendary warrior of conscience.‘A magnificent work of collaborative storytelling.’ The Age (Australia)

In the first days of spring in his eighty-second year, Gerald Murnane – perhaps the greatest living writer of English prose – began a project that would round off his strange career as a novelist. He would read all of his books in turn and prepare a report on each. His original intention was to lodge the reports in two of his legendary filing cabinets: in the Chronological Archive, which documents his life as a whole, and the Literary Archive, which is devoted to everything he has written. As the reports grew, however, they themselves took on the form of a book, a book as beguiling and hallucinatory, in its way, as the works on which they were meant to report. These miniature memoirs or stories lead the reader through the capacious territory Murnane refers to as his mind: they dwell on the circumstances that gave rise to his writing, on images and associations, on Murnane’s own theories of fiction, and then memories of a deeply personal kind. The final essay is, of course, on Last Letter to a Reader itself: it considers the elation and exhilaration that accompany the act of writing, and offers a moving finale to what must surely be Murnane’s last work, as death approaches.

Deeply personal and politically acute, in Autobiography of Cotton, Rivera Garza crafts a new kind of border novel that tells how a brittle land radically altered her grandparents’ lives and the territories they helped develop. In this intimate fictionalisation, Rivera Garza reveals a rich social history of agricultural colonisation, labour activism, environmental degradation and cross-border migration.

Winner of the 2024 James Tait Black Prize – FictionWinner of the 2024 Stella PrizeShortlisted for the 2024 Dublin Literary AwardWinner of the 2023 Queensland Award for Literary FictionShortlisted for the 2023 Queensland Premier’s Award for a Work of State Significance, Queensland Literary AwardsLonglisted for the 2024 Miles Franklin Literary AwardLonglisted for the Climate Fiction PrizeIn a small Aboriginal town dominated by a haze cloud, which heralds both ecological disaster and a gathering of the ancestors, Cause Man Steel is chasing a mad vision: a national donkey transport scheme that will guarantee his people’s independence forever. He finds, however, as he bundles feral donkeys into his Ford Falcon and dumps them en masse in the cemetery, that not all of Praiseworthy agrees. Outrage ferments at his desecration of traditional land, while Cause’s wife Dance seeks refuge with butterflies and dreams of moving their family to China. Bad feelings reach fever pitch when citizens catch wind of the suicide of Aboriginal Sovereignty, Cause’s eldest son. All are distraught – all, that is, except eight-year-old Tommyhawk Steel, who, with his brother gone, gleefully pursues his dream of becoming white and powerful. Told with the richness of language and scale of imagery for which Alexis Wright has become renowned, Praiseworthy is a marvel of explosive sentences, a shock to allegory, an outraged cry against oppression, and a biting satire for the end of days.‘I’m awed by the range, experiment and political intelligence of Alexis Wright’s work. She is vital on the subject of land and people.’ Robert Macfarlane, New York Times Book Review

Shortlisted for the 2026 Republic of Consciousness Prize, US & CanadaIn the ‘middle of life’ – although this is only thirty-six – and with the unsparing eye of a portraitist, Lavinia reviews her frustrations and her solitariness, the grief and the rapture: these are her seeming companions in a pageant presided over, as it were, by the medieval masks of Owl, signifying winter, and Cuckoo, for erotic love. In attendance are dreams of rustic places and once-dear animals. But it is no ordinary procession, for her childhood comes last. The idiosyncratic Dreaming of Dead People was first published in 1979, yet remains as surprising as ever: it is frank, mordantly funny, true to itself and raw.

Working as a cook on a merchant ship, a woman comes to know and love Samsa, a woman who gives her the nickname ‘Boulder’. When Samsa gets a job in Reykjavik and the couple decides to move there together, Samsa decides that she wants to have a child. She is already forty and can’t bear to let the opportunity pass her by. Boulder is less enthused, but doesn’t know how to say no – and so finds herself dragged along on a journey that feels as thankless as it is alien. With motherhood changing Samsa into a stranger, Boulder must decide where her priorities lie, and whether her yearning for freedom can truly trump her yearning for love. Once again, Eva Baltasar demonstrates her pre-eminence as a chronicler of queer voices navigating a hostile world – and in prose as brittle and beautiful as an ancient saga.

Longlisted for the 2025 International Booker PrizeAlaa is haunted by his grandmother's memories of being displaced from Jaffa and becoming a refugee in her homeland after the Nakba. Ariel, Alaa’s neighbour and friend, is a liberal Zionist, critical of the military occupation of the West Bank and Gaza yet faithful to the project of Israel. When he wakes up one morning to find that all Palestinians have suddenly vanished, Ariel begins searching for clues to the secret of their collective disappearance.That search, and Ariel’s reactions to it, intimately reveal the fissures at the heart of the Palestinian question. Between the stories of Alaa and Ariel are the people of Jaffa and Tel Aviv – café patrons, radio commentators, flower-cutters – against whose ordinary lives these fissures and questions play out.'Speculative and haunting, this is an exceptional exercise in memory-making and psycho-geography' The International Booker Prize 2025 Judges

Winner of the 2019 Shirley Jackson AwardA fairy tale run amok, The Taiga Syndrome follows an unnamed Ex-Detective as she searches for a couple that has fled to the far reaches of the Earth. A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down – that she wants to be found. He hires the Ex-Detective, who sets out with a translator into a snowy, hostile forest where strange things happen and translation serves to betray both sense and the senses. The stories of Hansel and Gretel and Little Red Riding Hood haunt the Ex-Detective’s quest. As she enters a territory overrun with the primitive excesses of capitalism – accumulation and expulsion, corruption and cruelty –the lessons of her journey unfold: that sometimes leaving everything behind is the only thing left to do.

‘Sleep thief is what the interrogator called me. I’ll never forget that. I would steal a few seconds of sleep so I could remain steadfast before them. The name stuck; I even dreamt about it, the same dream, night after night. I woke up not knowing what to do and drenched in sweat.’The experimental first novel from International Booker-Prize longlisted Palestinian author Ibtisam Azem, The Sleep Thief follows the life of Gharib (“the Stranger”) Haifawi as he comes of age, is drawn into resistance, makes friends, meets lovers, pushes back against traditional values, longs to be free of the labels and expectations that burden him, rails against the commodification of suffering, and dreams of a Palestinian identity that will transcend sorrow.

Winner of the National Book AwardIn DMZ Colony’s weave of words, artfully used oral history and typographic experimentation, increasingly words give way to her father’s documentary photos from the time of General Park Chung Hee’s brutal putsch and dictatorship, a regime supported by the USA. DMZ Colony expresses mourning, a resistance to empire, and a hope in humankind.‘Virtuosic in its range and empathy, this is a book that shifts the reader’s understanding of historical narrative from one of war to one of flight.’ Publishers Weekly, starred review

First publication (outside of India) for this playful and moving masterpiece of psychological intrigue and feminist space-making by the International Booker winnerIn this Indian modern classic by the International Booker Prize-winning author, roofs are meant for wild things, for romance and for play. They are realms of freedom – freedom from the male gaze, sexual freedom and freedom from society. Chachcho and Lalna use their roofs to build a friendship that transcends time and memory.‘One of the finest Hindi writers, Geetanjali has created for herself a thoughtful, lyrical and contemporary fictional world, which is free from moral posturing and political hectoring. And Rahul Soni’s English translation of The Roof Beneath Their Feet is attentive to its poetic nuances and intelligently responsive to its complexity.’ Alok Bhalla‘In The Roof Beneath Their Feet, Geetanjali Shree has created a dazzling, multifaceted narrative that plays around with shifting time and perception, leading the reader on a wild journey as only she can. Rahul Soni’s fleet-footed translation keeps up with Shree’s pyrotechnics, nimbly evoking a world like no other.’ Jeremy Tiang

From being caught having their first orgasm by their mum’s best friend to being stalked and propositioned by a fundamentalist pastor; from soliciting spanking dates over the Internet to scoring a coveted invitation to a threesome with some elf fetishist neighbours, art rock darling (Xiu Xiu) Jamie Stewart’s journey of fleshy self-discovery and queer awakening makes for an extraordinary, cringy, unputdownable epic in miniature, burning always with radical and often shocking self-criticism.A one-of-a-kind exploration of abasement, depravity, joy, and embarrassment (and even joy in embarrassment), Anything That Moves is a series of comic, tragic X-rays of sex. It is funny, erotic, anti-erotic, honest, brave, icky, and hauntingly sad by turns. It demonstrates too how love and forgiveness can percolate around the edges of even the most traumatic relationships.

She is a shimmering, melancholy angel, flown from Paradise to save him from the suburbs of hell. He an accountant, dreaming of a white Christmas, a little garden and someone to love. She attempts to fly him away from his habits and fears, while he holds on tight to all he knows. Man Booker Prize-shortlisted Deborah Levy whips up a storm of romance and slapstick, of heavenly and earthly delights, in this dystopian philosophical poem about individual freedom and the search for the good life."A crazily beautiful, astonishing, original work of art." Joanna Kavenna

Originally published between 1985 and 2012, these stories offer an enthralling introduction to the work of one of contemporary fiction’s greatest magicians, and a map of Gerald Murnane’s evolution as a writer. Spare, transparent and profane, This career-spanning volume ranges from ‘Finger Web’, a fractal tale of the scars of war and the roots of misogyny, to ‘Land Deal’, which imagines Australia’s colonisation and the ultimate vengeance of its indigenous people as a series of nested dreams, to ‘The Interior of Gaaldine’, a story which finds its anxious protagonist stranded beyond the limits of fiction itself, and which points the way toward Murnane’s later works, from Barley Patch to Border Districts. With potent style and determined vision, Murnane creates sensitive portraits of intimate relationships – with parents, uncles and aunts, and particularly children – and probes each situation for anxiety and embarrassment, shame or delight. Murnane treats emotions and thoughts as he does minor objects: he shines light through them and makes them new, remaking the vessel of literature as he goes. 'Murnane, a genius, is a worthy heir to Beckett' Teju Cole'A voice so clear, so unaffected, that it's a voice for everyone' Benjamin H. Ogden, The New York Times 'The sentences are laid on like varnish, coat after coat, until the text gleams with a high shine. Immaculate in its unadorned plainness...his prose achieves a crystalline beauty.' The New Republic

Winner of the 2025 International Booker PrizeIn the twelve stories of Heart Lamp, Banu Mushtaq exquisitely captures the everyday lives of women and girls in Muslim communities in southern India. Praised for their dry and gentle humour, these portraits of family and community tensions have garnered both censure from conservative quarters as well India’s most prestigious literary awards.‘A significant presence in Kannada literature, Banu Mushtaq reveals the varied realities of contemporary women with rare talent and art. Deepa Bhasthi’s rich translation captures the original’s nuances of voice, context and experience, bringing this important work into English for new readers in India and internationally.’ PEN Presents Selection Panel

‘A man called Berg, who changed his name to Greb, came to a seaside town intending to kill his father . . .’So begins Ann Quin’s madcap frolic with sinister undertones, a debut ‘so staggeringly superior to most you’ll never forget it’ (The Guardian). Alistair Berg hears where his father, who has been absent from his life since his infancy, is living. Without revealing his identity, Berg takes a room next to the one where his father and father’s mistress are lodging and he starts to plot his father’s elimination. Seduction and violence follow, though not quite as Berg intends, with Quin lending the proceedings a delightful absurdist humour.Anarchic, heady, dark, Berg is Quin’s masterpiece, a classic of post-war avant-garde British writing, and now finally back in print after much demand.

Clement Killeaton transforms his father’s gambling, his mother’s piety, his fellow pupils’ cruelty and the mysterious but forbidden attractions of sex into an imagined world centred on horse-racing and played out in the dusty backyard of his home, across the landscapes of the district, and the continent of Australia. An unsparing evocation of a Catholic childhood in a country town in the late 1940s, Tamarisk Row’s lyrical prose is charged with the yearning, boredom, fear and fascination of boyhood.First published in Australia in 1974, and previously unpublished in the UK, Tamarisk Row is Gerald Murnane’s debut novel, and in many respects his masterpiece.

Winner of the 2016 Best Translated Book AwardSigns Preceding the End of the World is one of the most arrestingly singular novels to have been written in Spanish in the last ten years. Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there’s no going back. Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to search for her brother, she is smuggled into the USA carrying a pair of secret messages – one from her mother and one from the Mexican underworld.

Shortlisted for the 2025 PEN Heaney Prize‘Mirror Nation offers the best of what poetry can provide—a new way of seeing.’ Firecracker Awards,Don Mee Choi delves into South Korea’s violent recent history, particularly the military’s massacre of hundreds of students taking part in the 1980 Gwangju Uprising, in a poetry of grief that is both personal and collective. Mirror Nation is a sorrowful reflection on the ways in which a place can hold a ‘magnetic field of memory’.‘Don Mee Choi draws on friendships, literature and documentary materials to elucidate the personal griefs we suffer under the assaults of empire. Formally explosive and emotionally harrowing, Mirror Nation is a riveting investigation into the coded images that fuse memories of different times and places.’ Forrest Gander, Poetry Society Book of the Year 2024‘From Ethiopia to Israel, Nicaragua to Afghanistan, she ties headlines and fragments using the equal sign, which she refers to as “a syntax that enables multiple places and times to coexist simultaneously.” Choi skilfully illustrates the cyclical, endless nature of violence to more deeply understand her home, herself, and the world.’ Publishers Weekly

Shortlisted for the 2013 Frank O'Connor International Short Story Award‘Elisa said Yes and I said Yes. We said Yes in all the European languages. Yes. We said yes we said yes, yes to vague but powerful things, we said yes to hope which has to be vague, we said yes to love which is always blind, we smiled and said yes without blinking.’ (‘A Better Way to Live’)How does love change us? And how do we change ourselves for love – or for lack of it? Ten stories by acclaimed author Deborah Levy explore these delicate, impossible questions. In Vienna, an icy woman seduces a broken man; in London, a bird mimics an old-fashioned telephone; in adland, a sleek copywriter becomes a kind of shaman. These are twenty-first century lives dissected with razor-sharp humour and curiosity, stories about what it means to live and love, together and alone.

Winner of the 2017 Oxford-Weidenfeld Translation PrizeWinner of the 2019 Bernard Shaw Prize for its translationAt a run-down brothel in Caudal, Spain, the prostitutes are collecting stray dogs. Each is named after a famous male writer: Dante, Chaucer, Bret Easton Ellis. When a john is cruel, the dogs are fed rotten meat. To the east, in Barcelona, an unflappable teenage girl is endeavouring to trace the peculiarities of her life back to one woman: Alba Cambó, writer of violent short stories, who left Caudal as a girl and never went back.Mordantly funny, dryly sensual, written with a staggering lightness of touch, the debut novel in English by Swedish sensation Lina Wolff is a black and Bolaño-esque take on the limitations of love in a dog-eat-dog world.

Shortlisted for the 2019 Warwick Prize for Women in Translation Runner-up in the 2019 Translators Association First Translation Prize Longlisted for the 2019 Best Translated Book AwardA young woman in Buenos Aires spies three women in the house opposite her family's home. Intrigued, she begins to watch them. She imagines them as accomplices to an unknown crime, as troubled spinsters contemplating suicide, or as players in an affair with dark and mysterious consequences. Lange's imaginative excesses and almost hallucinatory images make this uncanny exploration of desire, domestic space, voyeurism and female isolation a twentieth-century masterpiece. Too long viewed as Borges's muse, Lange is today recognised in the Spanish-speaking world as a great writer and is here translated into English for the first time, to be read alongside Virginia Woolf, Clarice Lispector and Marguerite Duras.

At an otherwise forgettable party in Los Angeles, a queer Korean American painter spots a woman who instantly controls the room: gorgeous and distant and utterly white, the centre of everyone’s attention. She wants Hanne, or wants to be her, or to sully her, or destroy her, or consume her, or some confusion of all the above. Since she’s an artist, she will use art to get closer to Hanne, beginning a series of paintings with her new muse as model.Your Love Is Not Good stuffs queer explosive into the cracks between identity and aspiration, between desire and art, and revels in the raining debris.‘Impassioned, wry, compassionate, and hell-raising, this novel illuminates its frangible but resilient world the way a painter uses color on canvas to illuminate the focal point of her vision – building layer after layer of meaning until the image appears as if it has always been there for us to see. A resplendent and fearless book. Must read.’ Kirkus starred review

Shortlisted for the Dublin Literary AwardShortlisted for the Governor General's Literary Award for FictionShortlisted for the ReLit Award for NovelNoopiming is Anishinaabemowin for ‘in the bush.’ In it, Simpson and a cast of seven – Akiwenzii, the old man; Ninaatig, the maple tree; Mindimooyenh, the old woman; Sabe, the giant; Adik, the caribou; and Asin and Lucy, younger humans – turn the tables on colonial myth-making, exposing the unnatural strangeness at the heart of settler-capitalism. With warm humour and canny observation, The Cure for White Ladies breaks open the self to a world still alive with people, animals, ancestors, and spirits.